Jahr 2054, Erde: Mickey Barnes checkt auf einem Kolonisierungsraumschiff als "Entbehrlicher" ein. Von nun an ist er ein Angestellter, dessen Körper jedes Mal, wenn er stirbt, neu bedruckt wi... Alles lesenJahr 2054, Erde: Mickey Barnes checkt auf einem Kolonisierungsraumschiff als "Entbehrlicher" ein. Von nun an ist er ein Angestellter, dessen Körper jedes Mal, wenn er stirbt, neu bedruckt wird.Jahr 2054, Erde: Mickey Barnes checkt auf einem Kolonisierungsraumschiff als "Entbehrlicher" ein. Von nun an ist er ein Angestellter, dessen Körper jedes Mal, wenn er stirbt, neu bedruckt wird.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Zusammenfassung
Reviewers say 'Mickey 17' delves into identity, colonialism, and corporate greed with satirical political commentary. Robert Pattinson's performance and dark humor receive praise, while pacing issues and underdeveloped characters draw criticism. Some find the film too lengthy and lacking thematic depth. Mixed opinions exist on political satire and villain portrayals. Despite these critiques, many find the film engaging and thought-provoking, appreciating its unique sci-fi and social commentary blend.
Empfohlene Bewertungen
Let's start with the obvious-while "Mickey 17" offers plenty of social commentary, it falls short of the sharp satire and intelligent (class) critique that made "Parasite" a modern masterpiece. Instead, what we get is a sci-fi parody that explores humanity's vanity and self-destruction, yet for some reason, it never truly feels like it takes place in a distant future.
*** Robert Pattinson delivers another strong performance, continuing his streak of unique and compelling roles. He has successfully reshaped his career, moving far beyond his early days, and frankly, we prefer him this way. His unexpected comedic side is a revelation, adding a fresh layer to his performance. Mark Ruffalo also shines, delivering a performance reminiscent of his role in Poor Things, with certain expressions and mannerisms subtly evoking Trump.
*** The production is undeniably grand and expensive, evident in its visually striking yet occasionally excessive scenes. The film often gives off a sense of familiarity-as if we've seen these themes before. The idea for example that we are the real aliens and "monsters" is hardly new, and at times, the script leans too heavily on familiar concepts explored already by many movies.
*** While Mickey 17 is a solid film, it's far from a masterpiece. Perhaps the biggest challenge is that Bong Joon-ho has set the bar so high that anything less than exceptional feels like a slight let-down. There's a lingering sense that something is missing-a sharper edge, a deeper impact, or a more innovative twist.
*** Robert Pattinson delivers another strong performance, continuing his streak of unique and compelling roles. He has successfully reshaped his career, moving far beyond his early days, and frankly, we prefer him this way. His unexpected comedic side is a revelation, adding a fresh layer to his performance. Mark Ruffalo also shines, delivering a performance reminiscent of his role in Poor Things, with certain expressions and mannerisms subtly evoking Trump.
*** The production is undeniably grand and expensive, evident in its visually striking yet occasionally excessive scenes. The film often gives off a sense of familiarity-as if we've seen these themes before. The idea for example that we are the real aliens and "monsters" is hardly new, and at times, the script leans too heavily on familiar concepts explored already by many movies.
*** While Mickey 17 is a solid film, it's far from a masterpiece. Perhaps the biggest challenge is that Bong Joon-ho has set the bar so high that anything less than exceptional feels like a slight let-down. There's a lingering sense that something is missing-a sharper edge, a deeper impact, or a more innovative twist.
It starts well, some dark humor. Made me laugh quite often during the first half. The problem from the beginning is Mark Ruffalo. While most other characters act like real people with measured slapstick elements. Mark Ruffalos performance which purposely mocks Elon and Trump as kind of a merged version of both, goes way over and beyond into an insufferable disgusting cartoonish figure. He tries so hard to portrait a terrible Trump version that the show looses all the subtle fun. Moreover the last third of the movie turns into lame political satire. If you want to watch it my recommendation would be leave when Mark 17 gets invited to dine with the boss (Mark Ruffalo), from there on its a waste of time. It is sad that Hollywood so desperately tries to shame everyone around Trump that they are willing to ruin an otherwise fun movie experience.
For being a sci-fi flick it does ok. It doesn't introduce anything groundbreaking but it is something different. Does it hold up to other sci-fi films? I'd say no, but if you're looking for an average film to burn 2 hours with this does the job.
I will say that considering who it was written and directed by, there was a much higher expectation. After watching a film like Parasite, which was very well done, this was rather tame. I think part of it is the narration and the other part was the writing. Acting wise I think everyone did a fine job, there were themes that were put out there that didn't quite hit or didn't really matter as the story unfolds, and while I could sympathize with the characters and the situations, the actions and consequences of them didn't carry much weight.
This didn't seem to be set up for a sequel and probably for the best, but I'd be curious to see if a part 2 would have more to offer. Overall I gave it a 6 and likely wont see it again.
I will say that considering who it was written and directed by, there was a much higher expectation. After watching a film like Parasite, which was very well done, this was rather tame. I think part of it is the narration and the other part was the writing. Acting wise I think everyone did a fine job, there were themes that were put out there that didn't quite hit or didn't really matter as the story unfolds, and while I could sympathize with the characters and the situations, the actions and consequences of them didn't carry much weight.
This didn't seem to be set up for a sequel and probably for the best, but I'd be curious to see if a part 2 would have more to offer. Overall I gave it a 6 and likely wont see it again.
Mickey 17 is like strictly okayish and that's a huge disappointment given the expectations!
Bong joon-ho returning in director's chair after an Oscar, with Robert pattinson, a sci-fi genre and huge budget, it could have been so much better! But this is just okay.
Pattinson's acting is great, even the premise and structure were very juicy. But for some reason Bong joon-ho doesn't fully capitalise it. Atleast the crazy energy of Okja would have elevated the screenplay, but it was mostly bland and trying to be politically aware.
Especially with that trailer being so much fun, the bar was really high, but this doesn't even comes close.
Bong joon-ho returning in director's chair after an Oscar, with Robert pattinson, a sci-fi genre and huge budget, it could have been so much better! But this is just okay.
Pattinson's acting is great, even the premise and structure were very juicy. But for some reason Bong joon-ho doesn't fully capitalise it. Atleast the crazy energy of Okja would have elevated the screenplay, but it was mostly bland and trying to be politically aware.
Especially with that trailer being so much fun, the bar was really high, but this doesn't even comes close.
Nothing incredibly groundbreaking, and a little heavy handed with the satire, but a fun ride and well shot, with all of the "I shouldn't laugh at this but I am" that you'd expect
I am guilty, as many others will be, of comparing this to Parasite. Doing so is doing the movie a disservice. From Bong Joon Ho I was not expecting a silly black comedy that would have the whole theater laughing. Accept and enjoy it and you'll have a great time.
Although I felt like I was getting slapped in the face with the Trump satire, it still hit pretty well and got a good few laughs out of me.
After all this, I'm still wondering what the sauce is about...
I am guilty, as many others will be, of comparing this to Parasite. Doing so is doing the movie a disservice. From Bong Joon Ho I was not expecting a silly black comedy that would have the whole theater laughing. Accept and enjoy it and you'll have a great time.
Although I felt like I was getting slapped in the face with the Trump satire, it still hit pretty well and got a good few laughs out of me.
After all this, I'm still wondering what the sauce is about...
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
Wusstest du schon
- WissenswertesWhile it's well known that Pattinson plays multiple versions of Mickey due to the cloning process, what many don't realise is that director Bong Joon-ho insisted on filming certain key scenes without Pattinson knowing which version of Mickey he was playing until just before shooting. This method was meant to capture the confusion and existential dread of a clone struggling with his own identity, leading to some of the film's most unsettling and raw performances.
- PatzerThe red MR2 from his memories has only 2 front seats, so he couldn't have chosen to ride in the front as opposed to the back.
- Zitate
Mickey Barnes: Our entire life is a punishment.
- VerbindungenReferenced in Radio Dolin: The Results of 2024. The Best Films of the Year (2024)
- SoundtracksTerra Lontana
Written and Performed by Nino Rota
Courtesy of CAM
Under license from Universal Music Operations Ltd
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Mikki 17
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 118.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 46.047.147 $
- Eröffnungswochenende in den USA und in Kanada
- 19.002.852 $
- 9. März 2025
- Weltweiter Bruttoertrag
- 131.847.147 $
- Laufzeit2 Stunden 17 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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