Schmigadoon!

Either you like musical theater or you don't. If you do, then Schmigadoon - the town and the series - is for you. If not, stay away. The musical parodies are clever, though obviously derivative; the production numbers are appropriately over the top. At a few moments, it's a little too cute and self-aware for its own good, but for the most part, don't ask why, just enjoy. As the couple trapped in a Broadway fantasy while trying to revive their flagging relationship, Keegan-Michael Key and Cecily Strong play their parts well, but the real standouts are Broadway veterans like Alan Cumming and Kristen Chenowitz playing it for all the Camp it's worth.

Halfway through, it's not hard to guess where this is likely going. Maybe there will be surprises, but even if it ends crossing that bridge hand in hand, it will more than enough fun.

If you truly hate musicals, then you won't like this show. Likewise, posting a 1-star review because you hate the genre makes no sense. As for me, I've seen several musicals. Some I liked. Some I did not.

But Schmigadoon is different. After watching the first few episodes, all I could think of was the great series Galavant that aired in 2015. The songs are all tongue-in-cheek parody. What makes Schmigadoon so endearing is the acting done by the two leads, Cecily and Keegan-Michael. They are trapped in this world and are often shocked or disturbed by what's happening around them.

The songs are highly inventive. The supporting cast is also spectacular. This is a unique and fun show with catchy tunes and laugh-out-loud moments. The script constantly plays up the fish-out-of-water setting, with moments such as Cecily's character trying to explain an IUD to the brash young man singing to her.

If the first episode doesn't hook you, then the show isn't for you. But if you were a fan of Galavant, I think you will enjoy Schmigadoon.

I liked the first season and am absolutetly loving the second.

In the first season we get some really oldy musical vibes from the 1930s to 1950s. Falling in love with no sense what so ever ... and lots of frills, pastels, and plastic trees. And what else would you want?

In the second season we find our selfs in more reasent years and musicals. Like Hair (70s) and Sweeny Todd (00s). It becomes a weird mix of the dark streets of 1800s London, the smoke filled lokales of 1920s Chicago, and all the flower-power you can handle from the 1970s (actually a bit more than that, to be frank).

The songs and dancing numbers are (at least in my opinion) well written, and well performed by the actors.

If you plan to watch this, do so with an open mind.

This is not meant to be a masterpiece. But to entertain and make us laugh.

Which I think the creators and the cast succeeds perfectly.

Was I a theater kid? Yes! And this show was just the kind of funloving meta musical sitcom my little musical soul needed. It's filled to the brim with great actors (and great singers), the songs are beautifully written and the story is different but still recognizable. If you don't like musicals, this probably isn't for you...But if you do, than OMG this is sooooo good... It does border on parodying the musical greats rather than pay homage, but I honestly don't mind.

The intelligence of this show is encased in the fact that it's unmistakably a musical with song and dance, and yet is also a parody of musicals. There may be a dark side that emerges only at the end of the first episode, but until that develops, it's a story filled with amusing ironies. Two of the songs in the first episode are clearly meant to resonate Rogers and Hammerstein musicals. The opening song is a riff on Oklahoma and another a riff on Carousel. But they are at one and the same time well-written and well-rehearsed numbers, and yet are funny because of their self-conscious acknowledgment that they are musicals. Hard to explain, perhaps, but you'll see what I mean when you watch. Parts are laugh out loud funny.