Siegburg

Now, I am familiar with the director's questionable reputation and I am aware that Uwe Boll bashing is quite a popular sport on Internet forums (heck, I also agree that most of his movies are utter rubbish), but there are a couple of remarkable things about this man's career that you can't possibly neglect and even have to admire in some strange sort of way. First of all, the man is a hard laborer. Few directors have released an average of four movies per year, especially when they also write and produce their own garbage. Secondly, Boll's repertoire is getting more and more versatile and accessible to wider audiences lately. Initially he specialized in adaptations of gory video games, but recently he made cynical comedies ("Postal") as well as action flicks ("Far Cry") and gritty thrillers ("Seed"). And then last but not least, the man is not ashamed to experiment, innovate and – if necessary – to blunder ingloriously. This newly released movie "Stoic", for example, all things considered it turned out a failure, but nevertheless a mild and intriguing one with still a whole lot of merits and praiseworthy factors. I feel I should start with a warning to the squeamish, as "Stoic" is a deeply unpleasant movie with an unceasingly guttural atmosphere and a large amount of inhumanly barbarous shock sequences. At the Fantastic Film Festival in my native country, where Uwe Boll and lead actor Edward Furlong came to introduce the film themselves, several people walked out of the theater because they couldn't cope with the harshness of certain bits of footage. I realize this works as a recommendation more than as a warning, but be advised this is not a movie for everyone. You'll notice during the opening sequences, or here on the film's website page as well, that nobody is credited for writing "Stoic". That is simply because there isn't a screenplay. Uwe Boll based the concept on true events as they occurred in a German prison in 2006 and only gave the most principal of instructions as his cast of four improvised all their lines and dialogs at the spot. This is obviously a risky undertaking, but admittedly it suits the tone of the film which is primitive and raw. Four petty criminals share a minuscule cell and spend most of their days playing poker and exchanging stories on how bad-ass they are. One day, a game of poker runs out of hand and the mentally weakest of the four – Mitch – loses a bet which ordered him to eat a complete tube of toothpaste. He stubbornly refuses and the other three team up against him. What starts out as a silly macho contest quickly escalates into a sick-spirited and vile series of humiliation, torture, vicious rape, mutilation and eventually inflicted suicide. "Stoic" is imaginatively structured, with interview scenes of the three culprits mixed with the footage of what actually happened inside those four prison walls. Initially the three convicts claim it was an ordinary case of suicide, but the truth gradually comes to the surface as they only want to protect themselves and begin to blame the other ones of having the lead. The main malfunction of this movie is that it actually has no reason of existence. It's an exploitative and unimaginably gratuitous piece of torture-porn without added psychological or socialist value whatsoever. Boll pretends to give an insight in human behavior, but basically only stills his own personal hunger for sleaze and violence. We only know the formula is based on true events, but this film draws its own conclusions that are unquestionably far more sensational and grotesque than what really happened. There clearly went very little research into this production prior to shooting, so it would be immensely hypocritical to label "Stoic" as a dramatic portrait of our modern day prison system. Nevertheless I don't want to criticize Mr. Boll's accomplishment any further, as he definitely improved a great deal when it comes to directorial skills and competence. You can sense that he was in control of his filming set and had the luck of working with four adequate young actors, including Edward Furlong and Sam Levinson. "Stoic" is a mean and uncomfortable film that I don't exactly intend to watch again any time soon, but it's undeniably a memorable and out-of-the-ordinary experience.

It's very rare for me to watch a movie rated below 5 stars on IMDb. But I have only watched one of Uwe Boll's films; Rampage. Which I loved. So I thought I would give this one a shot, and I was extremely surprised. This movie triumphs movies I've watched with a 7 star rating.

The movie has a way a putting you in with those cell mates on that night when a poker game goes awry, seriously awry. You see the struggle for power, and how far they will actually go to maintain their stature in the hierarchy. It's interesting to see the confessions play linearly to it, and how their story changes as the movie progresses. And I loved the acting, it was fantastic.

So all I have to say, is if you wanna see a horrific and heart wrenching night in a prison cell, watch this film.

Stoic is a 2009 film directed by Uwe Boll about four cellmates and a poker game that goes from bad to worse, to horrific. It's unnerving, disturbing, and sad.

Stoic is the kind of movie that if you watch it at all, you will probably only watch it once. Because, although the acting in the film is very good the stories subject matter is very difficult to sit through. The characters are raw and unapologetic, The setting will make you feel claustrophobic, and the end will leave you speechless.

This is not a film that I can say I enjoy, but if you like hard to watch movies then this is one that you shouldn't be disappointed with.

First off - before I get to the movie itself... I just wanted to speak to the morons who ALWAYS automatically vote 1 for everything Boll does - without even watching the damn movie. Its just a really childish and insanely stupid thing to do.

I personally have really enjoyed his past few films... you just never know what to expect when you sit down and watch a Uwe Boll movie and I commend that! In The Name of the King in particular for its insanely over-the-top obviously made to be laughed at entertainment. I mean really -- KING Burt Reynolds??? (best "last conversation before dying" scene I've ever watched... I laughed for like 15 minutes)... and a Ray Liotta Magi who constantly says the most hilarious stuff throughout the movie. And the choreography of the fight scenes was actually quite commendable (sadly not violent, but its all good) - anyways....

... and then Seed, Postal, Tunnel Rats (best war movie I've seen in years - phenomenal flick) --- all 3 are fantastic movies in their own right. Far Cry was god awful and so was Alone in the Dark 2 (sorry Uwe)

And then we have STOIC! - In the same dark/depressing vein that made Tunnel Rats such a kick ass movie... this thing takes you on a wild ride. A ride NOT for the squeamish to be more precise... and not for people who can only watch "Hollywood blockbuster" crap to be entertained. Thankyou to the other reviewer for this movie; I did not know most the movie was "improv" on the actors part and that's an incredibly awesome move on Bolls part to boot... gave the movie a feeling of reality you don't see much anymore. The last half hour in particular is some seriously intense stuff. The acting was also very good... after watching American History X like 19 times + Animal Factory (highly underrated movie), and of course Detroit Rock City + even Dark Reel was pretty damn entertaining... I've always really liked Furlong -- and I'm really happy to see him again in top form. The other actors too were excellent; especially Sam Levinson as the most sympathetic/remorseful of them all.

So go find this movie and watch it - then find Tunnel Rats and watch that... and then STOP giving this man the automatic 1's he does not deserve (except for maybe Far Cry... dude, that was just BAD)!!!

I speak only in terms of atmosphere, so realistic and unbearable, disgusting but so awfully true atmosphere behind bars. Because the plot itself is certainly closer to BULLY than SCUM, which was more focused on another scheme. Well, this movie is the best of Uwe Boll, a film maker too long underrated, despised, who shows here his real talent, his skills. He is a very gifted film maker, he proves it here in the best way. But, as you can guess, it is not destined to wide audiences. It is such a shame that all Uwe Boll's films did not look like this one, not in terms of story but directing. It belongs, for me, to the best behind bars films ever made, the most underrated too.