Ein junges Mädchen, das zu ihrem Vater und seiner neuen Freundin geschickt wurde, glaubt, dass sie Kreaturen aus einer versiegelten Aschengrube im Keller ihres neuen Hauses befreit hat.Ein junges Mädchen, das zu ihrem Vater und seiner neuen Freundin geschickt wurde, glaubt, dass sie Kreaturen aus einer versiegelten Aschengrube im Keller ihres neuen Hauses befreit hat.Ein junges Mädchen, das zu ihrem Vater und seiner neuen Freundin geschickt wurde, glaubt, dass sie Kreaturen aus einer versiegelten Aschengrube im Keller ihres neuen Hauses befreit hat.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
- Housekeeper
- (as Edwina Ritchard)
- Caterer
- (as Emelia Burns)
Empfohlene Bewertungen
Cons: not very scary, too much CGI'd gremlins, and a very predictable/slow plot
Conclusion: rent the original and skip this remake
The much anticipated, by me, remake of the 1973 made for TV movie of the same name left me feeling extremely disappointed. The plot was fairly simple. A young girl Sally (Bailee Madison) moves in with her father Alex (Guy Pearce) and his girlfriend Kim (Katie Holmes), into a house Alex and Kim are fixing up to sell. Soon upon arriving, adventurous Sally discovers the house has a basement and that the family is not alone. The basement's fireplace is inhabited by little CGI'd creatures that terrorize the family, especially Sally. The actors I felt all did an adequate job playing their parts, especially young Sally (Bailee Madison), who played a convincingly cynical little girl fed up with being 'sold' by her mother to live with her father. Overall the movie was very predictable and offered very few scary moments. The creatures from the original, people dressed in little goblin costumes, were sparingly showed. I think it was way more effective than the over-shown little gremlins in this movie, which looked to me like Chihuahuas that could speak. Save your money and skip this one!
I thoroughly enjoyed how the creatures looked, moved, and acted. It reminded me of a more modern-made version of the little imps from the movie "The Gate." Instead of dreading them and being on the edge of my seat, I was waiting to see them and their antics again. Perhaps that's why the other reviewers are angry. Perhaps this film has been mis-marketed.
If you like creepy little bipedal monsters that look like imps/goblins, then this movie is for you. If you like fantasy monsters and played Dungeons and Dragons as a kid then you will enjoy this film. If you enjoy medieval European folklore and cryptozoology then you will be as entertained as I was.
And slowly, bit by bit, the potential ebbs away, leaving this a soulless and artificial experience. It ends up being overexposed and under-written, a jumble of pointless scare sequences and endless CGI nonsense as the inhabitants of the household are repeatedly put at the mercy of some unwelcome critters. In some ways it's like a modern day GREMLINS, and it has a very childish feel to it despite the adult rating. There are parallels to other del Toro fare like PAN'S LABYRINTH but this is nowhere near that kind of calibre. The only thing it makes me want to do is track down the original.
The film I most likened it to was, in fact, an obscure early '90s B-movie called LITTLE DEVILS: THE BIRTH, which was much better in terms of pure, unashamed fun - the effects were better too. DON'T BE AFRAID OF THE DARK is just lazy, with cheesy CGI and only one good scare all the way through. Finally, the cast is underwhelming: Pearce is a sleepwalker, Katie Holmes embarrassed, and Bailee Madison once of the most irritating child actors I've seen in a while. Still, at least Pearce got to team up with NEIGHBOURS' Alan Dale (aka Jim Robinson) for a couple of scenes...
Wusstest du schon
- WissenswertesThe runes carved into the stone over the furnace that the creatures live down spells out "Be Afraid" in Elder Futhark.
- PatzerKim ends up tangled in the ropes of the fairies and dragged down into the basement. This tragedy is a loose end. No police report is filed, no other characters are shown to react to this and the aftermath of this event is never built up on. This is because the creatures must take one life to replenish their numbers each time they come out. In the original movie, Kim is their target, to make her one of their own. The taking of Kim at the end of the movie and her speaking later on with the creatures implies that she was turned into one of them and is no longer human. This is idea is further encouraged by one of the creatures who seems to hold a resemblance to Blackwell who was also taken along with his son.
- Zitate
[last lines]
Creatures: They will find us. We must fight.
Kim: No. We will go deeper, and we will wait. They will forget, and others will come.
Creatures: When will they come?
Kim: Soon, soon.
Creatures: Yes.
Kim: We have all the time in the world.
Creatures: Yes.
Kim: All the time in the world.
Creatures: All the time in the world.
- VerbindungenFeatured in The Nostalgia Critic: The Care Bears Adventure in Wonderland (2011)
- SoundtracksWhen You and I Were Young, Maggie
Written and Performed by John McCormack
Courtesy of Bluebird/Novus/RCA Victor
By arrangement with Sony Music Entertainment
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- No temas a la oscuridad
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 24.046.682 $
- Eröffnungswochenende in den USA und in Kanada
- 8.525.728 $
- 28. Aug. 2011
- Weltweiter Bruttoertrag
- 38.269.529 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1