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"Lovely, Still" is a story of discovering love late in life. It has the potential of being schmaltzy like the similar "Letters to Juliet" (2010), but it manages to avoid that trap and displays much more honest emotion like "Away From Her" (2006).

Martin Landau is the oft-confused and bewildered Robert who quickly falls in love with the more out-going Mary (Ellen Burstyn). The supporting characters were particularly well crafted. I enjoyed Adam Scott as Mike, Robert's boss and friend, and Elizabeth Banks as Alex, Mary's daughter.

Set during the holiday season, "Lovely, Still" is charming and amorous. Recommended for fans of the genre.

I am both a Martin Landau and an Ellen Burstyn fan, so I was especially looking forward to seeing them act. I expected formidable acting muscle, sparks, confrontations: things befitting their Actor's Studio origins. What instead greeted me was a Landau so frail and docile...and frightened. His character, Robert Malone, is a man who treads warily and uneasily through life. He is a single man, and we assume he has simply been unlucky in love. Burstyn is the loving, open-hearted, yet lonely, woman who sweeps into his life one Christmas and changes it forever. One thing about Landau in this film: the actor looks shockingly aged, and I'm sure this has been deliberately used by both the filmmaker and Landau himself as a sort of effect to win us over to sympathy for Malone. Yet I had no doubt that this is a consummate performance. Landau, in life, is likely vital and engaged whereas Robert Malone, as I have said, seems on the brink of terror nearly every moment of his day. (The "wakeup" sequences are especially effective conveying this.) The love story plays out in an even-handed way. Underneath this blossoming love, of course, is the shadow of mortality. There occurs--over two-thirds into the film--a dramatic event that I won't reveal or spoil, but it causes the viewer to look back over events that occurred and reflect on them...in a rewarding way. The drama is never cheap nor unjustified. I come away with satisfaction and admiration for the unexpected performances, for the tender core of the film, and for a fresh perspective on the elderly that is anything but cloying or cliché. This movie is in fact--particularly with the presence of Death hanging over events (as another character in the film)--as gripping and occasionally breathless as any thriller.

Fortunately, I saw the preview recently in Tokyo. That was great. You should see this. When you see the press conference (Q & A) after the Toronto Film Festival, you can understand that the actors (Martin Landau, Ellen Burstyn and etc) and the young director Nicholas Fackler trusted entirely each other. The actors were fascinated by Nik's talent. They realized his genius potentials into the marvelous work. I was amazed at how such a young (at age of of 23) "student" could have directed this excellent movie. Therefore, it is too bad that this movie is, so far, ignored by major studios and distributors in the US.

Nick Fackler knocked "Lovely, Still" out of the ballpark. This is a love story at heart that engages you with humor, drama and honesty. Why this movie was overlooked by the Golden Globes, Oscars and SAG awards will be a mystery to me. I would vote it best Indie out there. Martin Landau and Ellen Burstyn gave exceptional performances along with Adam Scott and Elizabeth banks. What we think at the beginning is a love late in life romantic comedy between a curmudgeonly elder and a lonely widow turns into a beautifully crafted compelling drama. We all had a father or dear uncle like Martin landau's character Robert Malone who late in life doesn't always seem to be all there. I highly recommended.

This was quite an unexpected movie. This movie came up on Netflix as a suggested movie and I passed it over a couple of times. I am not a big romantic movie fan but tonight, Valentine's weekend, I was feeling nostalgic for a nice love story so I watched it. It is most certainly a love story and without a doubt a very emotional one. This movie made me smile, laugh, and cry all within an hour and a half. Robert is such a lovable character and his blossoming love for Mary was so sweet and sincere. I will not say what this movie is about to avoid spoiling it but I will suggest if you are one to tear up at movies, then have a box of tissue handy.

Ellen Burstyn and Martin Landau are so natural and graceful, they make even the corniest and most telegraphed moments almost work…almost. A movie that hinges on its charm (which works) and its twist (which does NOT work), the melodramatic and maudlin soap opera story overbears the fantastic performances.

For a first time director/writer, this film is amazing. The sweet and the sour are both represented and displayed in such beautiful style. There is no question that the power of love is alive and well in this amazing story.

All of the actors really took to their roles; for me this is always a sign that a great director is behind the project. Can anyone say Clint Eastwood?

See this film, and tell everyone you know to see this film. We loved it.

Major distribution will pick this one up.

I watched this on Netflix Instant streaming - because I have enjoyed all 4 lead players in the past. Ellen Burstyn was completely amazing, as usual. Martin Landau, once again did a stellar job and both Adam Scott and Elizabeth Banks were absolutely at their respective bests!

Beyond the fantastic acting, the story grabbed me immediately. My only frustration with the story was that I wanted better character development, I wanted to know more about both Mary and Robert's past. If you're feeling this way, stick with it, you'll be happy you did.

As another reviewer here said, watch it twice. You'll pick up so much that you didn't quite "get" the first time you watched it.

I couldn't have enjoyed this movie more and kudos to all involved!!

I never thought of this in such a way. I can only assume this is how life truly is for a person under these circumstances. Totally unexpected. A little slow in places but I loved it. I bawled like a baby.

People keep talking about a "twist ending," but It was obvious to me within the first 20 minutes what was going on. Having said that: The actors were all marvelous. Martin Landau is (RIP) a national treasure. I did find the story maudlin, but that's just me. It's not a bad movie, but it most certainly is not a great movie.

This is really a remarkable film about aging, families and relationships. As quite a few reviewers have mentioned, you cannot really go into details about the film without giving away the story. Suffice it to say that it is a challenging film, but worthwhile for anyone who is dealing with getting older themselves, or the aging process of loved ones. Martin Landau and Ellen Burstyn both give amazing performances as do the supporting actors.

Quite the dark horse of Christmas movies. I think it would have been enough to have an intimate film about an older couple meeting for the first time. This goes well beyond that, but talking about it would be a significant spoiler. It is endearing, funny, and quite quirky at times. Puzzling at first, before settling in. All of it comes into focus near the end, when the strangeness makes much more sense, and the message goes far beyond the typical holiday cheer and that love is everyone.

It's not perfect though. There are one or two things that actually never become situated and so there is no closure. This kind of hand waving is a pet peeve of mine. Especially when so much of it could be explained easily and in a short amount of time.