Die Geschichte zweier Männer auf verschiedenen Seiten eines Gefängnisaufstandes - der Häftling, der die Rebellion anführt, und der Wächter, der in der Revolte gefangen ist und sich als Gefan... Alles lesenDie Geschichte zweier Männer auf verschiedenen Seiten eines Gefängnisaufstandes - der Häftling, der die Rebellion anführt, und der Wächter, der in der Revolte gefangen ist und sich als Gefangener ausgibt, um die Tortur zu überleben.Die Geschichte zweier Männer auf verschiedenen Seiten eines Gefängnisaufstandes - der Häftling, der die Rebellion anführt, und der Wächter, der in der Revolte gefangen ist und sich als Gefangener ausgibt, um die Tortur zu überleben.
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- 44 Gewinne & 28 Nominierungen insgesamt
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Great idea for a movie, apparently the Yanks are going to remake it.
I think that will be good too, if they polish this movie up well, it will be even better.
New scariest movie prison dude ever in the halfwit enforcer.
Fair bit of action, pretty tense at times, even the wife or girlfriend will enjoy it as it's very easy to follow, even with the subtitles.
Not for kids, but there is nothing in here teenagers haven't seen before.
Got to fill in some more lines ffs. Is that enough?
Fiercely tense with a cracking pace, an edgy sense of urgency and some ugly scenes of brutality, it's also got some great and believable performances as well as some rather poignant scenes, as bonds are made between prisoners and our protagonist gets to see things from their perspective.
Yet the last thing Cell 211 is is generic. It has some refreshingly genuine left field unexpected twists and developments that keep you pretty much hooked, from its attention grabbing opening scene to its blistering conclusion. It also does a great job of keeping you in suspense as to whether or not our protagonist will be discovered, with the viewer left under no illusions what will happen to him if he is.
It's also got some very decent production values and mercifully refrains from that awful jump cut editing during the more chaotic prison scenes.
But best of all is its sheer unpredictability as trust me- after the hour mark, you really won't be sure how things are gonna turn out and will be hooked all the more.
Overall a great film and highly highly recommended. See it now, you'll be glad you did. 9/10, Sheer class from Spain.
Movies about prison are usually engaging, but "Celda 211" is spectacular and one of the best films about prison. The dramatic screenplay is realistic, with a story of friendship and pain using the background of the environment of a prison and ETA in Spain, and the tight direction is supported by top-notch performances. The unknown actress Marta Etura is so gorgeous and sweet that increases the impact of her incident. My vote is eight.
Title (Brazil): "Cela 211" ("Cell 211")
So so. It's been a long time, when i last time saw a film about prisons. Maybe it was "The Shawshank Redemption", i truly can't remember. I think, there isn't much films these days about "true" prison life (i still didn't saw "Un prophète"). Now, the thing i want to say is that i can't remember any other "prison" movie, except "The Shawshank Redemption" and "Midnight Express",but now, i'll always remember "Celda 211" (Cell 211-international title). This film goes "straight to the bone". Really great cinematography, excellent job by director (two thumbs up to Daniel Monzón), unbelievable acting - still can't believe that these guys aren't real prisoners. This film has it all. The only reason i saw this film, is that i watched "Agora", another great film from Spain, and was really surprised, when i heard, that "Agora" was overwhelmed at Goya Awards by some "prison drama". Now i can say, that "Celda 211" is the best film from Europe in long time - and i don't say this very often.
Go and watch this film, You won't be regretting.
Gran película and bravo to Spain!
This is a story of a prison guard, Juan Oliver (played by Alberto A) who decided to go to work one day before he actually begins to 'make an impression'. What awaits him later is a riot, which forced him to be locked in Cell 211 after suffering an injury to his head. He knows the only way to live is to be one of them, and so he acted as an inmate. But until when can he keep it to himself? He has to make peace with the rest of the inmates and gain the trust of their 'leader' Malamadre (played by Luis Tosar) as they take hostage of high profile, terrorist-prisoners. He later learns an ugly news of his pregnant wife outside prison and his life is never the same again.
This movie plays around the humanity of man and how corruption and distrust can affect a man's freedom and ultimately, his life. There were moments in the show. Obviously, the prison riot. The police riot scene later was well delivered straight to its core, which led to the falling domino pieces in the movie. The turning point of Juan's character was when he received the news about his wife. Fine acting by all the cast with amazing characterization, awesome cinematography and directing at every scene!
The development of the plot is great, at points where it creates suspense left me on the edge of my seat. The blossoming relationship between Juan and Malamadre is well crafted, and believable- that i don't see in many other movies these days. It felt like Caesar in Rise of the Planet of the Apes.
Walking out the cinema, i was left to ponder at many questions with respect to the show. Why was Juan left in Cell 211 at the first place? As if a curse is cast to the cell. It will be interesting to watch the Hollywood remake of the movie in two years time and i hope it does remain to its authenticity. Definitely award-worthy, it accentuates prison drama at its best- pulling heartstrings despite its violence and vulgar language.
My cinematic experience has truly broadened. And i am sure yours will too after watching this movie.
Wusstest du schon
- WissenswertesThe movie is dedicated to Luis Ángel Puente, a fireman of the city of Zamora (Spain) where the film is located. He participated in the film and died rescuing two boys in the Duero river shortly after.
- PatzerWhen the minister is heading to the prison, the car he is driven in is shown as an Audi A6 (1997) from the front, when arriving to the prison the car is shown from behind, but this is an Audi A8 (2005) model.
- Zitate
Malamadre: So the guards beat you up your first day. You must have pissed them off.
Juan Oliver: I do my best.
- VerbindungenFeatured in WatchMojo: Top 10 Spanish Language Movies (2016)
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- Budget
- 3.500.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 19.305.314 $
- Laufzeit1 Stunde 53 Minuten
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- Seitenverhältnis
- 1.78 : 1