Jailer

Let's talk about the cast and performances First: Rajinikanth, man, he's not just playing a role that fits his age, he's totally killin' it. The first half, it's all about him - his presence, that smile, his unique quirks, and the intensity he brings, it's all fire. Yogi Babu adds some extra fun when he's sharing the screen with Thalivar.

Vinayakan, he's got that classic villain vibe, even if the role itself is a bit familiar.

Ramya Krishna, she's doin' the conventional housewife thing, but she ain't got much going on in her scenes, unfortunately.

We've also got some cameo appearances from legends like Mohanlal, Jackie Shroff, and Shiva Rajkumar. Tamannaah Bhatia's in there too, but that song on screen, man, it doesn't hit like it did in the trailers.

Now, on the technical side, the cinematography is straight up awesome. Those fight scenes indoors, they're somethin' special. The whole production is top-notch, gotta give 'em props for that.

Anirudh's music, both the background score and the songs, they hold this film together. No doubt about it.

The highlights, let's talk about those. The first half is lit, Rajinikanth is on fire, and Anirudh's music is bangin'.

But there are some drawbacks, no doubt. Sunil's part, it's a snoozer, and the second half, it gets a bit routine, slow-paced moments and all.

Now, the movie analysis, "Jailer" starts off strong, man. Rajinikanth as a retired police officer, cool and all, but when his son gets kidnapped, he goes all out, becoming this angry old dude, changing the whole game. From there, it's a ride.

Nelson, the director, he's got some killer sequences for Rajinikanth, especially the ones with Yogi Babu. Rajinikanth's comedy skills are on point, and the fight scene in his house, where his wife and daughter-in-law are just chillin' at the dining table, that's a standout moment, no doubt.

The intermission comes, and you're thinkin', this is gonna be like Kamal Haasan's "Vikram," a real thrill. First half is that good. Action, comedy, family moments, it's got it all, and the intermission climax gets you hyped up.

But the second half, it's a different story. It falls into that formulaic mass-entertainer groove. We're talkin' Rajinikanth's jailer backstory, a comedy bit with Sunil and Tamannaah, super long fight scenes, and so on.

Honestly, it's a bit of a drag. Tamannaah's song "Kaavaalaa" blew up on YouTube, but in the movie, it's not the same, man. It's on Sunil and Tamannaah, not the epic duet with Rajinikanth like we wanted.

Even the parts with other superstars like Shiva Rajkumar and Mohanlal, they're more about heroism than pushing the plot forward.

But hey, the second half comes through with a killer climax, so it's got that goin' for it.

Like wine as they say, Rajini keeps getting better with age. At this age , he is pulling crowds of all ages and making them whistle inside theatre. That proves what a mass hero he is . Coming to the movie, it has elements of an action packed thriller. There is violence so some families won't be comfortable watching. You can expect some twists in the movie . All the casts have done their roles pretty well in the movie . The villain, Vinayakan has come up with a good performance. The movie is more of a head to head face off between hero and villain . I feel this is the best movie of Rajini after 2.0 .

Jailer (2023) : Brief Review -

Nelson's narrow vision saved by Blockbuster heroism of Rajinikanth, Mohanlal and Shiva Rajakumar. Nelson Dilip Kumar has to be one of the luckiest directors in Tamil cinema who is surviving and still getting films after back-to-back mediocrities. "Kolamaavu Kokila" (2018) hardly had any brain in its black comedy; "Doctor" (2021) couldn't find an antidote for his own mediocre vision; "Beast" (2022) was a beast-size torture; and now he brought another mediocre film, "Jailer". It could have been a much better film if you look at the first half. The film falls in the second half and somehow stands on its feet with the charismatic heroism of Rajinikanth and blockbuster cameos by Mohanlal and Shiva Raja Kumar, who help create a crossover of Tamil, Malayalam, and Kannada cinema in a massy action drama. Jailer is about a retired police officer whose son is kidnapped by a gangster. The father sets out to settle things down with the gangster, who will listen to no one but him after knowing who he is. The idea is very predictable, but there is a surprise in the pre-climax before you head towards a so-so climax. Rajinikanth's "Tiger ka Hukum" is commendable as he successfully carries along all his heroic stuff such as walk, talk, smash, show swag, and at last the "cigar." Mohanlal and Shiva's cameos have whistle-worthy moments, which are uplifted by the background score and a small rap in between. Ramya Krishnan, Vasanth Ravi, and Mirnaa Menon are decent in small roles. Jailer is dragged into the second half with Tamannaah's angle, robbery, and family drama stuff. Seriously, this is no way to bring your own film down after a good-to-go first half. Why does Nelson always have to look at things with his narrow-minded vision? More than him, we and our audiences need to find the answer soon. Overall, an okay watch after promising a better future.

RATING - 5/10*

By - #samthebestest.

After the colossal misfire that was Beast, Nelson strikes back with a well-cooked, deliciously violent entertainer that once again features a bunch of quirky characters and his signature dry/dark humour, coupled with spectacular fan service. I don't want to get into the plot or its details. Let's just talk about what worked and what didn't. The story is actually pretty straightforward. Nelson's films have this mission-driven approach, and that's the case here too.

WHAT WORKED:

• The treatment of the protagonist: This is an area where multiple directors have struggled in recent times. There are soft, emotional moments, and then, there are HIGH VOLTAGE MASS moments. Muthuvel Pandian is the kind of protagonist that's tailormade for Thalaivar. He doesn't have to beat up a hundred goons to prove how powerful he is. He has connections, and knows how to effectively use them.

• Anirudh's score: Such an integral component to this film's success. In a film with several elevation moments, the score had a lot to live up to. And it did! The next time you see "An Anirudh Musical" title card, you know it's gonna make a huge difference to the overall viewing experience.

• The cameos: It took several years and a Tamil director to present Mohanlal in such a classy avatar that made you crave his character's presence more. Shivanna's cameo is also incredibly placed and superbly executed in the climactic showdown. Jackie Shroff shows up post-interval in a pivotal flashback sequence, and he also gets his shining moment. Furthermore, the cameos are actually written into the screenplay quite well.

• The portrayal of the antagonist: Vinayakan's Varman is an extremely violent and eccentric antagonist. For this guy to stand up against Muthuvel (and his connections), we feel he's weak somewhere. But the character is written in such a way that he somehow keeps getting the upper hand. Varman is one of the most vicious antagonists you'll see in any Rajini movie, subtly transitioning between someone who dips his enemies in sulphuric acid and simultaneously breaking into a dance with his gang. Fantastic performance by Vinayakan - that's all I can say!

• The big screen experience: Such a clichéd thing to say in a review, but a film like this really needs to be experienced in a packed crowd, with all the hoots, cheers, and screams. It is packaged in such a way as to elicit all of these, alongside some incredible goosebump moments. The climax is absolutely terrific; the tail-end takes a route that's not usually taken in Rajini movies. Also, please don't bring kids/infants to this flick and ruin it for everyone.

WHAT DIDN'T WORK:

• Casual misogyny: This has been repetitive on Nelson's part, since KoKo. The women characters (including that of Ramya Krishnan) are conveniently pushed aside for Rajini & Co. To shine. They're perceived heavily through the male gaze and only act as placeholders. It wouldn't have hurt to attribute some heft to Ramya Krishnan's character (Muthu's wife). Give her some powerful dialogues, at least, mate!

• Subplots: The subplot involving Blast Mohan (Sunil), Kamna (Tamannah) and those guys felt like a random addition. Even the Kaavala song is not the sizzling wonder you probably expected. Many might find Redin Kingsley wholly annoying. I wasn't one of those, but I can understand if that's the case. Even the quality of humour took a dip here when compared with the antics of Yogi Babu and VTV Ganesh in the first half.

Concluding note -

I think Jailer is majorly for those who have grown up watching Rajini movies (sorry, Gen Z), but Nelson hasn't made any major compromises in the way he wanted to tell this particular story. From a storytelling standpoint, it isn't as refreshing as KoKo or unique as Doctor, but it also comes with that special sauce that was heavily lacking in Beast.

Thia film was mediocre at best with the director confused on the tone of the movie. The plot of the movie was all over the place. First half was decent and it felt like a movie for the masses, and breadcrumbed enough for a good showdown. The second half was a major letdown, with the whole movie turning into a soap opera heist film with violence and comedy used in a bad taste. The whole 'son plotline' was unnecessary for the plot for a movie aimed for the masses. It added absolutely no value to the whole movie. Mohanlal, in his few scenes brought his screen presence and star power so did Shivanna. Vinayakan stole the whole show for me, brilliant and raw performance. He explored his role to an extreme, might I dare, like Heath Ledger in The Dark Knight! I wouldn't even be surprised if he wins a National award for this role. Rajini's star power is definitely felt, and that will the main contributor for the movie's financial success(along with the underdog BTS comeback aspect with the director Nelson and the southern industry's big star casting inclusions) Most of all there is no takeaways or a good message from the whole movie.