Orphan - Das Waisenkind

I enjoyed much of this but there were a few silly moments and I feel if the film had been cut down to 90 minutes we could have got rid of those embarrasing bits and made the whole ting tighter. The acting is fine, especially the two girls and that of Isabelle Fuhrman, who at times seems to be carrying the film, is remarkable. Inevitably, perhaps there are unfortunately those times, as in 'gas lighting' films where we sit frustrated urging those on screen to notice the obvious to no avail and then on we go as everything gets more and more embroiled.

I had been reading a lot about this film. Internet rumors made "Orphan" sound depraved. Advocacy groups protested that the film is offensive to adoption. "Orphan" is neither depraved nor offensive if you watch it as a thriller.

The plot development and character development are on the same level as most Hitchcock films. Vera Farmiga and Peter Sarsgaard are excellent as the parents. The three child actors also do a good job. Expert direction by Jaume Collet-Serra and first-rate production values also make this film worth seeing.

"Orphan" is not a film where you can take your children. However, it is a decent film if you approach it as a thriller.

Every once in a while a film seems destined to slip under the radar either by poor promotion or a trailer that makes the viewer go "meh". Orphan is one of those flicks that, while benefiting from a decent studio push, simply didn't impart any compelling reason to check it out based on the trailer, which is too bad because this is actually one tight little thriller.

Directed by Spain's Jaume Collet-Serra (House of Wax), it tells the story of Esther (Isabelle Fuhrman), a 9-year old Russian orphan who is adopted by Kate and John Coleman (Vera Farmiga and Peter Sarsgaard) , a decision motivated in part by the stillborn birth of their third child.

An oddball from the start, Esther at first charms the Colemans with her personality, artistic flair, and independence, however it's apparent that there's more going on with Esther than meets the eye. She quickly forms a bond with Max (Aryana Engineer), the couple's deaf daughter, by learning sign language, but is resented by their son Daniel (Jimmy Bennett) who views her with contempt. All of which forms a basis for familial tension, further compounded by the skeletons of Kate's history of alcoholism and John's past infidelity.

Telling a surprisingly layered story that strays into uncomfortable territory given how it deals with children in peril, the shiniest gem in this entertaining nugget is that of Isabelle Fuhrman, upon whose performance the movie succeeds or fails. While acting is uniformly top notch throughout, Fuhrman spectacularly establishes herself as one of the most remarkable young talents currently working in cinema, and that's a statement not to be taken lightly. This 12-year-old, who had only one prior film credit on her resume, simply blazes her way across the screen in a performance that ranges from sweet to seductive to psychotic. This is her movie and she makes the most of it, and if she doesn't mature into one of Hollywood's premier stars, I'll be most surprised.

Orphan won't win any awards (despite Fuhrman's impressive performance) and might well get passed over by many based on the trailer, all of which is too bad because this is one stray that movie audiences would do well to adopt.

"Orphan" was a movie that truly did surprised me. I mean I came into this movie honestly not having any idea which direction it would take me, I mean sure it looked good, but then again the 30 second previews made it seem a bit mediocre. When the movie went off I was very pleased by what I had seen. The things I love most about Orphan is how they present and introduce these characters so well. The minute I saw the main couple I couldn't help but take a liking to them, and Esther who very easily steals the show, is incredibly likable. As a matter of fact the thing I do love a lot about the film is how they take their time in the story, I loved how for the first half or so you see Esther adapting to her new surroundings, and I became extremely indulged into this. I also think they balanced out the character of Esther well. I mean this performance, and character, could have easily been portrayed as this over-the-top, annoying, non-intimidating, and non-believable character, but not once do you ever feel that. Also it is very entertaining, and you're hooked from the moment you see this little girl Esther. It was also clever at times, to where you feel a sense of danger as far as the story goes because it's literally like anything can happen. Even if does begin to make you mad for whatever reason, you still can't help but keep watching and wondering. At times it may feel predictable, but they've already presented these characters so well, that you can't but feel that maybe you haven't predicted it. I will say I wished "Orphan" HAD paced itself a little better, I mean they don't immediately jump into the story, but when they do it feels rushed and as if they fear the audience won't care about the characters, when it's not true. Also towards the end the characters start to lose liking, so much so that I couldn't help but look at these characters(in particular the mom and dad) and say "Who are you, and why are you being such an unlikable stereotype!" As a result of the characters acting stupid and stereotypical at this point in the film it just became predictable to an extent where you knew what was going to happen. Last you know I don't know how I felt about the twist, it was done well enough to where it would fit the storyline, but I feel it defeats the shocking, brutal, and thrilling nature of the film. Anyways, overall "Orphan" is one of the better thrillers you'll probably see this year, and even if you're not too big on these kind of films, I still recommend "Orphan"

Finally, a horror film about adults. Adults with complex issues and children that act like children and not hyper precocious sex models. The reason to see this film isn't to find out the over advertised " Esther's secret" of the film (a MAJOR misstep in marketing. Too many people now enter the film trying to figure out the "secret" before they normally would have been surprised), but rather to see a well-acted (extremely well acted by Vera F.)slow-building suspense story with excellent direction and cinematography. John Ottman's score also serves the film well, without becoming overpowering in signaling this is a "creepy" film. The actress who plays Esther shows a skill in performance that makes one think we may actually have another Jodie Foster to keep an eye on. This film works because we LIKE the characters (Rob Zombie please take note!) and fear for them and their survival. Dark Castle's best film, and it gives one hope that the horror/suspense genre still can be presented with intelligence and depth. Hollywood take note: we don't want a xerox of this film, but we do want more films that share this films strenghts: good script, likable real characters, excellent acting and nice, tension building direction.