IMDb-BEWERTUNG
6,2/10
61.504
IHRE BEWERTUNG
Eine eng zusammengewürfelte Gruppe von Straßentänzern aus New York City muss sich in einem Showdown mit hohen Einsätzen gegen die weltbesten Hip-Hop-Tänzer behaupten.Eine eng zusammengewürfelte Gruppe von Straßentänzern aus New York City muss sich in einem Showdown mit hohen Einsätzen gegen die weltbesten Hip-Hop-Tänzer behaupten.Eine eng zusammengewürfelte Gruppe von Straßentänzern aus New York City muss sich in einem Showdown mit hohen Einsätzen gegen die weltbesten Hip-Hop-Tänzer behaupten.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
Adam Sevani
- Moose
- (as Adam G. Sevani)
Stephen Boss
- Jason
- (as Stephen 'tWitch' Boss)
Oren Michaeli
- Carlos
- (as Oren 'Flearock' Michaeli)
Joseph Slaughter
- Julien
- (as Joe Slaughter)
Chadd Smith
- Vladd
- (as Chadd 'Madd Chadd' Smith)
Empfohlene Bewertungen
STEP UP 3D – CATCH IT ( B ) Step Up 3D has the most mind blowing and jaw dropping dancing. The music and dance performances of the movie are par excellence. All the dances are so fun to watch but Obviously the End Dance wins it all, it was Super Fantastic. The only thing Step up 3D lacked big time is its acting department, obviously all them can dance exceptionally well but their acting was quite poor except for Adam G.Sevani Aka. Moss and Alyson Stoner Aka. Cam. Adam and Alyson has prior acting experience so they were great along with their dancing. Adam and Alyson's road dance was one of the sweetest dance performance I've ever seen. Stunning looking Sharni Vinson danced really well and in some scenes she acted quite well. Gorgeous Boy Rick Malambri was the weakest Actor and Dancer among them all. His dancing with Sharni Vinson was great but in whole group he was the weakest link. Sadly, he had no expressions on his face whether he is serious, sad, happy or funny, he had the same expressions except when he Smiles. I think he got this job because of his looks because he is a terrible actor. One thing besides his good looks saved him was his awesome chemistry with Sharni Vinson. All the other dancers were great in dancing and terrible in acting. Overall its highly enjoyable because of its Incredible dance routines so, if we forget the terrible acting by most of them, its pretty good.
Not too bad and everything you may expect for a dance flick. Why it is in 3D is anyone's guess, ohh yehh, thats right, every second movie is in 3D these days. If your a fan of the other two Step Up films you will absolutely love this predictable story. A battle of dance teams looms with prize money needed to pay the bank to hold the closure of the street dancers studio/residence. The cast is good looking and talented as they strut their stuff, a highlight being a splashing dance scene in water. Australian starlet,Sharni Vinson, last seen in CSI.NY is a natural while Rick Malambri (Surrogates) will have the ladies swooning at his disco inferno. It's an OK movie, family friendly and undemanding entertainment.
"Step Up 3D" maybe the best 3D movie since "Avatar". You laugh. For one thing "Step Up 3D" was filmed in 3D—no post production enhancement. Seeing amazing street dancing is visually stunning in 3D. One distinguishing sequence has Moose (Adam G. Sevani) splashing his moves on the water flooded stage. In another electrifying sequence the dance troop Pirates move in unison in LED lit costumes. One sees "Step Up 3D" for the 3D—entirely.
No ground breaking storytelling here. Amy Anderson and Emily Meyer's screenplay barely eclipses perfunctory. This is the coming of age story of misunderstood young people overcoming the odds to compete in the First Annual World Dance Jam. The dialogue is awful. We endure the speaking interludes throughout the movie to get to the dancing, which is spectacular. Director Jon Chu has a dramatic sense of line and chaos with a provocative and flourishing visual style.
The dancing is spectacular. Jon Chu has assembled some of the best street dancers in the world. The Santiago Twin (spirited Martin and Facundo Lombard) just kill in the World Dance Jam. Chadd Smith as Vlad, whose specialty is the Robot dance, is absolutely awesome—in 3D the effect is mesmerizing. Sharni Vinson, who plays stunningly beautiful and ripped nomad street dancer Natalie, is elevation and grace combined. The capoeira practice she performs with Luke (cool and handsome Rick Malambri) is high velocity precision. Chu is also a student of the classic musical. He films an homage to "Singing in the Rain" in a single take with Moose and his almost girlfriend Camile (Alyson Stoner) as they duet down the street. Chu also provides such visual texture and touch in the World Dance Jam itself mixing the Wushu influenced Asian street dancers along with the breakers and the poppers.
Even with the corny dialogue and lame story lines, the opening sequence gets it right. Luke (Malambri) runs a shelter and dance studio for down and out street dancers- his parents' legacy. Luke's passion is film-making. As the movie opens we see Luke film interviews with his dancers. This wonderfully captures that dancers are never more present to life or have more joy than when they are dancing. Authentic passion transcends the written words, and is inspired. In a roundabout way "Step Up 3D" is at its best when it is in the moment in 3D, Otherwise, we are left with that Moose is too stupid, albeit a brilliant engineering student, to see that Camile is in love with him, and that he really loves her. Mysterious Natalie may not be who she appears, and that she and Luke are falling for each other. And does anyone really take a train to Los Angeles from New York?
We kind of know the answers to these questions. So what there is to do is enjoy the dancing.
No ground breaking storytelling here. Amy Anderson and Emily Meyer's screenplay barely eclipses perfunctory. This is the coming of age story of misunderstood young people overcoming the odds to compete in the First Annual World Dance Jam. The dialogue is awful. We endure the speaking interludes throughout the movie to get to the dancing, which is spectacular. Director Jon Chu has a dramatic sense of line and chaos with a provocative and flourishing visual style.
The dancing is spectacular. Jon Chu has assembled some of the best street dancers in the world. The Santiago Twin (spirited Martin and Facundo Lombard) just kill in the World Dance Jam. Chadd Smith as Vlad, whose specialty is the Robot dance, is absolutely awesome—in 3D the effect is mesmerizing. Sharni Vinson, who plays stunningly beautiful and ripped nomad street dancer Natalie, is elevation and grace combined. The capoeira practice she performs with Luke (cool and handsome Rick Malambri) is high velocity precision. Chu is also a student of the classic musical. He films an homage to "Singing in the Rain" in a single take with Moose and his almost girlfriend Camile (Alyson Stoner) as they duet down the street. Chu also provides such visual texture and touch in the World Dance Jam itself mixing the Wushu influenced Asian street dancers along with the breakers and the poppers.
Even with the corny dialogue and lame story lines, the opening sequence gets it right. Luke (Malambri) runs a shelter and dance studio for down and out street dancers- his parents' legacy. Luke's passion is film-making. As the movie opens we see Luke film interviews with his dancers. This wonderfully captures that dancers are never more present to life or have more joy than when they are dancing. Authentic passion transcends the written words, and is inspired. In a roundabout way "Step Up 3D" is at its best when it is in the moment in 3D, Otherwise, we are left with that Moose is too stupid, albeit a brilliant engineering student, to see that Camile is in love with him, and that he really loves her. Mysterious Natalie may not be who she appears, and that she and Luke are falling for each other. And does anyone really take a train to Los Angeles from New York?
We kind of know the answers to these questions. So what there is to do is enjoy the dancing.
If you've seen one break-dance flick, then let's be frank, you've seen them all. The blue print is the same each and every time, lots of awesome dance sequences with gap-filling scenes of excruciating acting, non-existent plot and direlogue that wouldn't feel out of place in a Z-grade horror film. With those standards in mind, the most effective entries into this genre do two very simple things: maximise the eye-boggling dance routines and minimise the yawn-inducing guff that fills the rest of the runtime.
Step Up 3D only gets half of the above equation right. An unnecessary amount of time is wasted on boring dross like predictable plot twists and deep and meaningful (read: long and laughable) conversations about how profoundly dancing can affect people. Honestly, who cares? From the moment the main character tells his new BFF that "he's BFAB, born from a beatbox" in the first ten minutes, all further dialogue should've been ceased immediately. I'm serious, they should've let the music and moves do the talking for the remaining 90 minutes. That way our gag-reflex wouldn't have been tested by Vinson (ex-Home and Away star) and Malambri's acting.
When the bodies are twirling, contorting, flinging, jumping, smashing or moving like a robot the film unsurprisingly finds its legs. Choreographed with flair and panache, the set-pieces incorporate the 3D technology decently enough by having dancers approach the camera with fast, whippy hand movements, however the depth of the stage was employed more successfully by its British counterpart StreetDance 3D. Regardless, there are still a handful of entertaining dance-offs that impress on varying levels.
Replete with the freshest hip-hop tunes and sporadic inventiveness – mainly in the form of illuminated costumes – this trilogy-closer may tickle your fancy, but that is wholly reliant on whether you're BFAB or not.
2.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
Step Up 3D only gets half of the above equation right. An unnecessary amount of time is wasted on boring dross like predictable plot twists and deep and meaningful (read: long and laughable) conversations about how profoundly dancing can affect people. Honestly, who cares? From the moment the main character tells his new BFF that "he's BFAB, born from a beatbox" in the first ten minutes, all further dialogue should've been ceased immediately. I'm serious, they should've let the music and moves do the talking for the remaining 90 minutes. That way our gag-reflex wouldn't have been tested by Vinson (ex-Home and Away star) and Malambri's acting.
When the bodies are twirling, contorting, flinging, jumping, smashing or moving like a robot the film unsurprisingly finds its legs. Choreographed with flair and panache, the set-pieces incorporate the 3D technology decently enough by having dancers approach the camera with fast, whippy hand movements, however the depth of the stage was employed more successfully by its British counterpart StreetDance 3D. Regardless, there are still a handful of entertaining dance-offs that impress on varying levels.
Replete with the freshest hip-hop tunes and sporadic inventiveness – mainly in the form of illuminated costumes – this trilogy-closer may tickle your fancy, but that is wholly reliant on whether you're BFAB or not.
2.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
i watched this film yesterday with the girlfriend, and i didn't have high hopes for the film at all, I'm not really into dance/romance movies. But during the film, with each minute i became more and more in love with it. I mean WOW!! step up 3D delivers like no other dance movie out there. This movie was amazing! the 3D was incredible, the dancing was out of this world, the songs on the film were amazing! my and my girlfriend were singing along to them, but the storyline lacked abit, apart from the storyline, Justin Chi has made the perfect dance film! I'm even debating going to see this movie again next week! although the last too step up movies lacked character, the latest instalment in the franchise definitely gives the trilogy the buzz that it needs! i rate this movie 9/10, it would of been 10/10 if the storyline wasn't lacking abit! even if you hate dance movies this movie in definitely worth watching.
Wusstest du schon
- WissenswertesWith an opening weekend tally of $15.8 million, this was the lowest-earning movie of the "Step Up" movies. However, the film went on to international grosses of $159,000,000, making it the biggest earner of its (at the time) films.
- PatzerAt the final battle where Julien takes 2 of his crew members as dogs with chains, he once wears his jacket, the next shot he stands there without it and so on.
- Crazy CreditsAt the beginning of the end credits there's a scene in which Jay Franco (aka J-Smooth) sits on a chair and performs an impressive catalog of finger tutting moves
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #18.93 (2010)
- SoundtracksEmpire State of Mind
Written by Jay-Z (as Shawn Carter), Alicia Keys (as Alicia Augello-Cook), Angela Hunte, Bert Keyes, Sylvia Robinson, Janet Sewell (as Jane't Sewell), Al Shux (as Al Shuckburgh)
Performed by Jay-Z featuring Alicia Keys
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing
Alicia Keys appears courtesy of J Records
Contains a sample of "Love on a Two Way Street"
Performed by The Moments
Courtesy of Sugarhill Records Ltd.
By Arrangement with Warner Music Group Film & TV Licensing
Top-Auswahl
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Details
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 42.400.223 $
- Eröffnungswochenende in den USA und in Kanada
- 15.812.311 $
- 8. Aug. 2010
- Weltweiter Bruttoertrag
- 159.291.809 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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