Püha Tõnu kiusamine
- 2009
- 1 Std. 54 Min.
IMDb-BEWERTUNG
7,1/10
1415
IHRE BEWERTUNG
Ein mittlerer Manager entwickelt eine Aversion dagegen, "gut" zu sein, und sieht sich bald so sehr mit rätselhaften Fragen zu Moral und dem mittleren Lebensalter konfrontiert, dass er den Si... Alles lesenEin mittlerer Manager entwickelt eine Aversion dagegen, "gut" zu sein, und sieht sich bald so sehr mit rätselhaften Fragen zu Moral und dem mittleren Lebensalter konfrontiert, dass er den Sinn für das verliert, was einmal sein ruhiges Leben ausgemacht hat.Ein mittlerer Manager entwickelt eine Aversion dagegen, "gut" zu sein, und sieht sich bald so sehr mit rätselhaften Fragen zu Moral und dem mittleren Lebensalter konfrontiert, dass er den Sinn für das verliert, was einmal sein ruhiges Leben ausgemacht hat.
- Auszeichnungen
- 2 Gewinne & 4 Nominierungen insgesamt
Hendrik Toompere Jr.
- Actor
- (as Hendrik Toompere)
Katariina Unt
- Actor's Wife
- (as Katariina Lauk)
Marika Barabanstsikova
- Urbo's Wife
- (as Marika Barabanštšikova)
Empfohlene Bewertungen
I think it's an awesome film. I watched it twice, a few months apart. Gotta let the first watch settle I guess.
Tony is a decent guy but the world he lives in has some values that are crappy. Well, that's our world isn't it. Should we give to the poor person who bothers us? While we're having a fine time in our nice homes.
Who is cheating on who, mistrusting wife says to doubting husband. His lover finds him nice, and her father is a miserable man.
Bur none of this prepares you for the final third of this movie when he goes to a strange club after his girlfriend is kidnapped and taken there. Things get real strange then, and the last part of this movie is terrific and bizarre.
Tony is a decent guy but the world he lives in has some values that are crappy. Well, that's our world isn't it. Should we give to the poor person who bothers us? While we're having a fine time in our nice homes.
Who is cheating on who, mistrusting wife says to doubting husband. His lover finds him nice, and her father is a miserable man.
Bur none of this prepares you for the final third of this movie when he goes to a strange club after his girlfriend is kidnapped and taken there. Things get real strange then, and the last part of this movie is terrific and bizarre.
Bizarre and beautiful, disturbing and droll, "The Temptation of St. Tony" wonders what it means to be a good man by questioning the very foundation of morality in a world dominated by nihilistic ideas.
"«The Temptation of St. Tony» is a harrowing, often darkly comic nightmare, studded with allusions to art, literature and film."
Veiko Oonpuu's bold, contemporary update of the stations-of-the-cross genre more than lives up to the promise of his 2007 debut, Autumn Ball. Nods to filmmakers Bergman, Fellini, Bunuel, and Tarkovski aside, with a wink at such cultural icons as Bosch, Flaubert, and Blake, his imprimatur is on every frame of this delicious black-and-white prestige product.
As universal as its theme is, The Temptation of St Tony is also grounded in a specifically Estonian geographic and political landscape. (The near-naked protagonist wraps himself in the Estonian flag at one point for protection against the cold.)
In spite of a firm directorial hand, Ounpuu is a collaborative artist. He fuses Taniel's stunning cinematography (many of the exteriors feel primeval), a haunting soundscape, and Krigul's diverse original score into a substantial vision of man's metaphysical dilemma, one that provides Eelmaa a conduit in which to play out his magic.
"«The Temptation of St. Tony» is a harrowing, often darkly comic nightmare, studded with allusions to art, literature and film."
Veiko Oonpuu's bold, contemporary update of the stations-of-the-cross genre more than lives up to the promise of his 2007 debut, Autumn Ball. Nods to filmmakers Bergman, Fellini, Bunuel, and Tarkovski aside, with a wink at such cultural icons as Bosch, Flaubert, and Blake, his imprimatur is on every frame of this delicious black-and-white prestige product.
As universal as its theme is, The Temptation of St Tony is also grounded in a specifically Estonian geographic and political landscape. (The near-naked protagonist wraps himself in the Estonian flag at one point for protection against the cold.)
In spite of a firm directorial hand, Ounpuu is a collaborative artist. He fuses Taniel's stunning cinematography (many of the exteriors feel primeval), a haunting soundscape, and Krigul's diverse original score into a substantial vision of man's metaphysical dilemma, one that provides Eelmaa a conduit in which to play out his magic.
New Õunpuu's film is a real jewel in contemporary cinema. It confirms his bright talent and distinctive sense for storytelling. "Temptation of St. Tony" is full of epic scenes which (one day) might get praised as some of the highest cinema peaks of our time. Leading you trough the dark corridors of mankind director awards the viewer after each corner with such visual brilliancy that you can't get irrelevant. Cinematic language of "Temptation of St. Tony" is closer to classics like Antonioni, Bunuel or Tarkovsky than to contemporary film making styles. After "Sügisbal" and "St. Tony" it's sure that we have a new, complete author on cinematic stage. Let's celebrate.
A film that follows the travails of a middle management guy through a black-and-white Estonia, leading from funerals to swamps to theatres, from dinner parties to ruined churches and a cannibal cabaret nightclub.
This is an unusual and original film... whilst it has echoes of film-makers such as Roy Andersson or Bela Tarr, it is also clear that Ounpuu has his own original voice to develop. In a few places the surrealism or absurdism seemed, to me, a bit forced or self-conscious,but in many places the film is truly unique, funny, disturbing, odd, dreamlike and poignant. An unhoned, rough talent maybe, but a big one.. I'll look forward to his next film...
This is an unusual and original film... whilst it has echoes of film-makers such as Roy Andersson or Bela Tarr, it is also clear that Ounpuu has his own original voice to develop. In a few places the surrealism or absurdism seemed, to me, a bit forced or self-conscious,but in many places the film is truly unique, funny, disturbing, odd, dreamlike and poignant. An unhoned, rough talent maybe, but a big one.. I'll look forward to his next film...
I have no doubt that this movie will be recognized as one of the most important movies of the 21th century.Mark my words, even if you think that i am exaggerating, and then, watch this amazing movie. You will agree with me if you like the cinema of Roy Anderson, Kubrick, Buñuel and tarkofsky.I just saw this movie and i feel a little strange, it is a deeply touching film which put you in deep thoughts about mankind's tomorrow, about the brutality of the powerful people that rule the planet. Of course, this is an anti-capitalist movie, but ,additionally, it is much more than this. The absence of God, the absence of love.. It is starting as a sarcastic,black humored film but it ends very strongfully with scenes that haunt your mind.. If you are under 18, or you are very sensitive, i am not suggesting you to see it. I also have to say that I didn't understand the final scene. Sorry for my English but it's been a long time since i wrote in this language..
Wusstest du schon
- WissenswertesEstonia's official submission to 83rd Academy Award's Foreign Language in 2011.
- PatzerIn Part I, during the Bentley scene, the shadow of the boom mic is visible for an extended period of time in the reflection of the car window.
- VerbindungenSpoofed in Tujurikkuja (2009)
- SoundtracksKalla, kallis Isa käsi
Music By August Topmann
Sound by Jean Lattik
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
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- Auch bekannt als
- The Temptation of St. Tony
- Drehorte
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Box Office
- Budget
- 983.081 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.963 $
- Eröffnungswochenende in den USA und in Kanada
- 747 $
- 19. Sept. 2010
- Weltweiter Bruttoertrag
- 1.963 $
- Laufzeit1 Stunde 54 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was Püha Tõnu kiusamine (2009) officially released in India in English?
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