Ein berühmter "Hellseher" outed sich als Schwindler und fängt an, als Berater für das California Bureau of Investigation zu arbeiten, damit er "Red John" finden kann, den Verrückten, der sei... Alles lesenEin berühmter "Hellseher" outed sich als Schwindler und fängt an, als Berater für das California Bureau of Investigation zu arbeiten, damit er "Red John" finden kann, den Verrückten, der seine Frau und seine Tochter tötete.Ein berühmter "Hellseher" outed sich als Schwindler und fängt an, als Berater für das California Bureau of Investigation zu arbeiten, damit er "Red John" finden kann, den Verrückten, der seine Frau und seine Tochter tötete.
- Für 1 Primetime Emmy nominiert
- 4 Gewinne & 16 Nominierungen insgesamt
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Zusammenfassung
Reviewers say 'The Mentalist' is a captivating crime drama featuring strong performances, especially Simon Baker as Patrick Jane. The show effectively blends humor, drama, and mystery, though the Red John storyline is criticized for being prolonged. Praised for its character dynamics, particularly between Jane and Teresa Lisbon, the series offers engaging plots and well-drawn characters. However, some episodes are deemed predictable or formulaic, slightly dampening the overall positive reception.
Empfohlene Bewertungen
One of the best shows I've ever seen, this series has it all: countless surprising plot twists, humor, long satisfying story arcs, well-drawn characters who change and grow, murders, action, revenge, pathos, more humor, quotable & memorable dialog, suspense, multiple romantic story lines... everything. Characters are likable but complex. Locations and plots are varied and interesting. Never a dull episode, and unlike many series, the final episodes offer a satisfying conclusion. My family and I have watched the entire series together three times, it's that good.
I've only seen about four of five episodes of this show and I liked it, but as others have said, it follows a rather familiar vein. Trying not to compare it to anything else though, I found it to be enjoyable at face value. The lead character is likable and keeps the interrogations and methods of discovery light and conversational which is nice. I like that his part isn't really dark and sinister, which was an avenue obviously available to the writers given the main character's back story.
I liked the charisma between Baker and Robin Tunney and I like that his character doesn't take himself to seriously. Yes, the writers do ask you to suspend your belief occasionally and to get viewership the writers have had to make the stories bizarre and convoluted, which isn't necessarily a problem, it just makes it look like they've got heat from network people to make it edgy when it could be more mind-bending instead.
It's a fun show that can be watched at leisure and enjoyed without a serious dedication to it, which can be nice in an age of shows with year-long story arcs. If you miss one, you're not totally out of loop. If you've got an hour to spare, give it a shot. It's enjoyable.
I liked the charisma between Baker and Robin Tunney and I like that his character doesn't take himself to seriously. Yes, the writers do ask you to suspend your belief occasionally and to get viewership the writers have had to make the stories bizarre and convoluted, which isn't necessarily a problem, it just makes it look like they've got heat from network people to make it edgy when it could be more mind-bending instead.
It's a fun show that can be watched at leisure and enjoyed without a serious dedication to it, which can be nice in an age of shows with year-long story arcs. If you miss one, you're not totally out of loop. If you've got an hour to spare, give it a shot. It's enjoyable.
I am very interested in the sort of mental tricks that are shown on this show. Not that I want to be the guy, I'm more interested in why the human brain works the way it does, and so far the tricks he uses are well based in reality...as strange as they are.
As much as I like crime dramas, there are so many of them on TV right now. I wish they could have exposed the psychology to viewers in a different format, but on the flip side, I can't suggest a better alternative either for the moment. For choosing an over-used format I take two ratings off a perfect 10. As the last reviewer suggested the plots will have to get strange to be new.
In contrast to the last reviewer, I do like the lead character a lot, probably because I understand more why he does the things he does. Simon Baker does a great job of acting as a Mentalist, from whom is he drawing his inspiration from? They must have a consultant helping the show.
If you want to understand the show better, you may be interested in Derren Brown - Tricks of the Mind videos.
As much as I like crime dramas, there are so many of them on TV right now. I wish they could have exposed the psychology to viewers in a different format, but on the flip side, I can't suggest a better alternative either for the moment. For choosing an over-used format I take two ratings off a perfect 10. As the last reviewer suggested the plots will have to get strange to be new.
In contrast to the last reviewer, I do like the lead character a lot, probably because I understand more why he does the things he does. Simon Baker does a great job of acting as a Mentalist, from whom is he drawing his inspiration from? They must have a consultant helping the show.
If you want to understand the show better, you may be interested in Derren Brown - Tricks of the Mind videos.
The lead character Patrick Jane (Simon Baker) aka the 'Mentalist' plays a 'psychic' consultant for a serious crime unit headed by Lisbon (played Robin Tunney, "Prison Break") along with the rest of the cast, Cho (Tim Kang "Rambo"), Van Pelt (Amanda Righetti, "OC") and Rigby (Owain Yeoman "Nine"). But Patrick is no psychic, he relies upon acute observation and a penchant for playing mind games with the 'suspects' (and other members of the unit)to solve the case.
The character of Patrick is full of intrigue; he's sexy, funny, smooth but at the same time is tormented by a dark secret of his own doing. The dynamic between him and the rest of the unit is one of great 'hooks' of this show. The conventional law abiding enforcement officers are often at odds with Patrick's eccentric and often risqué way of going about solving crimes. The show plays up to this. The humour and tension between the characters do not appear to be contrived. And of course its always Patrick that comes out on top.
Unlike other crime TV series such as CSI, that depend on sophisticated, often over-the top 'scientific' methodology (CGI effects) to appeal to audiences, the Mentalist brings us back to the good old 'detective's hunch' style of crime-busting. It is a breathe of fresh air in a genre saturated with technical jargon and outlandish plot.
The way each case is solved is complex, yet very believable, and the magic comes from the sense of wonder at Patrick's mind tricks.
The show however still follows much of the conventional approach to to the crime genre, with the cliché of red-herrings, incompetent officers and a detective on a personal mission, but the charisma of Simon Baker as the lead detective Patrick Jane pulls the show together.
Another drawback is the seemingly lack of character depth in the minor cast members. Lisbon, Cho, Rigby and Van Pelt all play second fiddle to Patrick and look like sidekicks rather than team members. But the show is slowly providing space for their development.
The show is named after the lead protagonist, and he promptly delivers. He is charming yet gritty, nonchalant yet brilliant, careless yet vulnerable. He's warm and cold at the same time, full of contradictions and full of flaws. Simon Baker portrays these subtle shades of Patrick's personality with an ease, and has made this so accessible to the audience.
The Mentalist is one of those tortured anti-heroes the strikes a cord with the audience and we can not wait to unravel Patrick's full story.
The character of Patrick is full of intrigue; he's sexy, funny, smooth but at the same time is tormented by a dark secret of his own doing. The dynamic between him and the rest of the unit is one of great 'hooks' of this show. The conventional law abiding enforcement officers are often at odds with Patrick's eccentric and often risqué way of going about solving crimes. The show plays up to this. The humour and tension between the characters do not appear to be contrived. And of course its always Patrick that comes out on top.
Unlike other crime TV series such as CSI, that depend on sophisticated, often over-the top 'scientific' methodology (CGI effects) to appeal to audiences, the Mentalist brings us back to the good old 'detective's hunch' style of crime-busting. It is a breathe of fresh air in a genre saturated with technical jargon and outlandish plot.
The way each case is solved is complex, yet very believable, and the magic comes from the sense of wonder at Patrick's mind tricks.
The show however still follows much of the conventional approach to to the crime genre, with the cliché of red-herrings, incompetent officers and a detective on a personal mission, but the charisma of Simon Baker as the lead detective Patrick Jane pulls the show together.
Another drawback is the seemingly lack of character depth in the minor cast members. Lisbon, Cho, Rigby and Van Pelt all play second fiddle to Patrick and look like sidekicks rather than team members. But the show is slowly providing space for their development.
The show is named after the lead protagonist, and he promptly delivers. He is charming yet gritty, nonchalant yet brilliant, careless yet vulnerable. He's warm and cold at the same time, full of contradictions and full of flaws. Simon Baker portrays these subtle shades of Patrick's personality with an ease, and has made this so accessible to the audience.
The Mentalist is one of those tortured anti-heroes the strikes a cord with the audience and we can not wait to unravel Patrick's full story.
For anyone who thinks this is close to Psych...you're dead wrong. While both shows take a similar premise, they're so different in many ways. This show does have a man with the ability to spot minute details, but he does so much more, he plays mind games with people, reads their emotions and sets elaborate traps to catch them. Many compare him to Shawn Spencer of Psych, but I would rather compare him to Sherlock Holmes, except more tortured. The pilot obviously takes on a more serious approach than Psych and the dynamics of the show go from cute and funny to deeply disturbing in seconds.
It takes your one crime per episode procedural drama with a gifted detective and takes it one step further. Patrick Jane is more self effacing, gets into trouble and is a known fraud. But he isn't mean or intentionally rubs people the wrong way like House(also based on Holmes) or Spencer. He is very soothing, warm, instills trust and seems to get along with people pretty well, from the guy who did it to his team. At the same time, he does like to flex his intellect and power over people and loves to play games to get answers (and yet, so charming when he does so). So it's kind of disarming when you begin to see there are some serious issues with this character, he doesn't sleep, doesn't believe in life after death (and is happy that way), and is actually anti-social with the group. There are further reasons as to his psychosis that won't be discussed. Behind those warm baby blues, warm smile and calming presence, there is a man being crushed to death by very weighty issues.
Patrick Jane is a fantastic character, he's obviously brilliant, but a little distant and isn't fond of working with others. As a former faux psychic he seems pretty ready to disable believers. And of course, Simon Baker is a brilliant actor and is the reason I tuned in (I admit I too feared this was a Psych ripoff) and he brings so much depth to this character. When he plays his mind games he always brings a sense of "I know more than you and there is nothing you can do about it." type of amusement and when Red John or death apparates in conversation you see a distant look in his eyes that conveys more than what he actually saying (the psychiatry appointment in the pilot was incredible). He really plays off the layers of Patrick Jane well, pulling some back and when we get a true glimpse, the layers fall back in place. And credit goes to the set-up of Red John as his "nemesis" through a copy cat. He and Jane have a very tense meet up awaiting them, but I can wait for that just to experience the chase and the unraveling history between these two.
Another credit would go to the incredible Robin Tunney (of The Craft and Empire Records) who was reason number two for watching the pilot. She has had very little to work with in the first two episodes (but her role grew from 1 to 2 so I have faith), but she plays the hard nosed detective with a little more prudishness and distance than I would have expected. How much she knows about Jane and how far they go back is a mystery to me and their dynamic is interesting. She doesn't fall into stereotype and has retained a beguiling sense of mystery. I also appreciate the lack of clichéd moments "fraught with sexual tension" between Lisbon and Jane.
And I'd also like to credit Tim Kang- a lovely surprise and I enjoyed his character who really doesn't give a crap about hurting people's feelings or stepping on toes, he just wants to solve the case. Love it and kudos.
My only complaint would be explained in the two above paragraphs briefly. I love Cho and Lisbon and hope to get see more of the team (Van Pelt and Rigsby are really cute as well), but I understand this is called "The Mentalist" and there is still time to slowly introduce Jane's history with the team and more in depth coverage of these characters. I've only seen two episodes and I think what I anticipate will come into fruition.
Overall, this show is well written, well acted, and beautifully shot. I for one have set up a season recording on my DVR and cannot wait for the next episode, yes you can consider me a fan and I hope you head over to CBS.com and give this show a chance. I wish I had more stars to give.
It takes your one crime per episode procedural drama with a gifted detective and takes it one step further. Patrick Jane is more self effacing, gets into trouble and is a known fraud. But he isn't mean or intentionally rubs people the wrong way like House(also based on Holmes) or Spencer. He is very soothing, warm, instills trust and seems to get along with people pretty well, from the guy who did it to his team. At the same time, he does like to flex his intellect and power over people and loves to play games to get answers (and yet, so charming when he does so). So it's kind of disarming when you begin to see there are some serious issues with this character, he doesn't sleep, doesn't believe in life after death (and is happy that way), and is actually anti-social with the group. There are further reasons as to his psychosis that won't be discussed. Behind those warm baby blues, warm smile and calming presence, there is a man being crushed to death by very weighty issues.
Patrick Jane is a fantastic character, he's obviously brilliant, but a little distant and isn't fond of working with others. As a former faux psychic he seems pretty ready to disable believers. And of course, Simon Baker is a brilliant actor and is the reason I tuned in (I admit I too feared this was a Psych ripoff) and he brings so much depth to this character. When he plays his mind games he always brings a sense of "I know more than you and there is nothing you can do about it." type of amusement and when Red John or death apparates in conversation you see a distant look in his eyes that conveys more than what he actually saying (the psychiatry appointment in the pilot was incredible). He really plays off the layers of Patrick Jane well, pulling some back and when we get a true glimpse, the layers fall back in place. And credit goes to the set-up of Red John as his "nemesis" through a copy cat. He and Jane have a very tense meet up awaiting them, but I can wait for that just to experience the chase and the unraveling history between these two.
Another credit would go to the incredible Robin Tunney (of The Craft and Empire Records) who was reason number two for watching the pilot. She has had very little to work with in the first two episodes (but her role grew from 1 to 2 so I have faith), but she plays the hard nosed detective with a little more prudishness and distance than I would have expected. How much she knows about Jane and how far they go back is a mystery to me and their dynamic is interesting. She doesn't fall into stereotype and has retained a beguiling sense of mystery. I also appreciate the lack of clichéd moments "fraught with sexual tension" between Lisbon and Jane.
And I'd also like to credit Tim Kang- a lovely surprise and I enjoyed his character who really doesn't give a crap about hurting people's feelings or stepping on toes, he just wants to solve the case. Love it and kudos.
My only complaint would be explained in the two above paragraphs briefly. I love Cho and Lisbon and hope to get see more of the team (Van Pelt and Rigsby are really cute as well), but I understand this is called "The Mentalist" and there is still time to slowly introduce Jane's history with the team and more in depth coverage of these characters. I've only seen two episodes and I think what I anticipate will come into fruition.
Overall, this show is well written, well acted, and beautifully shot. I for one have set up a season recording on my DVR and cannot wait for the next episode, yes you can consider me a fan and I hope you head over to CBS.com and give this show a chance. I wish I had more stars to give.
Wusstest du schon
- WissenswertesOwain Yeoman is in fact Welsh; he puts on the American accent he uses, which even fooled the other cast members, as he always stayed in character, even when the cameras weren't rolling.
- PatzerThat's not what mental acuity means. Mental acuity is intelligence, not any form of psychological manipulation and while some Mentalists may possess it, it is not a requirement or in any way part of the definition of the word.
- Zitate
Patrick Jane: There's no such thing as psychics.
- VerbindungenFeatured in Loose Women: Folge #13.193 (2009)
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