When You Finish Saving the World

Hesitated between a 4-6 rating. Some stops of the film convey the gist of the story. Some are muddled, expected, and very naïve. Moore's pursuit of improving Kyle's life brushes off as a consequence to chasing off a romantic interest at some parts. Also, her performance is visibly dry at a lot of scenes. Glad to see how Finn has been shying away from Stranger Things shelter. However, his real-life personality has been shining through his acting since 2019 which requires a bit of improvement. A great performance from his end nonetheless. Maybe a bit of coherence to characters' purpose would have been better.

Saw this back at the 2022 Sundance Film Festival

"When You Finish Saving the World" isn't the best A24 production but the movie is still engaging and fun due to the realistic nature between the characters portrayed by Julianne Moore and Finn Wolfhard and the captivating tone presented throughout. Eisenberg isn't an actor that I am incredibly invested in but he has played some really good movies over the past years in the 2010s decades of cinema. This movie displays that for an actor, his directing talents does shine quite a bit.

What makes the movie interesting is due to the characters and the engaging narrative Eisenberg presents. The characters are seen as mean, narcissistic and quite all over the place. I understand if people will be annoyed by this kind's of characters but the fact is that in real life, people can be different and mean. That's what makes it very nature and interesting. The production designs are very good, Wolfhard's singing is surprisingly pretty good and the tone is perfectly paced.

The problem is that sometimes the writing does feel flat because it is pretty predictable from the beginning to end at times. Secondly, certain dialogue spoken from the actors felt really off as if the words were written by some robot.

Overall, it is a pretty good debut despite it's flaws. It's definitely not for everyone but I recommend this if you are a lover of A24's projects.

Rating: B.

Another unimoprtant movie, a movie that had no reason to make it, let alone create the idea for this. What does the new director Eissenberg want to achieve? Convince us that he has concerns about the future of the planet? That he cares for the good of humanity? Want to scream for green growth? What happens to me? To irritate me with the chatter of his texts. Does he try to make the actors talk as fast as he does? Is it an experiment? Do you want to show us your deep talent? Don't make movies. Another family without cohesion. Characters indifferent. Result; Sleepiness! I like Julianne Moore and that was the reason for giving a try. Pity for Julianne, and pity for me.

When You Finish Saving The World is more a drama than a comedy/drama. I didn't get the comedy in this movie if I have to be honest. Maybe it just wasn't my kind of humour. That said as a drama it's watchable. Not really my favourite genre of movies though so you could say a six stars rating for this one is pretty high considering the genre. It's all about two characters played by Finn Wolfhard and Julianne Moore. One struggling with what is important in life and another struggling in being a good mother instead of acheaving that at her job. The acting was okay, the story passable. It's easy to follow but not really interesting that I want to watch it again in the future.

When You Finish Saving the World is the epitome of an actor's directorial debut since it focuses on complicated people and their messy relationships. It's a film about appreciating the people right in front of you and respecting their success regardless of if you understand it that's hindered by the characters' inhospitable nature, making it a deliberately frustrating watch even at less than 90 minutes long.

The two leads are almost too good at nailing their characters and how they deliver every single line of dialogue. Julianne Moore is very convincing as someone who is way too literal and spends most of her day checked out until she finds something to obsess over and then goes too far in the other direction. Finn Wolfhard is equally convincing as an awkward self-obsessed teenager and it says a lot that their best scene together is without dialogue.

It's really impressive how obvious it is that this has been written and directed by Jesse Eisenberg. The intentionally awkward and specific dialogue matches some of his previous performances as well as fitting the tone. There's a few nice shots but this is a film that puts performances front and centre. However, his greatest strength as writer & director is in how satisfying the ending is as everything finally goes quiet and lets a moment sink in.