Perkins' 14

After All The Boys Love Mandy Lane another great movie with surprisingly plots came from Hollywood. Let me first say that Patrick O'Kane gives a great performance as a copper to found out what happened to his kidnapped kid. Another great performance by the serial killer Richard Broke. What a face he has, casting excellent. The way his face has been lightened, the use of light and shadow in other scene's, the use of editing for example the scene with felicity in the toilet, man, this is perfeclty done in an arty way, luckily it never becomes arty farty. The script is great too, for me there are two films in one, first part, the story of the serial killer, second part, story of his victims. And when you think everything is okay than you get smashed in the face from the plot twists. It became time that some independent film makers in the states made some gems like this and Mandy Lane. The effects are great too, the blood and the gore is explicit. Starting as a suspense who-done-it, turning over in a zombie flick is perfectly done. I've seen the full uncut, be sure to catch that one 'cause I can guess know what will be cut out. I'm not a big zombie freak but this one surely got me.

While watching this B grade dreck, with puts the B in B grade, P14, felt like so many other over gore-tesque, horrors I've seen in the last 15 years. It's like I've seen it, all before, as in it's painful predictability, sick schlock, mediocre acting, stereotypical teen traits of it's boy/girl characters, atmospheres. Ignoring forewarnings from Daddy, what not. And if I can say this, nasty predictable endings. The story intrigued me, but I expected much more smarts, craftiness from it, instead of a flat mediocre utilization. Think Disturbing Behavior, Island Of Dr Moreau as "learn from", bettering examples of how it could of been done. Two much better players, separated from the average performers, go to O'Kane, and especially Brake-our screwed up Perkins, who has quite a sick hobby, but he is unforgettably creepy, and it's a great standout performance.. O'Kane's cop character is rather interesting, a kind of tough nut to figure. The movie is very engrossing, and picked up in the last 20 minutes, in terms of quality. All in all, it's prety slap dash. B quality, shining right through from the start. Pity, as P14 could of been so much more.

First off... along with Autopsy this is one of the of the 8 films to die for which I could sit through without falling asleep. Perkins'14 starts off very calm revolving around a cop who had his son abducted along with 13 other kids 10 years ago and can't let go. There is a lot of strange flashbacks inter-cut with the actual events where suddenly someone arrives at the police station who he considers to be the Abductor of the children ...from here it turns into mind-games between him and that guy named Perkins and by the title you can already guess that Mr. Cop is right about him. When a colleague searches Perkins house he finds a cellar with cages and his sudden death by one of the raging kids who were turned into blood lusting maniacs by 10 years of PCP-therapy. Now they are out in the streets on a rampage and we are up to a happy family re-union between the cop and his son ... or are we not??

What starts out slow and confusing (later you learn that its not confusing but pretty random) turns into a zombie-like movie with some pretty decent gore elements. The violence is depicted pretty raw and bloody and those kids are more a mix of instinct driven animals and zombies than anything else. They attack like the "28 days later" zombies, jump and run around, crawl air ducts, snap necks and disembowel with their bare hands. Thats nice, the visuals also carry it with some decent atmosphere. Problem is that the whole plot makes pretty little sense as of why Mr. Perkins engineers blood lusting zombie-kids on PCP and how they track down their kin and I really wonder how such obviously instinct driven creatures suddenly know how to use keys, shoot rifles etc. The whole ending is pretty idiotic and the movie should have rather focused on a logic plot and characters not acting like idiots (like a cop entering zombie infested crime scenes without a gun or his wife jingling key-chains like a crazy kid) instead of the massive bloodshed and bleak finale. Perkins'14 has really a lot going for it but smashes my hopes with a plot full of holes and dozens of ridiculous horror clichés.

Start off with this, is a grade "D" horror-movie not a Merchant Ivory production of "WINDSWEPT MANOR". So you leave this film be ya-hear it ain't hurting nobody. Start off with the movie jumps around a bit and when it lands you have the dysfunctional Sheriff still grieving the loss of his son and hitting on his daughters friends. His boyz arrest a creepy guy who tries to talk his way out of jail. A further investigation leads him to believe this guy is responsible for the disappearance of his son and other kids. A deputy is sent to do an illegal search of the suspects residence. he releases the now grown son who starts infecting everyone with the crazies. The father kills the creep before he can tell them whats going on. the father won't let anyone kill his son which would've nipped this in the bud. It all culminates in a deadly stand off inside the local cop-shop.

On the tenth anniversary of his son's abduction, Deputy Dwayne Hopper (Patrick O'Kane) thinks he might have the kidnapper in one of his holding cells. Ronald Perkins (Richard Brake) was picked up and all of the info he has been giving up isn't matching up. Sending an off duty buddy to Perkins' house, Hopper soon finds out that Perkins is indeed the Stone Cove Kidnapper and a man with a sinister plan. Part of After Dark Horrorfest III, this little film started off so good. It has a great premise and set up, but the major plot action ends at 40 minutes in, leaving me wondering what in the world they were going to fill the remaining 50 minutes with. The rest falls into standard "people being stalked" territory. O'Kane and Brake are interesting leads, both men having unique looks that set them apart from the usual shiny teen lead casts we see nowadays. Director Craig Singer (DARK RIDE) does an excellent job of disguising Romania for Maine and the film is incredibly well shot. Too bad he kinda blew it with the handling of the plot. Look for former Misfits replacement singer Michale Graves in a supporting role.