Runaway Girl

The acting was good but the plot was very depressing. This was sad.

I would probably give this about a 5.5, but since that's not available, I'll be nice and say 6. Chloe Moretz is what primarily drove me to see this film at first, especially since I wasn't too familiar with or cared for any of the actors who were to be in it. I might be a bit biased because prior to my viewing, all I'd heard was how AWFUL this film was. But I said screw it, it's Chloe Moretz. I've been on a Chloe binge lately and thought I'd help satisfy it by catching this. A month before its May 11th release, I read the book and was legitimately impressed. The book truly captivates the reader, by giving you a sincere sense of what goes on in Luli's mind, given her experiences with a troubled family and redneck life. Having truly enjoyed the book, I was able to ignore the horrid reviews I'd read and decided I'd go for it anyway.

I'll say this: if it weren't for Chloe Moretz and Eddie Redmayne, this film would truly have been a flop. The script is a bit similar to the book, as pertaining to the volatility of the plot and random introduction of significant characters. But the script fails by giving most of these spontaneously interjected characters ridiculously short screen time (Blake Lively only had about MAYBE 15-20 min. tops?). Characters that had given reasonably substantial meaning to Luli's depicted life on the road, such as Clement, Beau, even Lloyd, had no more than 2-3 minutes screen time apiece, and many of them were given almost no depth whatsoever.

Chloe did a fantastic job of acting, as usual. Her portrayal of a charming, street-smart yet semi-innocent teenage girl is visually and emotionally gripping. Her camera action and dialogue alike are the culmination of what only the most talented, versatile young actress in Hollywood can produce. Blake Lively did a reasonably decent job, and actually showed a surprising amount of character depth. But it is Mr. Redmayne who steals the show.

Having never seen a film with Eddie Redmayne before, I can't say that I had really known what to expect from him. I had read from many sources that he had done a fabulous job in this film, with one such reviewer even claiming he deserved an Oscar nod. Having read the book and been well-acquainted with what to expect from the man playing Eddie Kreezer, the acquaintance-turned-murderer-turned-kidnapper, I was thoroughly and legitimately impressed with his depth. Eddie Redmayne brought a perfect combination of charm and emotional versatility, with the underlying degree of insanity which would turn extreme in the final act of the film. Redmayne's western accent was phenomenal, given his English citizenship, and his charming cowboy persona was spot-on. His mood in scenes would vary from condescending to charming to menacing and so on. I can honestly say that Eddie Redmayne literally made the show for me.

The film as a whole will probably not be up for any (significant) awards, especially given its indie status and almost obsolete promotion. I can't recommend that the average moviegoer check out this film, maybe not even the average Chloe Moretz fan. But if you're up for a road film centered on a young girl who learns to literally pull herself up by her bootstraps and survive countless things, from abandonment to rape to kidnapping and so on, it could be worth your time.

It's 80's Nebraska. Luli McMullen (Chloë Grace Moretz) turns 13 and one of her gifts is a gun. Her mother (Juliette Lewis) takes off with a guy. Luli decides to runaway to Las Vegas. She hitches a ride with rodeo cowboy Eddie (Eddie Redmayne) with a limp. He kicks her out after calling him a gimp. She gets picked up by Glenda (Blake Lively).

Moretz is young doing this sexual character. There is a fun quirky sense that is somewhat irksome. It wouldn't be quite as bad if it does this in a gritty ugly way. Moretz doing Dirty Harry is too playful. Redmayne mumbles a lot. Lively does surprisingly reasonable. The story is a muddle. There are ways to make more sense and make it easier. It may need somebody other than Andrea Portes to adapt her book. The big three leads are ready for their stardom. This is a minor detour.

A gritty and hard nosed coming of age story, this great little film has Hit Girl (Moretz) branching out into new territory, namely, something meaningful. It is not unusual growing up to hit a point when we think we know everything and have it all figured out. Usually, that's the point we look back on later and realize we knew nothing at all. Luli starts out naive, but not realizing it. She thinks she is all grown up, to the point of flaunting some sexuality. She finishes a lot wiser, having had some hard lessons. Baldwin has a nice turn, a bit more than a cameo, but he does a lot with a little. It's the script that really works, though. Nicely paced, written and thought out, it puts it all together.

"You could shake your knuckles at the sky, you could get mad and say I don't got nothing', you could get stuck." Thirteen year old Luli (Moretz) comes from a very messed up family. She spends the night of her 13th birthday at a bar with her parents and when the dad is too drunk to drive home a big fight occurs. When her mother leaves with an insurance man and her dad gets mad and leaves she is left alone. Deciding she needs a fresh start she heads out on her own for Las Vegas. The best way to describe this movie really is to compare it to the movie "Jolene" that came out a few years ago. But I'm guessing most people didn't see it so I will do my best. It sounds strange to say this but this is a coming of age story about a 13 year old girl. Through the people she meets on her way she has new life experiences that involves things she shouldn't learn about for at least 5 more years. Moretz is amazing in this and I just wonder how long it will take until she wins an Oscar. The cast in this is also very good and the movie is very much worth watching all the way to the surprising and bittersweet ending. I liked it. Overall, a very good movie about a not so typical life of a 13 year old. I give it a B.