Gran Torino

A modern day masterpiece. There is really no movie that is so funny, however, so moving at the same time. A true cultural masterpiece that puts political correctness to shame. We are all equal and Gran Torino does a fine job of letting us know. One of Clint Eastwood's greatest. Acting and directing.

I feel like I should let everyone reading this know of my inherent bias in favor of this film. I have seen twenty eight films from Clint Eastwood as director and have liked the vast majority of them, and loved a good number of them (my average rating for the 28 films is 7.9). Still, something felt off about "Gran Torino" based on the trailer. I read it as Eastwood trying to be 'badass' again, trying to be Dirty Harry again. "Gran Torino" is not that. Walt Kowalski may have similarities with Dirty Harry, and could possibly be read as a significantly older version of Harry (it's a stretch), but he is a distinctive, memorable character on his own, and I'd go as far as saying that it's one of Eastwood's finest performances, and one which gives him a chance to show off his dramatic and comedic chops.

I'm not going to argue that "Gran Torino" has perfect acting from the younger supporting cast. It doesn't. In fact, some of them are downright bad at times, but the film works in spite of its flaws. This screenplay was probably written with Eastwood in mind (I am not sure of the behind-the-scenes details on this) and it shows. He captures Kowalski perfectly. The film is surprisingly humorous, something that isn't being captured well enough in advertising. It's absolutely hilarious at times (watch as Kowalski attempts to make a man out of Thao by teaching him how to talk like men do), and Eastwood handles the shifts in tone brilliantly. When the film takes a dark turn towards the end I sat on the edge of my seat in suspense, fully aware of where it was heading but still mesmerized by Eastwood's tour-de-force direction. This is an artist at his prime as an actor and as a director.

Whether or not "Gran Torino" will hold up as one of Eastwood's great films remains to be seen, and the film feels like it would be good for multiple viewings. The characterization is strong and not simplistic at all, you could argue that Kowalski is just another grouchy war vet, but Eastwood's beautiful, nuanced performance as well as some neat little touches in the screenplay (particularly towards the end) which I won't discuss in detail to avoid spoiling anything (and it's really fun to watch this movie unfold, Eastwood keeps the film moving at a wonderfully involving pace) would prove you wrong. The film works on yet another level as a deconstruction of Eastwood's image. I don't mean that as a negative, it just adds to the film's strength as a character study.

It's a more intimate film than Eastwood's other film this year, "Changeling", and also on a smaller scale than many of his other films, but it's just as ambitious in many ways. This is not a politically correct film about a grouchy old racist suddenly turning into the most tolerant person around, it is a film about a man who, near the end of his life, is forced to confront his demons, and on the sunnier side about a man who finds true friendship where he least expected it. By the end of "Gran Torino" I had forgiven any flaws it might have, and was completely satisfied with the film, which far exceeded my expectations. I have a feeling that "Gran Torino", which has already been met with strongly positive reviews (but is still being described as a 'minor' Eastwood film by some), will eventually become an especially important part of Eastwood's filmography.

After his wife dies, Korean Water veteran Walt Kowalski busies his life with small household jobs and snarling at his family, until his young neighbour tries to steal his car.

It's a film you really do need to be in the mood for, as it is an intense watch, and could definitely be seen as heavy going. What I've always enjoyed about it, the touches of humour that pop up every now and then, I also think the film is very relatable.

What stands out, is the superb direction, the powerful storyline, and the performance of the leading man.

I think Clint Eastwood does a really fine job as Walt, he really is a tormented soul, you really do feel as though he's a man on the edge, totally disillusioned by life and everything around him, I'd seen it a great performance. I think Bee Vang is great as Thao too.

When I first saw it, and still to this day, his spitting really does gross me out, although it fits the character, designed to make us feel strongly about him perhaps.

8/10.

Clint Eastwood is simply great both in front of and behind the camera.

Eastwood is as great as Walt Kowalski, a man who, behind his rough exterior, deeply feels the world around him. Through humor and deep emotions, this film shows us that people are complicated and life is unpredictable.

Such films are rare, and nowadays they are almost non-existent. The development of the main character and the depiction of his emotions and internal conflict are interesting, which is exactly the basis of the film.

There is also a bit of humor in the film, located exactly where it should be and thus creates that necessary balance against the cruel reality.

The script is brilliant, and Clint Eastwood turned it into a great film, managing to evoke tension and feelings, as well as the inner struggle of the characters.

The film is superbly directed and easily guides the viewer through the story. The cinematography is excellent, as is the photography. The soundtrack fits perfectly into the atmosphere of the film.

This is an old-fashioned drama with interesting characters that are not one-dimensional but complicated and layered. Unfortunately, the actor who plays the character of Thao is simply not a good actor, but the rest of the cast played their parts excellently.

I was particularly impressed by Ahney Her in the role of Sue, and Clint Eastwood is equally excellent in the role of Walt Kowalski. Also, Christopher Carley excellently portrayed the character of Father Janovich, a young and somewhat naive priest, whose character is also interesting and develops throughout the film.

A great, powerful and inspiring film.

With his performance Eastwood shows you why people like himself, Jack Nicholson, or Paul Newman only come around once in a lifetime. Though Eastwood would rather focus on directing, he can still carry a movie with his on screen presence, and he's pure dynamite in "Gran Torino". Perhaps the poor box office results of "hollywoody" movies like Absolute Power, True Crime, Space Cowboys, and Blood Work, caused Eastwood to shy away from acting, but given cutting edge material to work with as "Million Dollar Baby" and "Gran Torino", he's as good as ever. His character as the racist and salty war vet makes you think of that old guy we've all had on our blocks with the garbage door open, the million tools hanging everywhere, and always fixing or building something. I found myself not wanting the movie to end because the scenes between himself and the various Hmong characters where priceless. There may be complaints over the racist remarks and scenes, but Eastwood pulls it off in a way a real person like that would talk or act to a point where it ends up being lighthearted. I'm not going to give the plot away, but if you like your Clint Eastwood as a hard-nosed tough guy with foul language alla Dirty Harry or Heartbreak Ridge, you'll love this movie!!