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Unfortunately, this version of the great classic does not do it great justice. Bohdan Stupka's great performance does not elicit much response in either Vladimir Vdovichenkov as the brave Ostap or Igor Petrenko as the tragically star-struck Andrii. Partly, this looks like a poor script as the lines follow just too closely the original text of Gogol. Partly, this goes to the director's focus which was far more on the settings than dialogues, except when delivering propaganda one-liners a la Eisenstein or Dovzhenko.

Overall, this version of Taras Bulba seems just too much of an agitprop forthe new Cossack village creed of militant Russian patriotism and pride in martial traditions of the legendary steppe marauders which finds its natural outlet in heavy drinking and voting loyalty to Yedinaya Rossija.

I mostly agree with comments posted previously by other viewers, about the permanent propaganda-style used in longish and unrealistic patriotic speeches. I translated the movie into French and English subtitles to add on divx (they will be available soon on OS) and I got quickly bored by the seeming repetitiveness of several speeches. Beingmarried to a Ukrainian lady, I'm also very much aware that Bortko had to kinda "steal" the true story and replace it by Russian propaganda. Just have a look at who's at the steering wheel in Russia, now ! My feeling is that this movie was sponsored by Russian public funds for the "nashy" and their followers.

Film initially glue you with seat. You feel it interesting. Faces expressing the personality. Good photograph. But when you reach to the end, too much spilling of blood on screen nourish distaste. It would have been a good picture if it had sensible editing.

Bortko set out to make an apparent epic here, but sadly, missed an opportunity to tell a great story. I researched Gogol before watching this film; the essence of the story is covered in the film's plot. What Gogol did NOT include was the Russian polemic which slaps you in the face at every turn in this film.

I agree with some of the other reviewers that casting and costuming were great! Fabulous actors, wonderful faces, but a sodden, leaden, boring script deprived them of a chance to display their true talent. Bogdan Stupka is always a pleasure to watch, and for a better version of these times, watch Hoffman's 1999 Polish epic "Ogniem i mieczem", in which Stupka plays Bogdan Khmelnitski.

The patriotic speeches, both in the sich and during the battle death scenes, slowed the movie to a dead crawl (no pun intended!) and greatly detracted from the film's impact. As others have noted, this is truly a Ukrainian story, not a Russian one. Ukraine was mentioned only twice in the movie (I counted). Endless speeches (particularly with a slit stomach) about the sacred Russian soil really have no place in a story about Polish/Ukrainian struggles, and only serve to underscore that the film's budget was heavily subsidized by the Russian government. At a time when the East and West need to work together to solve this world's problems, western xenophobia seems highly counterproductive. Such films only widen the divide and hurt us all as creatures of this planet.

One note about the score: nice idea again, but endlessly repetitious. I recognized in the main theme a variation of a famous Ukrainian carol "Novo radist stala", which I have sung many times, but it was extremely overdone. A little variation would have been nice. The repetitive score reminded me of another score for Bortko's "The Idiot", a wonderful Russian serial based on the Dostoevsky novel (2003). More endless repetition of the musical theme was the one negative in an otherwise flawless ensemble of actors and a compelling story.

In summary, this film was watchable but mostly boring. Some of the horrendously violent scenes made me cross myself. Not a total waste of two hours; however, it left me feeling that it could have been so much better with a little more effort and less propaganda.

Absolute crap!

A mock on a great drama, as if it was in directors intentions to spit in Gogol's and viewers' faces.

When the third dying person begins another tirade on how much he loves his country (which has no relation to what Gogol wrote and even never was true since cossacks have always been the free people) you start to expect American flag to wave on the background.

I can't believe that this piece of dogsh.. is made by director of the classic "Sobachye Serdtse".

I don't want to believe!

"Do we have powder still in our flasks?" asks Taras his comrades during a violent battle. It is quite often that this very question is attributed to contemporary Russian movie makers meaning whether they are still able to create genuine works of art. And for me this movie gives an affirmative answer, at least in relation of Vladimir Bortko. I watched this film yesterday and I am still impressed with it. I enjoyed how actors played though sure Bogdan Stupka makes an absolutely outstanding performance, but the whole actors' ensemble is very well doing. Also I found cinematography very interesting. And sure Bortko deserves praise for his solid work which reminded me about those soviet times when such masters as Gerasimov or Romm created their epics.

This movie is about tremendously difficult choice between different values, between devotion to motherland (fatherland) and love for a woman, between traditional values of Russian people and values of west though in this movie we see how allegedly enlightened polish gentry (regarding itself as beings of higher order than cossacks ) executes cossacks in the most cruel way.

Though I have to honestly admit that I don't know how fully this movie renders Nicolai Gogol' story. Anyway I found the movie very interesting by itself not even in relation to the original source.

.... And I guess that's the problem. Unabashed patriotism is OK for some, not for others. The Zaporozhians' battles in defence of Orthodoxy, when it was being attacked on two fronts, is a story that must not be forgotten. The film is impressive in its historical detail, costumes, etc.... the music (and some of the acting) is a little melodramatic, but I think it's a fitting thing for a rousing film. The scene of cossacks writing a letter to the Ottoman Sultan (an actual event from 1675) is reminiscent of the famous Repin painting depicting it. A grittier, less glam/swashbuckling version than the Yul Brynner classic, but that's what this story needs. It will never get wide theatrical release in North America because it is too honest, and not politically correct enough. Who cares. It's in my video collection, and it is becoming a favourite quickly.

This "film" is the essence and the face of today's cinematograph in Russia. It has all of symptoms of it's serious illness. Let me enumerate some of it.

First - film is made by government order. In this specific case it has to show Russian crowd that Poland is Enemy and that Ukraine belongs to Russia. But it's made so rudely and primitive that polish characters even win our sympathy against "kassaks".

Second - budget of this film is enormous while independent cinema doesn't have ANY state support and has no small chance to develop.

Third - Vladimir Bortko, director of "Taras Bulba" is one of that previously talented soviet artists who mutated under the new power and lost everything what they had for what we loved them (Bortko made "Heart of a Dog" in 1988 by Bulgakov's story). Another brightest example of such a mutant - Nikita Mikhalkov, the main monster of "new Russian cinema".

Fourth and last - work of every member of film crew is absolutely weak. Awful editing, feeble script, fast-food directing, horrific two-melodies soundtrack made by extinct pop-star Igor Kornelyuk, hysterical special effects with blood made by Photoshop or Paint redactor, endless and cheerless battle scenes (under the rain with clear sky) and so on...

This is not just a disappointment, this is a real condition of Russian cinematograph. And it will not change until the same people from ruling party leave their chairs.

In same time, an error and a masterpiece. A film in which history is only an political instrument. Strong, hilarious and aggressive. And a movie in which every detail is explore in fantastic way. So, the result is a schizoid work. Shadows of Jirinovsky and medieval air. A fake Ukraine and romantic sticks. A huge picture and a boring manifesto. But the delicate fact is the absence of Gogol. The director, in past maker of spectacular pages of lost history, is in this sad case only organiser of a Russian propaganda show. Enthusiastic and full of good intentions, he crushes the original story. The Christmas tree is impressive; but only ornaments. The wood is far of the public. It is difficult to say if "Taras Bulba" is a disaster. The crumbs are good taste. The cake is old and strange. But the memory is more tempt by the beautiful coins and Kosacs costumes.

It is a unsuccessful screen version. Fights and if film consists half of war it is shown as old shootings 50 years ago are very badly made. Actors are good, but that pathos of patriots is far-fetched.

It is not present at Gogol. The director did not know my opinion that on a genre will be better and has drowned all in blood.

The big minus that if a trick master has been expelled from movie by director. It is a minus to the director who cannot work on modern movie.

And the result of visually beautiful duels is a parody of the battle. It is attempt to make rigid cinema ridiculous when you see as fight on a background cossacks. For the main heroine have forgotten to write the text - it only laughs. Each cossack considers as the duty (before death) to tell pathos words. But they are unnatural in such situation.

I am assured, that it is cinema 25000000 dollars are not necessary

I was really looking forward to watch this movie but when I actually got to see it, I couldn't stand more than 15 min of this amateur level time waster- silly and unbelievable speeches, video, sound effects... it was just horrible. I fast forwarded to the battle scenes and it was just as bad- a bunch of people in pretty dresses running around, gunshot sounds taken straight out of old western movies, Polish hussars charges looked like a slow walk in a park.. the whole thing looked like a parody.

If this movie was a college cinematography project, I would give it 7/10, but it wasn't, so I give 2/10 for nice dresses.

The 2009 Russian-made adaptation of "Taras Bulba" yet again highlights the directing genius of Vladimir Bortko. The film is beautifully crafted with spectacular costumes, truly epic battle scenes and a melodic score.

The cast is hand-picked to suit the roles perfectly, with Vladimir Vdovichenkov (Brigada, Bumer) playing the patriotic Ostap. Igor Petrenko (Geroy Nashego Vremeni, Volkodav iz roda Serykh Psov) is seen in yet another negative role that the audience can sympathise with - the traitorous Andrey. The stunning Magdalena Mielcarz (Quo Vadis?, Limousine) plays Elzhbeta, Andrey's love interest, and his sole reason for betraying his father and country. However, the real show-stealer is Bogdan Stupka (Est - Ouest, Ogniem i Mieczem), who portrays the brave Cossack Colonel Taras Bulba. The fearsome leader's role is played superbly, with his character catching on the exact same vibe that came off him in the original novel. A noteworthy mention also goes to the Russian cinema veteran Mikhail Boyarsky (D'Artanyan i tri Mushketyora, Gardemariny, Vperyod!), seen as Moisei Shilo, a well-respected Cossack and a seasoned warrior.

The film remains true to Gogol's 1842 edition of the novel and to history. The Cossack's repeated words of praise for the Russian Land and Orthodox Christianity can be found in the manuscript. The political situation at the end of the XVI century in Ukraine was that it's cultural and religious life was being tarnished and oppressed by the Polish-Lithuanian Commonwealth, the Rzeczpospolita. The Zaporizhian Cossacks were frequently involved in violent clashes with the Poles, which lasted well into the XVII century, until Ukraine requested Russian military assistance to finally defeat Poland and force it towards diplomacy. Interestingly, the Cossacks considered themselves independent from any nation, be it Russia or Ukraine, and they did not recognise the sovereignty of either ruler. Instead, they elected their own leaders and fought for their lands - the lands of the old Kievan Rus' that were united by Orthodoxy, and called Rus' for short.

With the budget of 516 million Russian rubles, Bortko is able to re- create the feeling of the time, aided with mass numbers of actors to ensure the realism of battle. Zaporizhian Sich was built as an accurate depiction of a Cossack settlement and the costumes used are reflective of the dress sense of the various factions.

Surely the picture could be improved on a number of fronts. Andrey's character development suffered, largely due to the time constraints of a single part film feature, however, that did not detract from the empathy one could experience with him. Another element that suffered from time constrains is the number of self-reflective narratives, that provide an insight on the various characters, present in the original novel. This is a common problem to all film adaptations of previously written materials.

Overall, Vladimir Bortko's "Taras Bulba" is a solid historical feature and a worthy adaptation of Nikolai Gogol's masterpiece. While it is somewhat inappropriate to compare it to a mini-series, the film reaches the same high standard set by Bortko in "Master i Margarita".

8/10

This laughably propagandistic movie from Russia is based upon one of the wars between the Poles and the Cossacks. Along with the incredibly irritating Russian tendency to vocally translate other languages instead of using subtitles, this movie features bad melodramatic music and excessive dialogue, not to mention stock sound effects. They didn't even wait for an overcast day to play scenes set during rainy days; nope, they went ahead and did the scenes with a rain bar on a sunny day. About the only redeeming factors of this movie are the costumes and the weaponry (multiple shot pieces and an arquebus both make an appearance). Otherwise, you can watch this if you wish to have a good laugh.

Taras Bulba the movie had very great deep meaning to it, very good actors, one of my favorite movies now.

But the fighting scenes were bad, guess they ran out money when they bought too many expensive actors and actually filmed the movie in Zaporozhia, Ukraine, unlike many Hollywood movies where they are filmed in a studio the whole time.

My father called this movie Bumer 3, if you haven't watch those movies watch them, he called them this because they have very great meanings but are ruined because not enough money or modern use of directing is used in these movies.

Overall this movie is great and I hope you see it.

This propaganda movie is a weapon in Russia's informational war against Ukraine and Ukraine's history... Peter the First had stolen Kievan Rus' name (by renaming Moscovia to Russia in 1721) and now Putin is trying to steal Ukraine's history...

1) Cossacks where UKRAINIANS.

2) They spoke UKRAINIAN language.

3) They did NOT fight for "Russia".

4) They fought against occupants (including Moscow's occupants).

In first edition of Mykola Gogol's "Taras Bulba" (1835) there where NO "Russia"-words, but everywhere where "Ukraine" instead. "Russia"-words appeared later (in 1842' edition) through PRESSURE of Moscow's censorship. But Bortko intentionally makes this movie based on that (1842's) edition.

THIS MOVIE IS A FAKE !!!

PS. Sorry for my English :)

Bogdan Stupka. in fight to create a credible Taras. a literary gem. who becomes a political tool. that is all. the film has a lot of sins but the basic problem is the ambition to create a Hollywood blockbuster as support for the Kremlin 's interest. the fragile beauty of the book is lost. the Kozaks becomes Russian puppets. the Pole society is victim of a Manicheism who not convince and not impress. the entire story becomes an aggressive political speech. sure, many historical films from the East Europe are illustrations of the same recipes. but under the Communism regime. and the delicate problem is to transform Ukraine in a part of Russia, to use special effects for ignore the senses of book, to destroy a noble idea for a not real decent result. short, a Russian story. full of nationalism. and not convincing . useful for a kind of public . and not more that.

The film "Taras Bulba" distorts historical events, falsifies and discredits the Ukrainian national idea, and in general, is blatantly anti-Ukrainian, casts doubt on the very existence of the Ukrainian people

First of all, sorry couse my broken english. Second, this is a masterpiece. Casting, actors, cosaks faces, outfit, I was filling like I was there, fighting with them, with Kozaks. Acting was outstanding. At the end of the film, I was heart broken, but happy. After all, I have realized how many things Mell Gibson have stollen from Gogolj story, and put them in Braveheart. Anyhow, this is real story, great story, from great Slavic history.

I started watching the film and decided to know a bit more about it - so I looked up more information/history on subject. What I found out is something I care not to get myself involved with this. I fast-forwarded to the end - watching some of the battles (which looked fine to me). I care not to take sides in this matter so I will rate the film in the middle ground.

5/10