Tenure

Smart little film about a college teacher (Wilson) facing tenure review. He's a great teacher but has barely been published and is not enough of a politician. Along comes a new assistant professor (Mol) from Yale of all places, and now he's facing competition. His best buddy, a slightly deranged anthropology teacher (Koechner), convinces him to sabotage the new arrival at every turn. Problem is, the new arrival is unsure of herself and the two "competitors" become friends. Wilson is perfect in his role, and Koechner is wonderfully daffy as a Sasquatch worshiper. Mol is pretty, but truthfully isn't given that much to do. There's a nice ongoing bit about Wilson's character and his aging dad (Gunton), who unhappily resides in a nursing home. Filmed on the campus of Bryn Mawr. Very relaxed, nothing artificial, nothing forced, to the very end.

You know those movies featuring a total loser who's doing so bad that it actually becomes embarrassing? They're probably aimed at making us feel better about ourselves, the real losers, out there in that strange dimension called reality-land, trying to cheer us up that every loser can strike a happy ending and somehow, thanks to Hollywood magic, turn winner again... Well, "Tenure" is one of those, with the relatively fresh twist that our "hero" is a college teacher. He's great at teaching, but not really good at anything else. His students love him, but his colleagues hate him. Plus, his best friend falls into the category of "With friends like that, who needs enemies?" It's got heart, though, and though this film is by no means guaranteed to knock your socks off, if the same thing can be said of you, I mean, the "heart" thing, then you might like it. Especially if you've ever been in a situation trying to figure out how to get through to members of the younger generation, or you believe in Bigfoot, or you happen to like Gretchen Mol...

Luke Wilson does a very good job here. He makes us like him and we want him to succeed in all areas of his life. That seems to be the main point of the movie and the main reason to enjoy it.

I know David Koechner from several roles, but mainly as the likable loser on "Superior Donuts". Here, he is a loser, but I wouldn't say likable. I suppose we want him to succeed but almost know for certain he never will.

Gretchen Mol is adorable and intelligent, and while her character's failure would be good for Charlie, she just makes Elaine too nice and pleasant for us to really want that. Seeing her and Wilson together is one of the best things about the movie.

Sasha Alexander is nothing but unpleasant. That's it. Margaret has no redeeming qualities except she's a looker. That's how Jay described Elaine, but I didn't see it myself.

Bob Gunton does a good job (though there are no challenges connected with his character's apparent problems) and I found myself wanting the film to focus more on him and the relationship between William and Charlie. I didn't care if the movie wasn't always funny.

William Bogert as the dean is sort of the absent-minded professor and makes us sort of like him, though not always.

The actors playing three of the students also made us like them. Even Ben, sort of the class clown, who doesn't have nearly enough lines.

Some of the music is classical and nice to listen to. But I particularly liked the "a capella" sound that was so much a part of the background music of the TV series "Glee" and a big part of the "Pitch Perfect" movies. This style was played at the movie's start.

Is this family friendly? In version I saw part of the sign for the presentation of a product is blurry, and every time the product name is mentioned it is bleeped. Let's just say it helps men who are having trouble with women. Later, this product is the subject of a hilarious scene in ... I'd better let you find out. Also, I have reason to suspect the F-word was used a lot. Cleaned up for TV, it's not really too bad.

I enjoyed this, though I have seen better.

Charlie Thurber (Luke Wilson) is an English professor at a small, New England college. Although his students love and learn from him, his possible tenure is in doubt. This is because of the "publish or perish" unwritten law that is prevalent in American academia. So far, Charlie is having trouble getting his essays into an admired journal. To complicate things, his father is in an extended care facility nearby, due to early dementia, but, Charlie is not visiting him often enough. This has angered his sister and upset his dad, who was also a prof and likes to converse with his son. A colleague, Jay (David Koechner), an unorthodox science instructor in search of a bigfoot-type local monster, is also up for tenure. Now, the dean lures a Yale-educated English academic, Elaine Grasso (Gretchen Mol) to the department, further complicating Charlie's quest for tenure. Jay suggests that the two males mildly "sabotage" Elaine's adjustment to the school, by arranging to make her look bad in front of others, especially the dean. This involves everything from implicating her in a "cola" theft in the staff room to questioning her school loyalty at the college basketball game, where Elaine inadvertently sat on the opposing team's side. But, wait, does Charlie really want to drive Elaine away, since she's so smart and pretty and he's single? For those who love comedy-romance, here is another sweet view. Wilson's dry, understated humor is always welcome while Mol is a lovely romantic interest. The rest of the cast, including Koechner, are wonderfully supportive. The beautiful east coast college campus will surely bring sighs of admiration and the costumes, script, photography, and steady direction are quite fine as well. Get Tenure, therefore, all you usual fan suspects.

Mike Million's 'Tenure' gives the impression that it's a university campus comedy. I found the premise refreshing and appealing. The problem is that the comedy parts are just not that funny and Million tries too much to make it quirky funny to the point that it backfires as he goes way over the top and tumbles down.

I found the Jay Hadley character very annoying and not to be a very believable professor. The Rosemarie DeWitt track also felt out-of-place. The movie should have just stayed focused on the key character Charlie Thurber. Many people of his age would be able to relate to what he's going through. I liked the Million avoids clichés in places. For example, the Teacher's pet sequence was well done.

On the technical side, the score is pretty good and the camera captures the simplicity and beauty of the location. The woods and countryside are nice to look at. The pacing is very slow, especially at the beginning. Luke Wilson is terrific. His restrained performance as Charlie makes the character all the more real. And if this film is worth watching then it's mostly because of him. David Koechner does his best with an ill-written character. Gretchen Mol is cute and likable. Sasha Alexander is wasted.

Overall, it's not as bad as many reviewers have made it out to be but it could have easily been a lot better.