IMDb-BEWERTUNG
6,8/10
6466
IHRE BEWERTUNG
Fox Rich kämpft für die Freilassung ihres Mannes Rob, der eine 60-jährige Haftstrafe verbüßt.Fox Rich kämpft für die Freilassung ihres Mannes Rob, der eine 60-jährige Haftstrafe verbüßt.Fox Rich kämpft für die Freilassung ihres Mannes Rob, der eine 60-jährige Haftstrafe verbüßt.
- Für 1 Oscar nominiert
- 28 Gewinne & 51 Nominierungen insgesamt
Sibil Fox Richardson
- Self
- (as Sibll Fox Richardson)
D.L. Johnson
- Self
- (as Dr. D.L. Johnson)
Gerald Davis
- Self
- (as Dr. Gerald Davis)
Hank Williams
- Self
- (Archivfilmmaterial)
Garrett Bradley
- Self
- (Nicht genannt)
Zusammenfassung
Reviewers say 'Time' delves into love, family, and incarceration, highlighting Sybil Fox Rich's fight to free her husband. The documentary is lauded for its artistic style and emotional resonance but criticized for its disjointed narrative and lack of depth. Opinions vary on its portrayal of the criminal justice system and its impact on families, with some finding it impactful and others deeming it shallow.
Empfohlene Bewertungen
"It's almost like slavery time, like the white man keep you there until he figures it's time for you to get out." Robert Richardson's mother.
It's not what you would expect, this personal documentary narrated by Sibil Fox Richardson about the 21 years she waited for her husband, Robert, to be released from prison for a robbery he committed with her in 1997 in Shreveport, La. It is a quiet essay with almost professional grade home video for Sibil as she narrates the patient struggle to get her husband's sentence reduced from 65 years.
Although such a draconian sentence begs for the sobriquet of "Black racism," the doc, deftly directed by Garrett Bradley, makes few allusions to that societal challenge. It is rather, as its title succinctly suggests, a treatise on the passage of time with its attendant sorrows and its equally powerful hope: "God looks over the sparrows, Sibil. He's going to look over us," says Robert.
Sibil took a plea bargain of twelve years in order to attend to what would be six children, as handsome and articulate as their mom and dad. No weeping and gnashing, just melancholy longing to take time back to when the family had so much promise. Smartly, Bradley shows videos in the final shots of the family in reverse as if time could be altered but never would be.
He also makes the right decision to leave the doc in black and white in order to blend the past with the present. Unlike other documentaries about carceral injustice, Time does not demand we accept Robert as victim-it accepts his mistake and subtly suggests only that the sentence was excessive.
By showing the talented Sibil doggedly working for reform (she could have been a preacher) and her exemplary family soldiering on without dad is the best argument for careful, unbiased sentencing in a system that fails to account for incarceration's effect on everyone, the convict's family and us. Law and order sometimes forget the human factor.
"But at my back I always hear/ Time's winged chariot hurrying near." Andrew Marvel
It's not what you would expect, this personal documentary narrated by Sibil Fox Richardson about the 21 years she waited for her husband, Robert, to be released from prison for a robbery he committed with her in 1997 in Shreveport, La. It is a quiet essay with almost professional grade home video for Sibil as she narrates the patient struggle to get her husband's sentence reduced from 65 years.
Although such a draconian sentence begs for the sobriquet of "Black racism," the doc, deftly directed by Garrett Bradley, makes few allusions to that societal challenge. It is rather, as its title succinctly suggests, a treatise on the passage of time with its attendant sorrows and its equally powerful hope: "God looks over the sparrows, Sibil. He's going to look over us," says Robert.
Sibil took a plea bargain of twelve years in order to attend to what would be six children, as handsome and articulate as their mom and dad. No weeping and gnashing, just melancholy longing to take time back to when the family had so much promise. Smartly, Bradley shows videos in the final shots of the family in reverse as if time could be altered but never would be.
He also makes the right decision to leave the doc in black and white in order to blend the past with the present. Unlike other documentaries about carceral injustice, Time does not demand we accept Robert as victim-it accepts his mistake and subtly suggests only that the sentence was excessive.
By showing the talented Sibil doggedly working for reform (she could have been a preacher) and her exemplary family soldiering on without dad is the best argument for careful, unbiased sentencing in a system that fails to account for incarceration's effect on everyone, the convict's family and us. Law and order sometimes forget the human factor.
"But at my back I always hear/ Time's winged chariot hurrying near." Andrew Marvel
I actually saw this because of its Oscar nomination for best Documentary Feature but I don't really like it. It's both messy and empty. It feels like it's missing a lot of informations and explanations. And it's chaotic when it comes to character identities. As for the story itself, it seems powerful but if you think well about it, it doesn't fully make sense.
As "Time" (2020 release; 81 min.) opens, Sybil Fox Richardson is talking directly into her smart phone camera: "Today is July 23. My husband is in jail" and she shows off her highly pregnant belly. Born in 1971, she met her husband at age 16, and they eventually start a hip hop clothing store in Shreveport, LA. Then in the late 1990s things go wrong, very wrong, and her husband is sentenced to 60 years in jail... At this point we are less than 10 min. Into the film...
Couple of comments: this is the latest from director Garrett Bradley, who has done a variety of prior short documentary and TV work before. Here she takes a closer look at the travails of a women who is is trying to get her husband released from jail (which she terms "nothing less than slavery"), while raising six boys. The film itself is presented as a mixture smart phone footage and regular camera work, but all of it being brought in B&W footage only. The film also jumps back and forth in time over the last 2 decades. In the end it brings an intimate look at one woman's battle for justice reform. "I will be the voice for the voiceless!", she thunders at one of her public lectures. The movie gets better as it plays out, among other reasons because you really buy into the social plight of this woman and her family. In addition to the remarkable photography, the movie also sports an amazing score, much of it solo piano.
The movie had a very short and limited theater run last Fall, and sadly I had missed it then. I recently caught it on Amazon Prime. In fact, i watched this the very evening of the 2021 Oscars ceremony, where it was nominated for Best Documentary Oscar. Alas, it didn't win (that Oscar went to "My Octopus Teacher"). Regardless, if you have any interest in social justice issues or simply want to see a deeply human story playing out over 2 decades, I'd readily suggest you check this out, and draw your own conclusion.
Couple of comments: this is the latest from director Garrett Bradley, who has done a variety of prior short documentary and TV work before. Here she takes a closer look at the travails of a women who is is trying to get her husband released from jail (which she terms "nothing less than slavery"), while raising six boys. The film itself is presented as a mixture smart phone footage and regular camera work, but all of it being brought in B&W footage only. The film also jumps back and forth in time over the last 2 decades. In the end it brings an intimate look at one woman's battle for justice reform. "I will be the voice for the voiceless!", she thunders at one of her public lectures. The movie gets better as it plays out, among other reasons because you really buy into the social plight of this woman and her family. In addition to the remarkable photography, the movie also sports an amazing score, much of it solo piano.
The movie had a very short and limited theater run last Fall, and sadly I had missed it then. I recently caught it on Amazon Prime. In fact, i watched this the very evening of the 2021 Oscars ceremony, where it was nominated for Best Documentary Oscar. Alas, it didn't win (that Oscar went to "My Octopus Teacher"). Regardless, if you have any interest in social justice issues or simply want to see a deeply human story playing out over 2 decades, I'd readily suggest you check this out, and draw your own conclusion.
This documentary is missing something. To me it seems empty. Had it not been for all of the recorded footage by Fox then there would have been no substance at all. I can agree that her husband was given too much time for the crime but....The documentary itself isn't deserving of the high rating others have given it.
"Time" is an attention getting doc done thru the personal diary like videos of one Fox Rich a Louisiana mom of 6 who's faced almost 20 years without her husband Rob who's still locked up for armed robbery. It preaches faith, hope, and love, at the same time you see Fox's and the kids loss and pain without no husband or dad. Plus it looks at the prison system as being cruel and unkind and the doc promotes and ask that the criminal justice system be more forgiving. Done in black and white this is a focus and feature on human life, family, love, and most of all release and happiness as it's freedom from the system.
Wusstest du schon
- WissenswertesGarett Bradley met Sibil Rich in 2016 while working on her short film Alone, a New York Times Op-Doc. She intended to make a short documentary about Rich, but when shooting wrapped, Rich gave Bradley a bag of mini-DV tapes containing some 100 hours of home videos she had recorded over the previous 18 years. At that point, Bradley transitioned the short into a feature.
- VerbindungenFeatured in Die 93. Oscar-Verleihung (2021)
- SoundtracksThe Mad Man's Daughter
Written and Performed by Emahoy Tsegué-Maryam Guèbrou
Courtesy of Emahoy Tsege Mariam Music Foundation, Inc.
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- 574.361 $
- Laufzeit1 Stunde 21 Minuten
- Farbe
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- Seitenverhältnis
- 1.85 : 1
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