Der berühmte Südstaaten-Detektiv Benoit Blanc reist für seinen neuesten Fall nach Griechenland.Der berühmte Südstaaten-Detektiv Benoit Blanc reist für seinen neuesten Fall nach Griechenland.Der berühmte Südstaaten-Detektiv Benoit Blanc reist für seinen neuesten Fall nach Griechenland.
- Für 1 Oscar nominiert
- 53 Gewinne & 140 Nominierungen insgesamt
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The casting and performances by all were outstanding, especially Bautista and Norton, and I really liked the setting in Greece, but I feel the ending ruined what could've been a better sequel. There certainly was some creative ideas in the narrative, and even though the start was slow and tedious, it did get better when Benoit Blanc started to unravel the mystery. However, the unravelling was too as-a-matter-of-factly and too convenient in its set-up. And normally I'd be fine with that, because the few twists were a nice touch, but then right after the mystery was solved, the ridiculous antics just became too unbelievable and quite frankly, unnecessary. Still, and enjoyable one-time watch, especially if you enjoyed the first one.
Watching on the big screen, at its best this would be a solid 8+/10 movie, but there are a few areas that let it down.
First is the excessive lockdown/mask/Zoom scenes at the start of the film. This was never good comedic or dramatic material in the first place, and has already aged badly.
Second is a somewhat over-the-top finale which aims for spectacular but ends up a bit silly - and that isn't where a murder-mystery should be. Less is more.
But the greatest problem is the decision to re-tell the whole story from a different perspective half-way through. After carefully building the tension so that darkness falls with a murderer on the loose... the audience is taken back to the start again. It completely ruins the momentum of the film. Granted, this does allow the reveal to be even more complicated, but it also greatly reduces the wow-factor of Benoit Blanc's deduction. The genius detective solving the case is the fulcrum of this kind of movie and shouldn't be diminished.
Production values are high, and the supporting cast are good, although some have fairly slender roles. Kate Hudson is superb as Birdie.
In conclusion, I'm pleased to see Blanc back. Daniel Craig brought more eccentricity to the character this time around, but I liked it. A modern-day Poirot. I'd happily see a series of his adventures on the big screen. Just return to a more traditional murder-mystery structure (please).
First is the excessive lockdown/mask/Zoom scenes at the start of the film. This was never good comedic or dramatic material in the first place, and has already aged badly.
Second is a somewhat over-the-top finale which aims for spectacular but ends up a bit silly - and that isn't where a murder-mystery should be. Less is more.
But the greatest problem is the decision to re-tell the whole story from a different perspective half-way through. After carefully building the tension so that darkness falls with a murderer on the loose... the audience is taken back to the start again. It completely ruins the momentum of the film. Granted, this does allow the reveal to be even more complicated, but it also greatly reduces the wow-factor of Benoit Blanc's deduction. The genius detective solving the case is the fulcrum of this kind of movie and shouldn't be diminished.
Production values are high, and the supporting cast are good, although some have fairly slender roles. Kate Hudson is superb as Birdie.
In conclusion, I'm pleased to see Blanc back. Daniel Craig brought more eccentricity to the character this time around, but I liked it. A modern-day Poirot. I'd happily see a series of his adventures on the big screen. Just return to a more traditional murder-mystery structure (please).
I'm not gonna say this movie was rubbish but I get why so many people were disappointed now that I've finally seen the movie myself. First of all, I have to say I was a big fan of a knives out, i really like its subtle humor and i believe it's one of the best movies in that genre. I decided to watch glass onion expecting it to be at the same level. The movie overall was entertaining even though at first it takes a bit to create momentum. However, I have to say that the ending was kinda illogical, silly, and not as clever as I expected it to be. I was let down at the end of the movie but still enjoyed it. Well, I guess I will be waiting for the 3rd one.
I liked the first Knives Out a lot because it felt like a warm homage to all those Agatha Christie novels that I like (books and movies): it got an interesting case and setting, a well playing cast, a fine production. Glass Onion is a little different - the story/crime is for
sure not that interesting or complex and there is a far stronger emphasis on comedy. One could dare to say that Glass Onion is more of a parody than a "real" crime case. The first movie got a straight 8, this one, did entertain me too (despite some lengthy parts) - but compared to the first movie, Glass Onion is for sure a big step in the wrong direction (for my taste) - it reminds me a lot of those mediocre attempts of Kenneth Brannagh's to revive Hercule Poirot. Also I do not like the ending at all, too a certain degree it is just a stupid one. Hopefully, the next one focuses again more on a complex crime case and its build up and last but not least, a real interesting and surprising ending like the first one got.
What happened?!
I am so bitterly confused!
I was looking forward to this film so much after Knives Out instantly becoming one of my all time favourites.
Did I overhype it? Were my expectations too high? Did I watch the same film as the critics?
By all means, I'm not saying this is a bad film but compared to the original, it misses rather hard. What an absolute let down.
I have no complaints about the cast, the score, the cinematography, the direction etc. It's the writing. Did Rian Johnson just forget what sort of film he was writing or something? It certainly showed a lot of promise in the first act, it definitely had me intruiged. The middle act had it's moments of twists and revelations I suppose. But the last act - what happened? What a mess. There was no pay off. It was such an unsatisfying conclusion. Honestly, it felt like they may as well have just said; "It was all a dream". It was so much off the mark which really hurts.
I'm glad to see that I guess a lot of people enjoyed it and maybe the next installment will be better. One can only hope.
I am so bitterly confused!
I was looking forward to this film so much after Knives Out instantly becoming one of my all time favourites.
Did I overhype it? Were my expectations too high? Did I watch the same film as the critics?
By all means, I'm not saying this is a bad film but compared to the original, it misses rather hard. What an absolute let down.
I have no complaints about the cast, the score, the cinematography, the direction etc. It's the writing. Did Rian Johnson just forget what sort of film he was writing or something? It certainly showed a lot of promise in the first act, it definitely had me intruiged. The middle act had it's moments of twists and revelations I suppose. But the last act - what happened? What a mess. There was no pay off. It was such an unsatisfying conclusion. Honestly, it felt like they may as well have just said; "It was all a dream". It was so much off the mark which really hurts.
I'm glad to see that I guess a lot of people enjoyed it and maybe the next installment will be better. One can only hope.
Wusstest du schon
- WissenswertesJoseph Gordon-Levitt: As the voice of Miles' clock, the "Hourly Dong." He has had a role in all of Rian Johnson's films.
- PatzerBenoit Blanc requests that, after Duke's death, Miles call his boat and asks them to come immediately. Shortly after, Lionel comes back to tell Blanc that the boat can't come until after 6am as the Banksy dock was set to low-tide height. There is no significant tide in the Greek Mediterranean that would result in this type of problem.
- Zitate
Birdie Jay: Like Miles said, I'm a truth teller. Some people can't handle it.
Benoit Blanc: It's a dangerous thing to mistake speaking without thought for speaking the truth. Don't you think?
Birdie Jay: Are you calling me dangerous?
Benoit Blanc: We'll see.
- Crazy CreditsSPOILER: When the end credits roll showing the actors' names with their painted visages, Janelle Monae is the only actor with two visages.
- SoundtracksFugue in G Minor, BWV 578 'Little'
Written by Johann Sebastian Bach (as J.S. Bach)
Performed by Tatiana Nikolaeva
Courtesy of Mezdunarodnaya Kniga-Musica
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Glass Onion. Un misterio de Knives Out
- Drehorte
- Griechenland(Porto Heli)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 40.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 13.280.000 $
- Eröffnungswochenende in den USA und in Kanada
- 9.400.000 $
- 27. Nov. 2022
- Weltweiter Bruttoertrag
- 13.280.000 $
- Laufzeit2 Stunden 19 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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