Ein Mann kämpft ums Überleben, nachdem er allein aufgewacht ist, gefangen in einer Gesellschaft, die nur durch primitive Computer verbunden ist und in der die Fähigkeit zur Unterhaltung sein... Alles lesenEin Mann kämpft ums Überleben, nachdem er allein aufgewacht ist, gefangen in einer Gesellschaft, die nur durch primitive Computer verbunden ist und in der die Fähigkeit zur Unterhaltung seine einzige Währung ist.Ein Mann kämpft ums Überleben, nachdem er allein aufgewacht ist, gefangen in einer Gesellschaft, die nur durch primitive Computer verbunden ist und in der die Fähigkeit zur Unterhaltung seine einzige Währung ist.
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...for social media. I feel like I'm using this expression more and more lately but it's a mile wide and an inch deep. I'm so sick of movies that attempt be deep, and mysterious with complex metaphors, but end up just being pretentious and insultingly simple. When writers and directors don't trust their audience to read deeper into meanings and feel like they have to spell it all out, it really tests my ability to not roll my eyes throughout the entire movie. I gave it four stars because, while I had it figured out literally five minutes in, it was still mildly entertaining. I hope the makers of this film didn't cut themselves on the edge.
Did you know that social media fosters toxic relationships among its users, who only gain clout and/or material gains by performing inanely for each other? In this fundamentally unbalanced type of community network, individuals are complicit for as long as they allow themselves to be seduced by the illusion of power-wow! That's the sort of asked and answered wisdom at the heart of "Share?," an ungenerous techno-satire about an unnamed man who wakes up in an unfurnished cell with only a computer monitor for company.
There's a little more to this sketchy sci-fi parable, all about a wary cipher, #000000014 (Melvin Gregg), who learns how to not only survive, but maybe even game his prison's live-streaming camera network, which connects imprisoned users through their respective computer monitors. But only a little. "Share?" ostensibly has a dark sense of humor, too, yet even its jokes point a lazy finger at viewers.
"Share?" is only 70+ minutes long, and it shows. We see the movie's world through the unblinking eye of #000000014's computer monitor, the one he also uses to broadcast a live video stream from inside his grey brutalist cell. Why is he there, and who's keeping him? That's an irrelevant mystery, according to co-writer/director Ira Rosensweig and co-writer Benjamin Sutor. Rather, we're supposed to focus on the patternmaking logic that leads #000000014 to figure out how to get attention from unseen viewers and earn points that he can convert into amenities, like food, clothes, or an inflatable mattress. #000000014 spends a lot of time peering into and through the camera frame since it's presented as a monitor. His computer seems pretty basic, given frequent prompts like "Share?" and "Good food?" It's almost as if social media and technology only grant its users' limited agency, maaan.
There's a little more to this sketchy sci-fi parable, all about a wary cipher, #000000014 (Melvin Gregg), who learns how to not only survive, but maybe even game his prison's live-streaming camera network, which connects imprisoned users through their respective computer monitors. But only a little. "Share?" ostensibly has a dark sense of humor, too, yet even its jokes point a lazy finger at viewers.
"Share?" is only 70+ minutes long, and it shows. We see the movie's world through the unblinking eye of #000000014's computer monitor, the one he also uses to broadcast a live video stream from inside his grey brutalist cell. Why is he there, and who's keeping him? That's an irrelevant mystery, according to co-writer/director Ira Rosensweig and co-writer Benjamin Sutor. Rather, we're supposed to focus on the patternmaking logic that leads #000000014 to figure out how to get attention from unseen viewers and earn points that he can convert into amenities, like food, clothes, or an inflatable mattress. #000000014 spends a lot of time peering into and through the camera frame since it's presented as a monitor. His computer seems pretty basic, given frequent prompts like "Share?" and "Good food?" It's almost as if social media and technology only grant its users' limited agency, maaan.
- If you liked the movie "Cube" or "Buried" you might want to check this movie out. It feels like a black mirror episode to be honest. It's definitely sci fi with an invisible commentary surrounding social media. It's a movie definitely not for everyone.
- It's has a fresh take on minimal , as few as possible actors and settings, type of movies. I love these type of movies. Be aware that the movie takes place on only 1 camera, meaning 1 camera angle.
- Melvin Gregg who plays #000000014 , actually does a great job. Decent acting and his screen presence kept me engaged and glued to the screen. He comes off as likable and has a kind heart.
- The first 15 minutes are definitely a mixture of, ' I hope this movie is good?', 'I hope the main actor can act with the material he's been given?'. The answer is yes on both.
- It instantly reminded me of Cube but with the whole spiel/layer of Twitch (the live streaming platform) permeating the movie.
- The soundtrack is a bit quirky at first but It really grew on me. I now hum it involuntary. 'dud' - dud dud dud.
- I have to admit , I really enjoyed this movie. It kept me guessing. And the character developments with its twists and turns were actually not bad. I am very happy I stumbled across it and gave it a try.
I was doing my daily ritual: taking 10-20 minutes scrolling through movie channels, adding things to watch later (and usually spending more time doing that than actually watching movies; I'll never, ever catch up to my list), and "Share?" popped up again. Today was finally the day I would give it a chance, and I was most pleased that I did. Thought-provoking, but not heavy handed, short, but not slight, and something I'll recommend to a wide swath of people. Might have to watch it again, and maybe very soon. (The last movie I wanted to see again almost immediately was "Beyond The Infinite Two Minutes".)
Honestly, I thought this was a pretty good film, at first I thought it was going to be cliche, and boring especially at the start because it's quite goofy but it turns into a good idea.
My only flaw with this movie is I feel like there's a lot of time not doing really anything, and it kind of just takes up the movie, if this film had more budget I guarantee it'd be 8+.
Therefore, I still recommend it, it was entertaining, just a movie you put on with 1 or 2 other people, not to watch with family or anything but just to relax and take in.
Overall, I really enjoyed watching this with my girlfriend, as it was a new idea we haven't seen, it reminded me of Nasubi, a Japanese sweepstake contestant who was "held" captive and was make to send out sweepstakes to live for 15 months in isolation.
My only flaw with this movie is I feel like there's a lot of time not doing really anything, and it kind of just takes up the movie, if this film had more budget I guarantee it'd be 8+.
Therefore, I still recommend it, it was entertaining, just a movie you put on with 1 or 2 other people, not to watch with family or anything but just to relax and take in.
Overall, I really enjoyed watching this with my girlfriend, as it was a new idea we haven't seen, it reminded me of Nasubi, a Japanese sweepstake contestant who was "held" captive and was make to send out sweepstakes to live for 15 months in isolation.
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- WissenswertesDirector Ira Rosensweig stated "it was very important to me that the actors could interact with each other in real time, so we built three identical sets next to each other on a stage. Equally important was their ability to see each other, as well as the need to establish fixed eyelines to each of the elements on their screen, without which the reality of the movie would have been destroyed. In order to achieve this, each set had a fixed camera integrated into a visual communication system that we created using Interrotrons (essentially, two-way teleprompters) connected to a live switching system. This allowed not only me, but each actor looking at their teleprompter to see a previsualization of the finished scene -- that included not only the live feed of the cameras in the other rooms, but also the computer interface as they typed and interacted with it."
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