The Devil's Double

I'm a big fan of Dominic Cooper, but he's not enough to save this truly bizarre and puerile film.

The film starts off with Uday hiring a doppleganger of himself (Latif), to pass off as him publicly. Latif, hasn't really a choice, and is portrayed as having some morals, Uday is portrayed as a millionaire playboy, who is a murdering brute who gets off on violence, sodomy and rape. His only redeeming quality is his penchant for 80s British synth pop (?).

The film becomes increasingly outlandish. If it were a true story, then this could have been quite fascinating. I learnt nothing, and by the end had tuned out. It reminded me of the last king of Scotland, which I didn't enjoy either.

I thought it were unnecessary for Cooper to play both the leads. It felt unbelievable as both characters appeared unrealistically identical.

I knew nothing of the back story of Uday, a quick glance at Wikipedia describes him as quite the devil. That much the film gets right. There's some artistic license used at the end of the movie.

I saw this movie not realizing that both leads were being played by one amazing actor!!! Dominic Cooper was exactly that: amazing. And deserving of an Oscar nomination when the time comes for handing them out. My film club was fortunate enough to have an interview with DC via Skype and found him to be as charming as he is talented.

Some seem to find fault with this film because it reminds them of Scarface. I don't get that at all. Perhaps they mean that at times it is operatic, over the top, but it is, after all, a biopic about a crazy man, and to me anyway, the parts of the film that deal with the double offset the high drama perfectly. Highly recommended!

There are many ways to describe Uday Hussein, Saddam Hussein's oldest son. None of them are positive.

The Devil's Double is a "take no prisoners" film that's as hard to watch as it is entertaining. It follows Latif Yahia (Dominic Cooper), an Iraqi soldier from an upper class family, who is plucked from the war to act as Uday's double. Uday (also played by Cooper), remembers the comparisons the two would get when they jointly attended grade school. He asks Yahia to be his double - for both political and personal reasons. Like his father, Uday is in a constant state of worry over an assassination attempt. Further, he wants to send Yahia on personal trips that he himself doesn't wish to attend. Yahia, kind and warm, refuses, but is forced to with the threat of harm to his family. Yahia is given cosmetic surgery and dentures to complete the look.

Yahia is thrust into Uday's world. This is a world filled with rape, torture, murder, drugs, sex and money. The lifestyle that the Hussein's live is more than Presidential - it is royal. Immediately, Uday claims Yahia as his own property. Uday has grown into a monster, getting whatever he wants and never having to deal with the consequences. Yahia is who he wants. The atrocities he witnesses because of Uday disgust him, but he is stuck in this nightmare. We watch as Uday preys upon young girls walking home from school. We watch as he guts his father's best friend at a party. We watch Yahia struggle with the lifestyle he is forced to live. Uday's fascination with Yahia grows stronger and it enters your mind that Uday may actually be in love with his double. This doesn't necessarily mean in a romantic way, but because his love of himself is so great, that he sees Yahia as apart of himself.

While the rest, as they say, is history, I certainly don't want to spoil the way the rest of the film plays out. This is a movie that you must see for yourself!

The acting in dual roles by Cooper, his first film as lead, is Oscar worthy. He gives both men their own voices, mannerisms and idiosyncrasies, that instantly allow the viewer to tell them apart. Subdued and stoic, Cooper plays Yahia as a guilt ridden man, grappling with the life he has been thrust into. He plays Uday as a manic, hyper madman with a broken smile and a creepy laugh. You literally believe they are two different actors.

Latif is an ordinary man who is thrust into an extraordinary situation. An object of admiration for the President's son, he has no choice but to comply with the excruciating horrors that are put forth before him. Never once, however, do we seem his morals waver.

We know how it ends, but as with life, it's the journey that's important. The Devil's Double is the real life, Middle Eastern Scarface. Powerful, unsettling, thrilling and always entertaining, The Devil's Double, is quite easily one of the best movies of 2011.

From PopCultureWhore.com

The posters for director Lee Tamahori's The Devil's Double (18) declare it to be "Scarface of Arabia", referring both to Brian De Palma's 1983 gangster opus Scarface and the film's setting during Saddam Hussein's brutal rule in Iraq. The Devil's Double is based on the true story of Latif Yahia, an Iraqi soldier chosen by the regime to be the body-double of the dictator's infamous son Uday, with both roles played by Dominic Cooper.

The perks of the job are acceptable: enough designer clothing and willing women to make the average Premiership footballer looking like a trappist monk. However, the downsides are considerable too: torture, being shot at – and the fact that the penalty for seeking alternative employment is the death of Latif's entire family.

Dominic Cooper stars in Devil's Double with Ludivine Sagnier.

Dominic Cooper stars in Devil's Double with Ludivine Sagnier.

It is easy to see why The Devil's Double has been compared to a gangster film. All the whirring, terrifying madness of Uday's world is depicted with the brutal verve one finds in Scarface and other films of its ilk. Instigating nightclub orgies while American bombs are exploding and shooting at loyal companions in psychotic rages are all part of Uday's regular routine.

The direction, intermingling footage of Operation Desert Storm with debauchery, captures the craziness of Uday and Latif's world with a lurid style.

Again, like a great underworld film, Cooper's performance as the central villain is masterful, capturing Uday's menacing madness and chewing the scenery in between sucking breasts or shovelling cocaine up his nose. His performance as Latif is equally striking, but in a more nuanced way. We are never in doubt which one Cooper is portraying; his sickened desperate body language showing through even when Latif is Uday.

Yet this film is not Scarface, and Uday is not Tony Montana. Tony Montana, like most anti-heroes found in films depicting criminals, had a form of morality. It may have been a twisted, cocaine-fuelled morality but it was one none the less. Uday has no morality; worse than that, he's evil even by the standards of his father, a man who thought nothing of gassing entire ethnic groups. This gives the film a heart of darkness. Uday is possibly one of the most horrifying characters ever to grace a cinema screen, proving it at regular harrowing intervals with crimes of a scarcely believable depravity.

This leads me to the film's central flaw. Despite Cooper's performance, Latif's story never quite feels as compelling as it should be. The script at times makes a good man's forced descent into hell on Earth seem more like a mob underling's troubled conscience upon witnessing his boss go too far. One scene, which directly juxtaposes his actions in saving others from Uday's horrors, doesn't have anywhere near the emotional resonance it should. One gets a sense that in trying to show us a world in which a moral compass is more likely to be thrust into the genitals of an innocent than providing any sort of guidance, the film has lost some of its humanity along with its protagonists.

Despite these flaws, though, The Devil's Double is still an excellent film. It is a brave attempt to portray a difficult and scarcely believable story. Even its failure to completely emote is understandable given the skill with which it presents its harrowing world. Due to this, and possibly the performance of the year from Dominic Cooper, its flaws are eminently forgivable.

Verdict: ●●●● A must-watch for Cooper's performance alone, but expect to be troubled as well as thrilled throughout.

Read more reviews on www.theupcoming.co.uk

At no point does this feel as though it brings any truth to the history of Uday Hussein or Latif Yahai. Which makes me ask 'why make a film based on real events and then just soften it all up for an audience'??

The actual truth and reality behind the film is washes aside for repetitive Hollywood storytelling which ends up making NO SENSE in several parts and is a true waste of time.

This film was recommended to me several years ago, now I have a week off work I decided to watch it. Since it finished I now longer have said friend on Facebook. You're deleted for your terrible taste you turd.