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4,9/10
1094
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe mortician is a lone-wolf, emotionally cold and distant to the outside world and it's inhabitants. But then a boy shows up at his doorstep after witnessing his mother's murder and his wor... Alles lesenThe mortician is a lone-wolf, emotionally cold and distant to the outside world and it's inhabitants. But then a boy shows up at his doorstep after witnessing his mother's murder and his world of solitude is turned upside down.The mortician is a lone-wolf, emotionally cold and distant to the outside world and it's inhabitants. But then a boy shows up at his doorstep after witnessing his mother's murder and his world of solitude is turned upside down.
- Regie
- Drehbuch
- Hauptbesetzung
E.J. Bonilla
- Noah
- (as EJ Bonilla)
Cruz St. James
- Kane
- (as Cruz Santiago)
Randal Reeder
- Officer Hardy
- (as Randall Reeder)
Luis Da Silva Jr.
- Benny
- (as Luis DaSilva)
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It is not too often to witness something credible, emotional and rational at the same time in American cinema. Sadly, Hollywood has been in a steep decline since who knows when. We have to go and grab European or Asian or Mexican or South American flicks if we really want to get some "meat" for the heart.
This time, in a setting long forgotten, we're confronted with a witty story in, of all places, the still recovering New Orleans. That, all by itself is a bonus. But when you add to it the magic of a master cinematographer, a superb script and a wonderful cast... you have OffHollywood. And, let me tell you: this guys know what they're doing!
The story is bleak. The character of the Mortician (awkwardly and silently played by Method Man -if you can believe his actual name) is definitely played methodically. His role is perplexing, uncomfortable and highly distressing. But that's his job. The rest of the characters are as strange, out of the norm, as the mortician himself.
But what really got my attention and made me jump directly into writing this was the uncanny weight and darkness that are pervasive throughout the film. Everything has a smack of doom, and it certainly delivers in this department.
Not only is the story gripping and deeply moving. The acting is on par with the craftsmanship of the whole film. Cinematography, taking advantage of the RED 3D is ultra hi-def and has some unforgettably lit scenes, especially in some of the flashbacks. And if this wasn't enough, the score and the songs used throughout the film only add to underline the roller coaster of emotions we're presented with.
The turns and zips and flips of the story are an integral part of keeping you hooked without blinking. The colour timing is awesome, conveying exactly every mood scenes needed to exploit their powerful emotional content.
I'm really proud of this film being American. It departs completely from stereotypes and boring scripts. It's a slow film. A film portraying a complex drama that unfolds in many directions. Maybe they went too far in explaining why everything happened, but it doesn't feel patronising or as if it was needed for the stupid -it will work, anyway.
All in all, it's a film that should be seen to be believed. Chapeau to Method Man (again, unbelievable name!) and to all the crew that made possible this small jewel of new OffHollywood Americana,
This time, in a setting long forgotten, we're confronted with a witty story in, of all places, the still recovering New Orleans. That, all by itself is a bonus. But when you add to it the magic of a master cinematographer, a superb script and a wonderful cast... you have OffHollywood. And, let me tell you: this guys know what they're doing!
The story is bleak. The character of the Mortician (awkwardly and silently played by Method Man -if you can believe his actual name) is definitely played methodically. His role is perplexing, uncomfortable and highly distressing. But that's his job. The rest of the characters are as strange, out of the norm, as the mortician himself.
But what really got my attention and made me jump directly into writing this was the uncanny weight and darkness that are pervasive throughout the film. Everything has a smack of doom, and it certainly delivers in this department.
Not only is the story gripping and deeply moving. The acting is on par with the craftsmanship of the whole film. Cinematography, taking advantage of the RED 3D is ultra hi-def and has some unforgettably lit scenes, especially in some of the flashbacks. And if this wasn't enough, the score and the songs used throughout the film only add to underline the roller coaster of emotions we're presented with.
The turns and zips and flips of the story are an integral part of keeping you hooked without blinking. The colour timing is awesome, conveying exactly every mood scenes needed to exploit their powerful emotional content.
I'm really proud of this film being American. It departs completely from stereotypes and boring scripts. It's a slow film. A film portraying a complex drama that unfolds in many directions. Maybe they went too far in explaining why everything happened, but it doesn't feel patronising or as if it was needed for the stupid -it will work, anyway.
All in all, it's a film that should be seen to be believed. Chapeau to Method Man (again, unbelievable name!) and to all the crew that made possible this small jewel of new OffHollywood Americana,
A mortician's life is changed when one day the dead body of a young woman is brought to him; one whose body is decorated with an elaborate tattoo of Sandro Botticelli's Birth of Venus. This all connects together with a young street boy who continually tries to get access to the morgue, the mortician's assistant who harasses the boy and a local thug who seeks him.
This downbeat film utilises flashbacks to tell its story. It's well acted and has a decent atmosphere. However, I can't say it felt like anything special. The plot line didn't feel especially original and overall I can't say the film made much of an impact. It's a decent movie though, just not a great one.
This downbeat film utilises flashbacks to tell its story. It's well acted and has a decent atmosphere. However, I can't say it felt like anything special. The plot line didn't feel especially original and overall I can't say the film made much of an impact. It's a decent movie though, just not a great one.
See it and you'll see what I mean!This film conjures up all the atmospheric nature of New Orleans as a City. It continues the recent great 3D movies which I for one hope continue to dominate action films.
The story line is strong & believable and castings has been inspired with The Method Man being an inspired choice. the complexity of the screen play is matched by the visuals which are breath taking at times. New Orleans is one of my favourite cities so this added to the enjoyment for me.
Save up your pennies and get your glad rags on to see a bravura performance.
The story line is strong & believable and castings has been inspired with The Method Man being an inspired choice. the complexity of the screen play is matched by the visuals which are breath taking at times. New Orleans is one of my favourite cities so this added to the enjoyment for me.
Save up your pennies and get your glad rags on to see a bravura performance.
Although it was a bit chunky, you knew the story line was waiting around the corner, and it was. I thought the actors were great although the capture of the young boy was maybe too mushy for real life. The music was a great addition since it set the mood at each segment. Since I hadn't seen Method Man or the other actors before...I was pleasantly surprised.
A very entertaining thriller with an interesting plot, great performances by the entire cast but it's Method Man that stands out with a very subtle and understated performance. Definitely give this movie a chance. It is well worth your time.
Wusstest du schon
- WissenswertesOne of the guys shooting up under the bridge is Kyrt Gates of the New Orleans post punk band "Love Her Killer." The other is Baton Rouge Artist Corey Nichols.
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Details
- Laufzeit1 Stunde 29 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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By what name was Der Sezierer - Nicht alle Toten schweigen (2011) officially released in India in English?
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