Rango

The Oscar for Best Animated Feature Film of the Year went to Rango and to be honest in this category it clearly deserves that. After The Ring and Pirates of the Caribbean: The Curse of the Black Pearl Gore Verbinski brings us another highly entertaining movie, this time with something slightly different as it is an animated movie. The images and characters are just perfect, it's all very creative and visually stunning. As for the actors, or better the voice-overs, they were perfect in their roles. I can't see anybody narrating Rango better than Johnny Depp. The story is simple but effective, with alot of humor, maybe not for the younger kids but more for adults with a healthy imagination and that don't mind watching animation movies every now and then. Rango, a movie I will watch again in the future.

A good animated film, I had never seen an animated western with animals before this. Johnny Depp is fantastic as always and the rest of the cast does a good job.

Music is solid and whilst not up the standards of some older Western films like Good the bad and the ugly it's still quite good. I liked the actual cinematography of the film as well, how Rango and Beans stood out in almost every seen, compared to the drabness of the drabness of the town Rango is rather colourful.

The plot is really interesting as well, with water being used as currency and the usual corrupt rich hoarding lots of it and not distributing it fairly. I've seen better plots but it's easy for children to follow and compelling enough for adults

Action wise I thought it was average personally but a certain serpentine character was very well designed and thoroughly intimidating.

7/10: Definitely deserves a watch, especially if you're interested in classic westerns, and I think the genuinely interesting characters and animation are worth a viewing for people who like that stuff too

We all face an existential crisis at some time or another, just usually not when we're seven, which will likely be the mean age of children watching this newest non-Pixar non- DreamWorks animated feature. No, "Rango" won't challenge kids to contemplate their role in the cosmos, but that's precisely the predicament of its main character, a theatrical lizard who finds himself — as many animals in animated films do these days — thrust out of domestic bliss and forced to reckon with the untamed and unforgiving nature of the wild natural world. But in addition to all its verboseness and abstract homage to classic Westerns, "Rango" equally dishes out top-notch physical humor and creative characters for the young ones to lap up, even if they're not exactly of age to, as the film puts at least once, "ruminate."

We don't learn much about Rango's life as a pet lizard. In fact, his name is not even Rango; he adopts it as his identity during his adventure. We do see him create his own theatre productions with the random items in his tank and he pretends that they give him feedback and criticism. When he determines that his latest show needs some intense conflict, he finds himself flung from his tank and on the side of the dry desert road. At the advice of an old armadillo (Molina), he seeks out water and stumbles upon the town of Dirt, a classic Wild West locale full or critters and experiencing a nasty drought.

Johnny Depp quickly loses himself into Rango, a character that's somewhere between his take on Willy Wonka and his turn as Hunter S. Thompson. Depp churns out an outstanding animated protagonist, one who is equal parts boisterous and insecure. As the ultimate outsider in Dirt, our lizard hero has an epiphany: he can reinvent himself out here. He takes up his new name and makes up a fantastical tall tale and then with a pinch of luck, becomes the toast of the town and gets anointed sheriff. All seems swell, but something's up in the town with regards to the dwindling water supply and the local critters are getting restless. Rango must truly be the hero he masquerades as.

The creatures of Dirt are fascinatingly animated. They are gritty and unpleasant looking, but awing in their detail. Rango's facial expressions even out-Depp the man behind them as embodied in the scrawny asymmetrical lizard. The animators do a particularly fine job of creating the hot and dry climate of the desert, enough so to recommend that the film is best enjoyed with a beverage in hand. It's so effective that it magnifies the problematic nature of this simple predicament done hundreds of times before. Hidden underneath it all somewhere has to be an environmental message, but not an overt one and not the main lesson to learn from the story.

The language and texture of the film might be decidedly adult, but the conventions of the story and the degree of action aims specifically for children. Rather than aim for a middle ground, "Rango" somehow takes the highest road and the lowest road simultaneously. The dialogue and the situations are sophisticated but the physicality of the characters and the high-flying Western frontier action still plays to a child's understanding. This only proves that "Pirates of the Caribbean" director Gore Verbinski has a real gift for all-ages entertainment.

In addition to Rango's existential quandary, children will not understand the cinematic homages either, particularly to spaghetti Westerns. One of the film's most affecting scenes comes at the moment when our animated hero, as they all do, hits the lowest of lows after he's exposed as a "fraud." Rango has a run-in with "The Spirit of the West," an instantly recognizable figure who has some old-fashioned advice about toughness and walking tall on the path you're given. It's a tender moment as what has been considered a bygone era of cinema plays an important thematic role in such a modern mainstream story.

"Rango" doesn't quite capture the degree of humor and emotional depth that the Pixar greats of the last few years have, but it's a fun adventure with exquisite animation, tasteful characters and a good heart, which puts it as an above-average offering compared to others of its kind. Adults will simply marvel at the intellectual boldness of this pure and simple kids movie and rightfully so. Only with a Pixar gold standard in place does "Rango" come across as flawed; otherwise it's an absolutely pleasant watch from start to finish.

~Steven C

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Rango manages to appeal to many interests. First of all, the recreation of the old West is charming. The animators have done a masterful job of producing a setting that really works. The chameleon star finds himself in Dirt, the aforementioned town, and is given the task of saving the water supply. Yes, it is a bit dark and the plot is sophisticated. So why so many 1's and 2's. Is it that people are so easily bored when their minds are a bit challenged by an animated film? This is one of the better films of the year and works on many levels. It also parodies tough Westerns that we have seen in contemporary times.

After an extremely weak first quarter in the cinematic world full of remakes, re-dos, 3-D flicks and movies about gnomes (really…really?) we finally have something fresh, original, and quite trippy to kickoff 2011. Once again reaching into his Western roots, Gore Verbinski makes up for what he did to World's End and delivers one heck of an animated film. Rango is full of surprises: surprisingly violent, surprisingly smart, surprisingly full of western references left and right, and with a surprisingly incredible western score that matches that of Ennio Morricone (never thought I'd say that). If you can muster its sluggish start, extremely fast-pace humor and rather bizarre moments throughout, then you will thoroughly enjoy Rango and its Western mayhem. And who said the Western genre is dead....

Rango (Johnny Depp) is a chameleon that after a mishap inside his tank comes across a town full of desperation and hopelessness. With a little bit of luck and a lot of lying, Rango becomes sheriff of the town but runs into a lot of trouble when the water supply hits low and tensions start rising. The storyline is nothing new, but the script (Good work John Logan) is full of fresh ideas, fun action pieces, and a great assortment of characters. In the midst of the script lie so many homages and references to classic westerns you can make up one heck of a drinking game.

A strong factor into the fun of Rango is the excellent voice acting, which rivals that of Pixar's best casting work (See: The Incredibles and Finding Nemo). Johnny Depp is phenomenal in all his crazy roles, and his performance of the hilarious Rango is nothing short of brilliant. But, let's not forget the great work of Isla Fischer (as the lead female), Bill Nighy (as the sinister Rattlesnake Jake), and the great singing of the owl mariachi (Los Lobos). And speaking of singing, let's talk about music. Hans Zimmer was robbed when Inception didn't win Original Score, but he deserves even more praise with the score here. It is an incredible mix of guitar, strings, orchestra, and nods to masterful Morricone, and is hands-down the best score since Michael Giacchino's "Up." I am strongly contemplating buying the soundtrack if it's out in stores.

The three main reasons why Rango works: Johnny Depp, Hans Zimmer, and Gore Verbinski. Very few blockbuster directors have the zaniness and range of Verbinski; as his repertoire includes Pirates of the Caribbean (epic blockbuster), The Ring (horror), The Mexican (I still don't know...) and Mousehunt (underrated dark family comedy). His talents can be shown here as he interweaves strange dream sequences with unique action sequences and plenty of hilarious moments. This movie also doesn't hold back for the kiddies, as it has the language, adult dark humor, strong themes, and heavy violence of a good-ol' western. Just picture what were to happen if Chuck Jones directed a tamed Quentin Tarantino script. And Lord knows there is not enough Chuck Jones influence in the modern animated movie world.

Bottom Line: Rango works because of its fresh originality and its refusal to follow the clichéd rules of children animated flicks. It ditched the 3-D, ditched the watered-down tone we see all too much, while we experience a very unique take on Westerns while at the same time see plenty of odes and homages to them. The zany edge of classic Warner Brothers doesn't happen enough in this millennium (With Emperor's New Groove being the outstanding example) so its great whenever we see a Chuck Jones-style of entertainment. While the movie is quite gritty for a PG flick and some of its off-color content may throw you off, I am confident when I say that Rango is the first good flick of 2011. Once again Depp, great job. Your career is astounding and even underrated in critical acclaim standards. Zimmer, I think its time to start making an Oscar dedicated to you, because that was quite a musical trip. And Verbinski, I forgive you for World's End.