Die Legende der Wächter
Als eine junge Eule von einer bösen Eulenarmee entführt wird, muss sie mit neu gefundenen Freunden fliehen und die legendären Wächter suchen, um die Bedrohung zu stoppen.Als eine junge Eule von einer bösen Eulenarmee entführt wird, muss sie mit neu gefundenen Freunden fliehen und die legendären Wächter suchen, um die Bedrohung zu stoppen.Als eine junge Eule von einer bösen Eulenarmee entführt wird, muss sie mit neu gefundenen Freunden fliehen und die legendären Wächter suchen, um die Bedrohung zu stoppen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 4 Gewinne & 23 Nominierungen insgesamt
- Soren
- (Synchronisation)
- Noctus
- (Synchronisation)
- …
- Digger
- (Synchronisation)
- Gylfie
- (Synchronisation)
- Otulissa
- (Synchronisation)
- Marella
- (Synchronisation)
- Eglantine
- (Synchronisation)
- Metal Beak
- (Synchronisation)
- Barran
- (Synchronisation)
- Strix Struma
- (Synchronisation)
- Bubo
- (Synchronisation)
- Kludd
- (Synchronisation)
- Twilight
- (Synchronisation)
- Mrs. Plithiver
- (Synchronisation)
- Nyra
- (Synchronisation)
- Echidna
- (Synchronisation)
- Boron
- (Synchronisation)
Empfohlene Bewertungen
There will be complaints, like every other movie. Some will call the story unoriginal. Some'll say it's childish because it has talking animals. Some'll say it's stupid for the exact same reasons. I say, so what?! It's a family film, meaning there's something for both kids and those who are kids-at-heart! People go to the movies to be entertained, especially families, and with that this film delivers in spades.
First we have a superb, outstanding cast consisting of Australian/British actors of both the young and highest caliber. There's too many actors to say here, so I'll just say this: the voice acting is terrific. The owls speak in accents (for obvious reasons) making them sound as far and away from being "Hollywood-ized" as possible. There's depth, determination and heart to these characters. The villains of the film are really menacing, a feat considering that almost every character in the film are owls.
Story-wise, it's obviously unoriginal, but it is told very well. This is due to the animation, which is absolutely, spectacularly stunning. There is a great amount of detail in the film, especially on the owls, you can see every feather, every movement they make, every gust of wind that brushes that pass their feathers. Director Zack Snyder (finally using his talents for the kids) puts his signature style to terrific use here, using the "ramping" (frantic slowing down and speeding up repeatedly) technique from his "300" and "Watchmen" for the action sequences, that will make one forget he is watching an animated film, let alone a movie that has talking owls. It's absolutely breathtaking to see it in 2D alone, I watched it in 3D and had a hard time closing my stuck jaw afterwords!
The film looks and feels like it's a lost "Lord of the Rings" film. There's the armor, and the swords (talons), and then there's the big bad (Metal Beak) and the young hero (Soren) who is destined for greatness. It's set in a fantasy, far-away world where 3D is put to terrific use. Not since "Avatar" has 3D been used so efficiently and effectively that makes it an essential part of the story instead of being distracting and gimmicky. Likewise, the cinematography and the orchestral score is great and puts you into the film more. The owls look painstakingly well- rendered and they don't look too-clichéd-cartoony or too-frighteningly- realistic. It's just right. The only gripe I had with the film is the insertion of an Owl-City (because he's practically the most famous artist today with the word "Owl" in his name) song in the middle of the film which is distracting. But apart from that everything else was great.
In short, it's one of the best animated films of the year. It's the perfect movie to bring your family (and maybe friends as well) and enjoy. Have no worries, sit back, and enjoy the ride. And seeing it in 3D is a plus, no matter what anyone else says. The ending also hints at a sequel. Hope that's a possibility as Warner Bros. has a potential new family franchise at their hands. And I hope Snyder returns as well.
Overall value: 74/100
Pros: Surprisingly funny, superb animation, pretty good story (darker than I expected when it was billed as "from the creators of Happy Feet").
Cons: First half of the movie is pretty jumpy, and its also cheesy at some points.
I've only seen it once, so my review isn't as thorough as it could be, but overall this is a pretty good family movie, (not just for kids). I'm 21 and while I thought it looked good, I had feeling it was going to be bad. Its a shame they probably won't be making another one because of poor box office performance. I may see it a second time in theaters and will definitely get it on DVD.
PS: Before the movie begins (almost pixar-esquire) there is a Wile E Coyote and Roadrunner cartoon (well, 3D animation) which is a pleasant surprise.
On reflection there's a few things to like about this little movie. The CG looks fantastic, the facial animations carry all the right emotions and don't even get me started on the feather as each one acts as they should wither their in the air or dancing through the rain all without diving strait into the uncanny valley. The voice work has some charm and believe it or not Hugo Weaving is not the villain in this movie, in fact he has two separate roles in a bizarre double casting. Helen Mirren has a nice mother/temptress run at things, and Jim Sturgess finds that sweet spot between being a naive dreamer and headstrong bravery. Furthermore the heavy handed emotional speeches that usually make my ears bleed just a bit actually have some proper reserve behind them, relying more on the power of the words more then the emotional act behind them. And I will say this, although in about twenty minutes of the movie you'll hear somewhere around fifteen fantasy words, one's that have no relevance to the real world, but the movie never makes the mistake of sticking around them long enough to where things just get dry and confusing. It's kicked from one reel to the next, which kind of works in its favor to some degree. You're never lost in this world and the plot advanced fast enough that your brain never has the time to throw up too many red flags and pull you right out of the story.
As far as negatives are concerned. The owls suffer from the same boring over dramatic dull most fantasy stories suffer from in terms of plot. In that everything boils down to the one righteous path or collective taking arms against the bullying radical one. Essentially when broken down the bad owls, the Pure Ones, really only seem to be into slavery, kidnapping and training child soldiers and for all other purposes ethnic genocide all aimed in the total commitment of just being evil bastards. There's no real balance of purpose for the Pure Ones. Furthermore on another note, you would think a pseudo fantasy heroes journey would be all about the journey. Where each step for the main character is filled with adventure and danger and perhaps even a lovely maiden or two along the way. But this never really settles into that sort of pattern, perhaps it because the owls have the advantage of flying over those pesky foot dwelling creatures normally put on camera, but our cast of heroes scale all the way to Mt Doom and back and only break a sweat when the plot demands it, which is about three times throughout the movie. Oh and although this is sort of a kids movie, the standard betrayal has no real emotional resonance because its handled more as a demand of the plot than a character turn not to mention if you don't see these things coming I must assume you are either a bit of a young ling or a recent victim of cranial intrusion.
In the end I'd equate this movie to something like The Dark Crystal or Dragon Heart. Those kind of over zealous fantasy pseudo epics that have more than a few open wounds but have enough charm to warrant a viewing. I'll admit I enjoyed myself. While there's not a whole lot of new thins brought to the table and I can't help but feel I'm missing out on more than a few things for not having looked into the source materials, what is there hits all the right notes for this kind of fantasy setting and there are a handful of nice idea's that even Tolken never got into well. In that there's a bit of subtext about the cost of heroism and how much it hurts to do the right thing even when its what needs to be done, and I quite liked those aspects. Although I would caution the more casual movie viewer as this movie asks you to buy into a fair amount of fantasy tropes and once again there are only five types of characters owls, a single snake, some crows and some bats and one ratty looking mole like thing.
One last thing, speaking from a 3D viewing perspective. It's actually well done here. The unique perspective give the aerial combat a nice visceral punch and the ever sprawling backgrounds look deep and distant giving the movie the feel of a huge sprawling world. So there is some value to the price jump between the 2D and 3D if your into that sort of thing.
As for the film itself, I found it to be an extremely captivating and magical experience, a similar experience that I had not felt since seeing Avatar in December of '09. The animation was beyond top notch as each audience member bare witness to the immense detail of the owls and the environment. Each feather on the owls and each rain drop and spec of dust from the environment was clearly visible in the film.
The cast chosen for the film couldn't have turned out better than it did. The overall voice acting was fabulous and wouldn't have wanted any other way. The perfect octaves, expressions and moods were used in each line. Straying back to the previous paragraph slightly; most animated movies leave most people guessing the actor who plays the voice of a given actor. I, however, did not do this in this film. I was simply too immersed into the film to really notice.
The music used in the movie was beautiful and majestic. Truly epic scores of musical composure added so much to the film. You can tell the music in a movie is great when you never truly notice it, not to say it doesn't deserve its recognition. I merely mean that if you notice the music in a movie, it simply stands out too much and becomes a distraction. So having not noticed the music, I simply mean that the music became one with the movie and the experience.
In the end, I left the theatre with a very familiar feeling that I had not felt since I was a child. The feeling of classic Disney storytelling. The feeling of a masterpiece in the making. Legend of the Guardians is truly an epic film with a very rich plot and brilliant characters
That's is both a blessing and a curse, because the story is a little messy and the characters are a mixed bag. Soren and Kludd are young owls about to learn to fly, but accidentally fall out of their nest and are captured by other owls to be slaves. From there on they go through many things with different consequences. While that's going on many new characters are introduced, and that's where they sacrifice quality in exchange of quantity. Some characters are annoying one-note comic reliefs (don't remember their names) and were not serving much of to the story.
BUT the saving grace was the villains! Oh god they were intimidating! If Disney's Maleficent and Frollo had a child, that would be them! Every time they're on screen I got the chills! Enslaving other owls because they view themselves as superior!
Even if it has a story with flaws and a mixed bag of main characters, I can without a doubt tell that this is the best looking animated movie to be released in a long time and set the bar unbelievably high for the rest of the 2010's. Don't know if a better looking movie has turned up considering the fact that we're currently at the end of 2018, but this is a tough one to beat.
Wusstest du schon
- WissenswertesThe animators went to an owl sanctuary to learn how to properly depict owls in flight and the ruffling of their feathers, as well as owl behavior and their dietary needs.
- PatzerSeveral of the owl species featured in the film are not found in Australia, where it is set. This is because the original books were set in North America.
- Zitate
Soren: Why didn't you tell me?
Ezylryb: What difference does it make what I call myself?
Soren: Because Lyze of Kiel was my hero.
Ezylryb: Yes, well, fancy it must be hard meeting your hero and seeing that he's real, not a myth.
Soren: You're just, you're just not...
Ezylryb: What did you expect? Some Tyto Alba with gleaming armour and battle claws, the moon rising behind him?
Soren: Uh...
Ezylryb: Well, this is what it looks like when you've actually fought in battle. It's not glorious, it's not beautiful, it's not even heroic. It's merely doing what's right, and doing it again and again, even if someday you look like this.
- Crazy CreditsAt the very start of the film Soren's father, Noctus, is shown flying through the sky at sunrise passing through the Warner Brothers and Village Roadshow logos, before diving under the film's title.
- Alternative VersionenAlso released in a 3D version.
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Ga'hoole: La leyenda de los Guardianes
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 80.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 55.675.313 $
- Eröffnungswochenende in den USA und in Kanada
- 16.112.211 $
- 26. Sept. 2010
- Weltweiter Bruttoertrag
- 140.073.390 $
- Laufzeit1 Stunde 37 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
- 2.39 : 1