Black Dynamite

Black Dynamite (Michael Jai White)'s only brother Jimmy is killed. The Man is pushing new deadly drugs and suspected Jimmy to be an undercover cop. Black Dynamite is an ex-CIA agent still haunted by a little Chinese boy in Nam. He encounters many characters including Cream Corn (Tommy Davidson), Chicago Wind (Mykelti Williamson), and Tasty Freeze (Arsenio Hall). His police friend O'Leary confirms something that takes him all the way to Honky House.

This is a loving spoof of the 70s blaxsploitation genre. There is good deadpan humor. While it is repetitive, it does hit the spot every once in awhile. Too many of the actors are trying to do the same black trope character. They need to have more differences. Black Dynamite needs some fun specific side kicks. The Greek talk is fun because the other guys get to participate. It has some good fun moments although I wish it has a few more different comedy bits.

Movies like Black Dynamite give you an intense yearning for blaxploitation films. Its one of those sadly rare---if not moribund---genres that deserve to be resurrected. I'm quite sure you'll agree when you see it. It first premiered at the 2009 Sundance film festival, where Sony worldwide acquisitions picked it up for distribution. Its a shame Hollywood doesn't produce them as frequently as they did in the early to mid-70s. I don't think I've seen another one since Undercover Brother(2002), which I quite liked. Blaxploitation---even though contemporary ones are few and far between---is one of my favorite movie genres. Those types of films are witty, hilariously silly, tongue-in-cheek and immensely entertaining, and Black Dynamite is no exception.

I felt a deep sense of nostalgia watching it because it reminded me of classic films of the genre, especially the highly influential Foxy Brown(1972). Incidentally, just like in Black Dynamite, the antagonist in Foxy Brown is also known as "The Man". I tremendously enjoyed other blaxploitation films such as Jackie Brown(1997), Shaft(1971), Superfly(1972), Coffey(1973), I'm Gonna Git You Sucka(1988), etc, so I eagerly anticipated Black Dynamite when I saw the trailer early last year, and boy did it deliver!. Kudos to Scott Sanders for his inspired direction, Adrian Younge for his original score and editing, and Shawn Maurer(cinematographer) for capturing the 1970's zeitgeist so vividly. I can say with absolute certainty that its arguably the best blaxploitation film since Shaft. Its infinitely better than Undercover Brother. And did I mention its relentlessly hilarious? It rivals The Hangover as one of the funniest films of 2009.

Micheal Jai White---who shares writing credits Byron Minns and Scott Sanders---really should be a bigger star. With a strong screen presence and undeniable charisma, he's proved he's quite capable of carrying a movie. I wish Hollywood producers would cast this guy more often. Despite being basically a Micheal Jai White show, gorgeous leading lady Salli Richardson-Whitfied makes her presence felt as Gloria, Black Dynamite's partner. Also starring in the film, in smaller roles include Kym Whitley, Arsenio Hall, Nicole Ari Parker, R&B singer Brian Mcknight, Tommy Davison, Mykelti Williamson, to name a few. Jason James and Rick Montgomery did a great job casting them. Even if you're not a fan of blaxploitation films, there's no doubt you'll have a great time watching this terrific film. I've never seen a film this funny in such a long time. Don't miss it! You dig?

It's not often that I enjoy a movie to the point of laughing out loud – but Black Dynamite had me belly-laughing more than once. For those of us who are old enough to remember the joys of 1970's cinema this movie brings back all that was best (and worst) of those slightly grainy, scratched, funk and wow-wow pedal laden classics. The deliberate continuity errors and goofs are hilarious. The dialogue and stock characters could be drawn from any of those wonderful blacksploitation movies that were so exciting for a young lad living in rainy (and then almost 100% white) Ireland. So dig out your wide-collar shirt, pendant and platform boots and enjoy this gem.

This is what "Undercover Brother" and "Grindhouse" (minus the 'phony' trailers) wished they could have been but weren't: a tribute to a dismissed period of cinema that feels like it belongs (and comes from) its era.

But this isn't just a collection of random jokes or stabs at blaxploitation genre clichés without rhyme or reason. There is an actual story (convoluted and non-sensical but it's there, and even allows long scenes that advance the plot to unfold without a single obvious joke), there are real characters (over-the-top and cliché' but not two-dimensional walking cardboards) and there are action/fighting scenes (enhanced via the same seamless green screen/CG technology used in "Kung-Pow" a few years back) that make this an actual blaxpoitation movie that just happens to be funny because it's being so true and respectful to the genre it represents. Michael Jai White looks and inhabits his lead role like he stepped out of the 1970's; it's the best casting for a movie since Christopher Reeve got the Superman/Clark Kent role, and I'm not kidding. Supporting actors really get into their blaxpoitation roles (Arsenio Hall and Tommy Davidson are hilarious in too-brief cameos) but they don't overplay their OTT personalities or overstay their welcome. The way "Black Dynamite" gets around its 'R' rating to sneak in a graphic sex scene is not only genius but ties directly with the movie's best scene in which the 'heroes' crack the code in a cafeteria. And the orphanage scene has to be seen to be believed. :-P Only the overblown finale that pushes things way past the breaking point (think "Shoot 'Em Up" and yes, it's that big a misfire) betrays the cinematic illusion that this is a 70's flick that's been rotting in a vault somewhere.

I got my $12.50's worth and will gladly wait for the DVD because I'm sure there's a joke or two I missed. The one's that hit the mark are hilarious though. Don't listen to the DVD Talk reviewer on this one (they're usually right but this time he's way off), "Black Dynamite" is a winnah!

The idiots responsible for Date Movie, Epic Movie, Meet the Spartans and Disaster Movie should be abducted and forced to watch Black Dynamite so they can see how a good spoof movie is done! While recent spoofs have focused on mimicking familiar film scenes or ripping off celebrities with the idiocy of a 10-year-old boy, Black Dynamite is a nostalgic throwback that simultaneously recreates and celebrates the trademarks of the 1970s blaxploitation genre - the jive pimps in garish outfits, the evil politicians, a funky R&B soundtrack, and dialogue laced with expletives, peculiar slang and ethnic slurs. A gleefully harebrained spoof of all things Shaft and Superfly that plays straight-up stupid with vintage film-making aesthetics, this is one of the most consistently hilarious and creative spoofs since the days of Airplane! and its brethren.

Michael Jai White plays the titular character of Black Dynamite; a muscular badass with a lot of guns, an expertise in kung fu and a knack for getting women into bed (or anywhere else that suits him). An evil presence in the city has committed the ultimate crime: they've killed Black Dynamite's kid brother. Dynamite goes on a rampage, tearing up the streets to find the perpetrators. During his quest to serve up payback he also tries to keep kids safe from drugs and protect his bitches from harm. This all leads to the discovery of a terrifying conspiracy against black men.

In tradition with '70s-era blaxploitation films, the protagonist is a noble ass-kicker who spouts odd slang, is very popular with the females and can make villains quake at the very sight of him, whereas the proceedings are coated with a colourful sheen of tacky clothes, crazy cars and hilariously over-the-top fight sequences. Black Dynamite is certainly knowing in its spoofing, but it rarely winks at the audience to signal any sort of self-aware comfort. The film has a fantastic poker face; committing to an enjoyably silly routine of mockery and homage without being too conscious. On top of the high batting average for laughs, the action set-pieces are pretty awesome as well. And, much like all the greatest spoofs in history, one doesn't need a thorough knowledge of the genre being sent up in order to understand the jokes. This is a major asset for Black Dynamite, because, let's be honest, how many '70s blaxploitation flicks has the average person actually seen? In a sense, Black Dynamite is to blaxploitation what the Austin Powers films are to '60s spy flicks. Not many young comedy fans would be familiar with anything like In Like Flint, but that didn't prevent Austin Powers from becoming an extremely popular franchise.

Black Dynamite looks spot-on; as if it were an honest-to-goodness blaxploitation picture that has been sitting in a vault for over thirty years. '70s blaxploitation pictures were low-budget affairs often made without a great deal of technical skill, and Black Dynamite recreates this film-making incompetency with astonishing, hilarious accuracy. Director Sanders replicates everything from the colour scheme to the cheesy zoom-ins; from the one-dimensional performances to the obvious editing mistakes. Rather than taking the Grindhouse route of aging the picture in post-production, cinematographer Shawn Maurer filmed on Super-16 colour reversal stock, which generates a high-contrast, richly saturated image that's well-augmented by the excellent imitations of '70s-style clunky camera-work and awkward framing. The sets are an absolute hoot (particularly the wonderfully chintzy White House interiors used during the climax), and the mood is further sold by Adrian Younge's utterly perfect, playful score loaded with funny trills as well as "Dynamite!" vocal hits whenever the titular character enters the room or kicks some ass.

Michael Jai White is pitch-perfect as Black Dynamite; coming across as a credible hero so tough, well-meaning and proud in his embrace of black masculinity that one could easily imagine him being perceived as a point of pride back in the '70s. White manoeuvres through the ridiculous action sequences splendidly, using his extreme physicality to punch villains through walls and brandish phallic weapons convincingly. Similar to the wonderfully obtuse Leslie Nielson (who was a crucial component for the success of the Naked Gun! series), White carries the entire movie and wins you over easily through sheer force of straight-faced absurdity. And that's the key to a great spoof: the characters can never be in on the joke. Black Dynamite nails this perspective with a satisfying consistency, which is particularly laudable when the actor has to deal with the crew's low-budget incompetence (such as a hysterical boom mic joke).

The art of cinematic spoofing has become so degraded by the likes of Date Movie and Epic Movie that it may take several minutes to recognise Black Dynamite as part of this once-brilliant genre. Some may perceive this movie as a simplistic one-joke affair (because it kind of is), and the film does have trouble sustaining its raucous energy, but the solid laughs and inventiveness manage to compensate for the minor blunders.