Als der Morddetektiv Thomas Craven den Tod seiner aktivistischen Tochter untersucht, deckt er nicht nur ihr geheimes Leben auf, sondern auch eine korporative Vertuschung und eine Regierungsa... Alles lesenAls der Morddetektiv Thomas Craven den Tod seiner aktivistischen Tochter untersucht, deckt er nicht nur ihr geheimes Leben auf, sondern auch eine korporative Vertuschung und eine Regierungsabsprache, die einen Agenten anzieht, der mit der Reinigung der Beweise beauftragt ist.Als der Morddetektiv Thomas Craven den Tod seiner aktivistischen Tochter untersucht, deckt er nicht nur ihr geheimes Leben auf, sondern auch eine korporative Vertuschung und eine Regierungsabsprache, die einen Agenten anzieht, der mit der Reinigung der Beweise beauftragt ist.
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- Young Emma
- (as Maria Gabrielle Popa)
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Gibson and Ray Winstone were so perfect for the roles they played. The tension from both kept me clinging to my seat and wiping my brow. Gibson probably had his best role in this movie. I have seen most of his movies starting with Lethal Weapon and I could not see one potential likeness of Martin Riggs in Edge of Darkness, except for the fact he played a cop. As Craven, he was truly believable as a dad on a mission to make things right. Winstone is someone I didn't recognize even though he has been in a ton of movies. But after this, I will know and respect him for the rest of my life. Trying to understand his role was a treat, but while doing that, I kept my distance for fear he might have caught me trying to get too close. His thick Brit accent and command of those around him was absolutely a great treat.
Danny Huston is someone I came to enjoy since seeing him in 30 Days of Night as the lead Vampire. He did not disappoint but he could have had a meatier role. As far as I am concerned, he has been added to the list of great seasoned actors to look for anytime you expect to see quality acting.
I mean no disrespect to any of the actors. Everyone did a great job, including some of those in smaller, yet relevant roles.
Everything about the movie was believable and memorable. Some of the violence that you will need to endure will catch you off guard. There is no need to brace yourself because you will get caught off guard.
Excellent emotional roller coaster getting an 8 and a great big "welcome back" hug for Mel.
Everyone loves a good mystery film right? A detective is solving clues to find the truth behind some kind of cover up? Edge of Darkness thinks it's one of those films. Gibson goes to people, looking for answers. He gets little in return. People are scared, there is something big going down and only MEL Gibson can stop it. For Craven, he has nothing left to loose. His only daughter died in his arms, he's not afraid to die. A bit of a revenge tale like Death Wish, but the Chinatown aspect of it sets it apart enough to make it enjoyable.
Gibson throws on a Boston accent, nothing too irritating. There are a few scenes that you'll have to suspend reality for, like when someone gets hit by a car at the right place at the right time. A little far fetched just for the sake of shock value. Edge of Darkness is good enough to keep your attention for the running time, but not great enough to have you keep talking about it days later. It's a well made time waster for those looking for something that will entertain.
Boston PD Detective Tom Craven's daughter visits him from out of town one day, That evening she is shot dead on the porch. At first the police figure that Tom was the intended target, but once be begins a little investigation of his own, strange things come up. It appears that his daughter was trying to expose something illegal about the Nuclear facility at which she was working. Suddenly Tom finds himself in the middle of a very dangerous game.
Mel Gibson's performance is exceptional, but then again, it is easy to argue that this not exactly new ground for him. Mel Gibson's most common face is the 'Good Man, Bad Guy' persona. Second billing is
here is Ray Winstone, whose performance here is his best yet. The screen time that the two share together is not long but it is profound and compelling.
Unless you really hate Mel Gibson's guts, Edge of Darkness is a good watch, and an equally good return to the screen for him.
Plenty of guys you love to hate, and the flashbacks of the hero with his child were lovely. I really doubt a US Senator would be so sleazy, but what do I know?
Man, they sure want a lot of characters. Minimalism is my preferred style, so it's hard to think of things to say. I like Gibson, despite his personal problems, which are none of my business.
As "Tom Craven" (Mel Gibson) peels away the truth, so we also get wrapped up in the complexity of this story which touches on political thriller, tenuous loyalties, and--most intriguing--a mysterious character "Jedburgh" (Ray Winstone) who sips whiskey and smokes cigars with our hero, but (as our hero is fully aware) could at any minute put a bullet through his head.
And what's the point of all this madness? The point, or subtle theme underneath all the rollercoaster action, is that each individual must make his or her own choice to act independently. That sentence may not make much sense to you reading it in a review, but trust me it's what drives this story. Returning back to what I said about politics and tenuous loyalties, this story is about reaching that point where you break from the predictable and act on your own. Or as a memorable line in the film goes, "you had better decide whether you're hanging on the cross, or banging in the nails."
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- WissenswertesRobert De Niro was originally cast as Darius Jedburgh, but dropped out due to creative differences after a few days on the set.
- PatzerWhen craven enters the boyfriend's house, he extends his gun through the partially opened doorway first, without seeing what's inside the room. Cops for decades have been trained specifically not to do that, for the obvious and common sense officer-safety and weapons-retention reasons that are revealed in the scene.
- Zitate
Thomas Craven: You had better decide if you're hanging on the cross, or banging in the nails.
- SoundtracksEmbraceable You
Written by George Gershwin and Ira Gershwin
Performed by Charlie Parker
Courtesy of The Verve Music Group
Under license from Universal Music Enterprises
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- Al filo de la oscuridad
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Box Office
- Budget
- 80.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 43.313.890 $
- Eröffnungswochenende in den USA und in Kanada
- 17.214.384 $
- 31. Jan. 2010
- Weltweiter Bruttoertrag
- 81.126.522 $
- Laufzeit1 Stunde 57 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1