Felix Bush führt seit 40 Jahren ein Einsiedler-Leben in Tennessee, um die Geheimnisse seines früheren Lebens zu verdrängen. Als das Ende seines Lebens naht, entscheidet sich Felix, die eigen... Alles lesenFelix Bush führt seit 40 Jahren ein Einsiedler-Leben in Tennessee, um die Geheimnisse seines früheren Lebens zu verdrängen. Als das Ende seines Lebens naht, entscheidet sich Felix, die eigene Gedenkfeier zu Lebzeit zu organisieren.Felix Bush führt seit 40 Jahren ein Einsiedler-Leben in Tennessee, um die Geheimnisse seines früheren Lebens zu verdrängen. Als das Ende seines Lebens naht, entscheidet sich Felix, die eigene Gedenkfeier zu Lebzeit zu organisieren.
- Auszeichnungen
- 4 Gewinne & 28 Nominierungen insgesamt
- Kathryn
- (as Lori Beth Edgeman)
- Photographer
- (as Andrew Stahl)
- Bush's Mule
- (as Gracie)
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This is a very odd film centered on the story of 1930's Tennessee backwoods recluse Felix Bush, played exceedingly (no surprise) well by Robert Duvall. We learn - slowly - that Felix has been in a self-imposed exile carrying enormous guilt over an incident from 40 years prior. The wonderful thing is that it takes us just about the entire film to discover what caused this guilt and how Felix has dealt with it.
Over that 40 years, the legend of old man Bush has grown with the town people. It is approaching Tall Tale status when he whips up on a local wise-ass on one of his rare visits to town. When Felix realizes that stories have been concocted about him over the years, he heads to local funeral home to arrange a "funeral party" where everyone can come and tell their stories. The local mortician is played by Bill Murray and I can best describe his personality as eager opportunist.
While this appears to be a slow moving story, it really isn't. The real motivation for the party, a reconnection with the past and a cleansing confession all play a part in this fine story. Sissy Spacek plays a painful link to Felix' past, as well as a key to this latest/last event.
Three excellent performances by Duvall, Spacek and Bill Cobbs really make this one work. Bill Murray and Lucas Black hold up their end by supplying a bit of humor and purity, respectively, though the story really belongs to Duvall. His ability to convey emotion with a grunt or facial expression is just amazing to watch.
My only real complaint with the film is that it lasted about 2 minutes too long. The perfect ending had occurred and then we are dealt one final, seemingly forced scene. A minor quibble with a film that kept me fully engaged.
What it offers up, I thought, was superb acting and cinematography. It's no surprise the acting is good when you have the likes of Robert Duvall, Bill Murray, Sissy Spacey and Lucas Black. All of them are excellent.
This is so beautifully filmed you swear you are right in the middle of rural America in the 1930s. Shot-after-shot is a marvel. The story is slow but it should keep your interest as you wonder what "Felix Bush" (Duvall) is going to do at the end. You're never quite what he's going to say and do, at any time, actually, which keeps the story intriguing. I guess you could say that for anyone was had been a hermit for 40 years, living alone in the woods.
I suspect this film didn't get the publicity and acclaim it should have gotten, despite it's well-known cast. It's a "sleeper," and highly-recommended.
Very loosely-based on real events, the film tells the story of a backwoods hermit – played by Duvall with grace and spirit – who decides to hold his own funeral while he is still alive. The story is about loneliness, guilt, redemption, forgiveness, love, and human mortality. There have been few recent films that explore such difficult territory and do so with such humanity, decency and humor. I hope that this film gets a theatrical release so that more people can enjoy this rare treat.
After watching the movie, I was left totally impressed with all the acting and not nearly impressed by the story itself. As for the acting, you'd expect perfection from Robert Duvall, but pretty much everyone was exceptional in the film....and this says a lot about the quality of the director as well. As far as the story goes, I felt like there was a huge buildup until the big reveal...and the big reveal wasn't enough to satisfy me after such a long wait.
The story is set in the late 1930s in the rural South. Felix has been a nasty hermit for decades and folks are shocked when he comes to town....and even more shocked when he announces that he's planning a funeral BEFORE he dies...so he can attend as well and listen to everyone's stories about him. I could say more....but you should just see it.
Overall, this is a fine example of acting being even better than the story....and for the quality of the acting, that alone is reason enough to see the film.
By the way, this film does something that has become popular in modern films...showing someone throwing up in vivid detail. Why?! You can hear a person retching or see them from behind....but why this disgusting need to show vomit? I don't get it.
Wusstest du schon
- WissenswertesThe story is partly derived from the funeral party thrown by Felix Bushaloo Breazeale for himself, in Cave Creek, Tennessee, in 1938.
- PatzerWhen Frank and Buddy are getting a photograph made of Felix, right before the camera shutter is tripped, the photographer bumps the view camera and it becomes aimed in a slightly different direction. The photographer fails to re-frame the shot which would never happen while using a view camera.
- Zitate
Felix Bush: I built my own jail and put myself in it. And I stayed in it for 40 goddamn years! No wife. No kids, no friends, no nothing. No grandchildren. I wouldn't even know how to hold a baby. You hear me? Forty years. Now, that's not enough?
Rev. Charlie Jackson: You know it's not.
- SoundtracksI'm Looking Over a Four Leaf Clover
Written by Mort Dixon & Harry M. Woods (as Harry Woods)
Performed by Bix Beiderbecke
Courtesy of Bluebird/Novus/RCA Victor and the RCA/Jive Label Group, a unit of Sony Music Entertainment
By arrangement with Sony Music Licensing
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Get Low
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 7.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 9.176.933 $
- Eröffnungswochenende in den USA und in Kanada
- 88.182 $
- 1. Aug. 2010
- Weltweiter Bruttoertrag
- 10.522.511 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1