Im Südwesten der 1970er Jahre spielt das Leben eines mutigen Fluchtwagenfahrers für ein wachsendes Verbrechersyndikat, das sich von schrecklich zu wild, dumm und gefährlich entwickelt.Im Südwesten der 1970er Jahre spielt das Leben eines mutigen Fluchtwagenfahrers für ein wachsendes Verbrechersyndikat, das sich von schrecklich zu wild, dumm und gefährlich entwickelt.Im Südwesten der 1970er Jahre spielt das Leben eines mutigen Fluchtwagenfahrers für ein wachsendes Verbrechersyndikat, das sich von schrecklich zu wild, dumm und gefährlich entwickelt.
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So for you lost fans, most of you will have a favorable opinion of the character Sawyer by the end of the show. In season five, Sawyer has an opportunity to leave the island but return to US in the 1970s. If your head canon has ever considered what it would be like for him to have lived those years, well thank you too JJ Abrams we get to see this in Duster. So far, I've had a big smile on my face. It's fun and entertaining. I hope it continues this way.
Josh Holloway gives a good performance so far. He is definitely an underrated actor and this type of character always fits him well. I highly recommend that you give this a try and see if it's for you. I look forward to watching each week. I don't know if this is a single-season show, but I hope they're the second season if the story makes sense to have a continue.
Josh Holloway gives a good performance so far. He is definitely an underrated actor and this type of character always fits him well. I highly recommend that you give this a try and see if it's for you. I look forward to watching each week. I don't know if this is a single-season show, but I hope they're the second season if the story makes sense to have a continue.
So let's start off with a question. Is this for everyone? The answer: probably not. In saying that it does have all the things you'd expect of a period piece that takes place in the 70's. Long hair, muscle car, afro. Cheap cinnamon chips! Ok the last one not necessarily the case. Mr. Holloway has his charms and the lovely young woman FBI agent is a trailblazer which seems stereotypical these days while Hollywood tries to convince us that there empowering women at the cost of losing historical accuracy in the process which is unfortunate to a degree. The relationships aren't fully fleshed out in the first episode. I'm still unsure who the little girl's mother is in relation to the main character. Ex, friend, family member? Who knows! If you enjoy a little action and drama with a backdrop of crime/70's. Then you can't go wrong with Duster.
I really wanted to give Duster a chance, but it falls into the same trap as so many over-the-top American shows: everything is dialed up to 11 without earning it. The characters are painted with such broad strokes it's almost cartoonish - the heroic criminal, the rebellious woman, the evil men - all without depth or credible motivation. It tries hard to feel gritty and edgy, with forced dialogue and heavy-handed drama, but there's little actual substance. If you're looking for consistent storytelling, character-driven logic, and subtle tension, this isn't it. It's pulp disguised as prestige. I didn't finish the pilot - that says enough.
I have to admit. I didn't really think it was going to be good but it was a lot of fun. On a personal level I had a Duster back in the late 70's, early 80's also ( though it was painted black with blue stripes and without the spoilers ). Sawyer ( Josh will always be Sawyer from Lost for my wife and I ) and the FBI chick are both entertaining in their respective roles though he needs to get rid of that awful hair. It's nice to see Keith as a bad guy which I haven't seen him play as since The Nice Guys. Some nice car action, retro look, future crime shenanigans and the entertaining cast make this an ( so far ) easy, fun watch but hey Sawyer/Josh do us a favor and
get a haircut.
The series fails to ignite and is trapped by a style left wanting and shallow execution. It begs for a 1970s look yet feigns authenticity with a right-of-the-rack shine and cleanliness.
Set against the dusty backdrop of the 1970s Southwest, the story arrives with a heavy dose of period aesthetics and a premise ripe for pulpy thrills. However, despite its visual flair and commitment to recreating the era, the series quickly becomes bogged down by a pervasive sense of style over substance, leaving viewers with a production that feels disappointingly thin.
The characters, from the seemingly heroic criminal getaway driver to the determined FBI agent and various nefarious figures, often feel broadly sketched, akin to cartoonish archetypes rather than complex individuals. Their motivations frequently appear underdeveloped, and the dialogue, at times forced, contributes to a sense that this is "pulp disguised as prestige" - heavy on dramatic posturing but light on genuine authenticity.
The series also struggles to find a consistent tonal balance. While seemingly aiming for a fun, Tarantino-esque energy, attempts at heightened reality or humor, such as a jarringly executed Roadrunner cartoon homage or overly silly scenarios, can miss the mark and feel out of place. The effort to inject excitement occasionally comes across as trying way too hard to force the sense of fun it should just naturally possess, resulting in an uneven viewing experience.
Furthermore, the writing often relies heavily on clichés, offering little in the crime genre that feels fresh or unexpected. Even potentially compelling elements, such as the storyline following the first Black female FBI agent in the 1970s, are noted as feeling undercooked and lacking the impactful exploration they warrant. This FBI narrative, in particular, is cited as less engaging than other parts of the show, dragging its feet and lacking crucial subtext.
Casting choices have also drawn scrutiny, with the age difference between lead actor Josh Holloway and the character he portrays (a Vietnam veteran) highlighted as a distracting element that can undermine the show's attempts at dramatic weight. Adding to the show's struggles is an excessive reliance on 1970s nostalgia, from constant music needle drops to overall aesthetic choices, which some found to be unearned and dictated by a lack of common sense. While the main cast generally performs admirably, the supporting performance from Keith David is exceptional.
Ultimately, the show promises a wild ride, but often spins its wheels, hindered by shallow writing, inconsistent tone, and a prioritization of surface-level style over the substantive development needed to make its world and characters truly compelling.
Set against the dusty backdrop of the 1970s Southwest, the story arrives with a heavy dose of period aesthetics and a premise ripe for pulpy thrills. However, despite its visual flair and commitment to recreating the era, the series quickly becomes bogged down by a pervasive sense of style over substance, leaving viewers with a production that feels disappointingly thin.
The characters, from the seemingly heroic criminal getaway driver to the determined FBI agent and various nefarious figures, often feel broadly sketched, akin to cartoonish archetypes rather than complex individuals. Their motivations frequently appear underdeveloped, and the dialogue, at times forced, contributes to a sense that this is "pulp disguised as prestige" - heavy on dramatic posturing but light on genuine authenticity.
The series also struggles to find a consistent tonal balance. While seemingly aiming for a fun, Tarantino-esque energy, attempts at heightened reality or humor, such as a jarringly executed Roadrunner cartoon homage or overly silly scenarios, can miss the mark and feel out of place. The effort to inject excitement occasionally comes across as trying way too hard to force the sense of fun it should just naturally possess, resulting in an uneven viewing experience.
Furthermore, the writing often relies heavily on clichés, offering little in the crime genre that feels fresh or unexpected. Even potentially compelling elements, such as the storyline following the first Black female FBI agent in the 1970s, are noted as feeling undercooked and lacking the impactful exploration they warrant. This FBI narrative, in particular, is cited as less engaging than other parts of the show, dragging its feet and lacking crucial subtext.
Casting choices have also drawn scrutiny, with the age difference between lead actor Josh Holloway and the character he portrays (a Vietnam veteran) highlighted as a distracting element that can undermine the show's attempts at dramatic weight. Adding to the show's struggles is an excessive reliance on 1970s nostalgia, from constant music needle drops to overall aesthetic choices, which some found to be unearned and dictated by a lack of common sense. While the main cast generally performs admirably, the supporting performance from Keith David is exceptional.
Ultimately, the show promises a wild ride, but often spins its wheels, hindered by shallow writing, inconsistent tone, and a prioritization of surface-level style over the substantive development needed to make its world and characters truly compelling.
WUSSTEST DU SCHON:
- WissenswertesShow filmed the pilot in Tucson, AZ in the Fall 2021. HBO/Max retooled the show adding Rachel Hilson and Corbin Bernsen in Feb 2023. They subsequently moved the production of the show from Tucson to Albuquerque, and re-shot the pilot and the remaining episodes of Season 1 ending production in March 2024.
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May 2025 TV and Streaming Premiere Dates
May 2025 TV and Streaming Premiere Dates
"Murderbot" and "Rick and Morty" are two of this month's most anticipated TV releases. Check out our May calendar for more!
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Details
- Laufzeit1 Stunde
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.00 : 1
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