Schön bis in den Tod

Sorority Row, a 2009 horror-thriller directed by Stewart Hendler, follows a group of sorority sisters who become the target of a masked killer after covering up an accidental death. The film stars Briana Evigan, Rumer Willis, and Carrie Fisher, and while it boasts a cast with potential, the movie often falls into the clichés typical of the slasher genre. Despite its predictable plot and standard jump scares, Sorority Row delivers some effective suspense and a few memorable moments of tension. The film's commentary on sisterhood and guilt adds a layer of depth, but ultimately, it relies heavily on formulaic horror tropes. Fans of classic slasher films might find it a fun, if unremarkable, addition to the genre. But if you're simply looking for a fun cheesy horror, then perhaps this could be something you'd enjoy.

Oh no, a guy is cheating on one of the Theta Pi sisters! Good for them they have a prank lined up for some prime revenge. Too bad said prank ends with one of them dead. To make things worse, a hooded slasher is after them after graduation.

Last year, we got a remake of "Prom Night" that ended up being one of the worst horror remakes of the decade, and committed a cardinal sin-a PG-13 slasher movie. Well, look at "Sorority Row" (a remake of the 1983 slasher flick "The House on Sorority Row") as the movie the "Prom Night" remake should have been-the anti-"Prom Night" remake if you will. It's not a classic, but nobodies expecting that now, are they?

So, what works?

For one thing, while not a splatter flick, there are some impressive kills available, as well as a sweet murder weapon that has potential to become iconic. Also, the performances are fun. Carrie Fisher is a hoot to watch (her role is a bit too minuscule though) and unlike say "I Know What You Did Last Summer", this movie makes no bones about the fact that most of these characters are unlikable and deserve their fates. The best surprise as far as acting is concerned is Leah Pipes as the bitchy leader of the sorority sisters Jessica. She's a blast to watch, and plays the part without overacting or overdoing her character. In short, she steals the show as far as I'm concerned. The movie does have it's flaws-it's a bit too flashy at moments, at times could have done a little more with it's R-rating (there's nudity, but none of the lead girls gets naked? For shame!) and the final ten minutes could have definitely used some work.

Nags aside, "Sorority Row" is a fun guilty pleasure. Sure, it's more catered towards a teen audience than hardcore horror fans, but come on, most slasher flicks have been catered to a teen audience. Besides, in an age of pointless PG-13 horror, 3D gimmicks, unnecessary sequels like "Halloween II" and "The Final Destination", horror flicks that try to hard to be hardcore, and horror flicks that try too hard to cater to horror fans (I'm a hardcore horror fan, but occasionally that can get annoying), a piece of unapologetic slasher fluff goes down easy.

Plus, any movie that opens with girls in PJ's with their asses exposed jumping up and down can't be all bad.

With it's excessively asinine plot, crazy killer armed with a particularly impractical weapon (a modified tire iron), exaggerated death scenes, a larger-than-normal quota of bitchy, big breasted bimbos (including the obligatory sexy nerd) and their equally obnoxious boyfriends, and a fair smattering of gratuitous nudity, I'm pretty certain that Sorority Row was intended by its makers to parody the countless, moronic, teen slasher remakes that have blighted horror in recent years. However, it appears that their motive may have been lost on many viewers, who seem to have mistaken the deliberate playing up of genre stereotypes and intentional over-use of dumb clichés for a case of plain, old-fashioned bad movie-making—something which there has been plenty of over the last decade or so.

It's a shame, because when armed with the knowledge that much of the film's apparent awfulness is by design, one can have quite a bit of fun with Sorority Row.

The film opens with one of those frat parties that only ever seem to happen in the movies (or maybe I just went to the wrong parties): it's thumping with the latest cool tunes, heaving with physically perfect specimens of both sexes indulging in all manner of hedonistic activities, and overflowing with an endless supply of alcohol. Whilst the gorgeous revellers bump, grind and get wasted, six sexy sorority sisters carry out a mean prank that will have disastrous results: they con a poor schmuck into believing that he has accidentally killed his ex-girlfriend Megan by plying her with drugs. Carrying the joke a little too far, they also convince him that it would be a good idea to hide his crime by pushing her body into a lake located near a disused mine. Unfortunately, before they can reveal that it is all a sick joke, events spiral out of control, and Megan winds up dying for real when the guy plunges a tire iron into her chest (to let the air out of her lungs so that she will sink). Now the group are forced to dispose of a genuine corpse—opting to dump their dead friend down the mine-shaft.

A year later, as the girls celebrate their graduation, a hooded murderer is busy at work on the campus. Is it Megan, back from the dead for revenge, or does someone else have a motive for the rapidly rising body count?

What follows is undeniably silly, but as I have said, when viewed with the right frame of mind, it's also rather enjoyable; one can have fun spotting the deliberate attempts by the makers to ridicule the more idiotic conventions of the genre (the over privileged students, the stern but protective den mother, the innocent girl who unwillingly goes along with her friends' plans) whilst also revelling in the brutal violence, ogling the many attractive women, cheering on a shotgun toting Carrie Fisher, and marvelling at just how much Rumer Willis sounds like her mother.

It's not a brilliant piece of film-making (if it was, the parodic content would have been obvious to all), but it's not nearly as dreadful as many might have you believe. I rate Sorority Row a reasonable 6/10. Give it a chance.

When a prank goes awry, a group of sorority sisters are left with a dead body on their hands. They cover up the accidental murder, but on graduation night someone begins to brutally kill everyone involved in the deadly prank.

Admittedly I went into Sorority Row with low expectations because I've always had a soft spot for the original House on Sorority Row (1983) and I feared that this would be another weak insulting remake, i.e. Black Christmas 2006 or Prom Night 2008. However I found myself rather entertained by this polished and energetic remake, it was an engaging ride all the way. Sorority Row has a typical slasher film setup, some hokey dialog, and the usual MTV-style direction, but it manages to build some good suspense and action throughout its interesting plot. Also it has some effectively funny moments of dark humor. In addition there's some flashes of nudity thrown in along with some inventive and bloody murder scenes.

Cast-wise the actors are adequate enough though their characters are typically paper-thin. The biggest standout is definitely Carrie Fisher as the amusingly tough housemother Mrs. Crenshaw. She deserved more screen time.

Over all Sorority Row is a fun slasher guilty pleasure that thankfully doesn't tarnish the memory of a horror classic. It's a worth-wild watch for horror fans, especially if you don't take it too seriously.

** 1/2 out of ****

A group of sorority girls pull a cruel prank on the brother of one of their brethren. They wind up taking the prank too far, and it goes terribly awry when one of them is killed. Fearful for their futures, they decide to dump the body down an old shaft and keep what happened a secret. Time passes and it seems that they've gotten away with it, but a hooded killer shows up on the night of their graduation party to pick off those involved.

I am not the biggest remake fan. I outright skip many of them, though I'm not as vehement in my stance as I once was. In fact, a few have actually been catching my interest more and more as of late, the other most recent example being The Uninvited, a surprisingly well-done adaptation of a somewhat overrated Asian title. Then there is Sorority Row, which garnered my attention for two key reasons; A) I am an unapologetic slasher fan and B) Margo Harshman has a role in the film.

With that said, I really enjoyed Sorority Row. I did a double-bill with Whiteout, and thankfully I decided to watch this one second, as it washed away the foul taste of that nonsensical mess. For slasher fans like myself, Sorority Row had a feeling of "old school" to it. The storyline setup, the atmosphere, the wild sorority parties... it felt like old times. Old times that were witnessed via 80's slashers, of course. Some pretty inventive kills in here too, just like in the glory days of the slasher film. No repetitive Scream or IKWYDLS type kills. And really, if you're a slasher fan, the kills are half of the fun. I also have to say that I enjoyed the dialogue in this film. It was always spot-on with the wit, always funny in a dark humor sorta' way. I actually had the opposite reaction to the characters, as the girl playing Cassidy annoyed me. Her voice just grated on my nerves for some reason. The queen bitch was a joy to watch. I thought she was thoroughly amusing. As for Margo, she was stuck with the thankless role of the group slut, but she brought her own brand of deadpan humor to the part. Her lacking amount of screen time was my biggest disappointment with this movie.

All of that aside, the killer's reveal was also disappointing. The motivation just wasn't resonating with me, and some of the theatrics seemed too in line with the lame Scream brand of villains. Still, the rest of the film was so much fun, I can't help but recommend this to other slasher fans. If you like this kind of film, give it a chance. If you don't, well, I doubt you'd be reading this far anyway. It's a slasher film, plain and simple, and one I'd give the ol' slash of approval.