Nachdem er von seinem Meister verraten wurde, setzt ein desillusionierter Auftragskiller einen letzten Schuss ab, um mit dem Geld einem Musiker, den er versehentlich geblendet hat, zu helfen... Alles lesenNachdem er von seinem Meister verraten wurde, setzt ein desillusionierter Auftragskiller einen letzten Schuss ab, um mit dem Geld einem Musiker, den er versehentlich geblendet hat, zu helfen, sein Augenlicht wiederzuerlangen.Nachdem er von seinem Meister verraten wurde, setzt ein desillusionierter Auftragskiller einen letzten Schuss ab, um mit dem Geld einem Musiker, den er versehentlich geblendet hat, zu helfen, sein Augenlicht wiederzuerlangen.
- Auszeichnungen
- 11 Nominierungen insgesamt
Empfohlene Bewertungen
The main actress had a kick ass image. The camera simply loves her. But is she a killer?
It just doesn't work. The film cliches start thick and fast and soon go into overdrive. By the end the film is dripping in old camera angles, dull fight scenes and amateur plot lines. It is desperate to be an action film. But it is just a parody of one.
The acting talent is high. And the Director used to be known for blockbusters. But I can't help but feel they have all dropped in the rankings creating this 'straight to VHS' nothing burger.
The story is ridiculous. It literally makes no sense. A whole killing empire brought down for no good reason. All the silent pro killing replaced with amateur battles that are disproportionate to the problem. The solutions just making it worse for no good reason.
This film is bad. Comically bad. By the end you will be questioning whether it is the same John Woo. Or just budget retired one.
Not recommended 💩
It just doesn't work. The film cliches start thick and fast and soon go into overdrive. By the end the film is dripping in old camera angles, dull fight scenes and amateur plot lines. It is desperate to be an action film. But it is just a parody of one.
The acting talent is high. And the Director used to be known for blockbusters. But I can't help but feel they have all dropped in the rankings creating this 'straight to VHS' nothing burger.
The story is ridiculous. It literally makes no sense. A whole killing empire brought down for no good reason. All the silent pro killing replaced with amateur battles that are disproportionate to the problem. The solutions just making it worse for no good reason.
This film is bad. Comically bad. By the end you will be questioning whether it is the same John Woo. Or just budget retired one.
Not recommended 💩
Why John this is just not neccesary, this is simply an excuse to put two charismatic actors kicking assess, this is not a neccesary remake my guy, it's just like the original but without the essentially of that film, you should make a remake one of your American Van Damme movies, those are not good
The crow and now this one, stop remaking solid and classic movies please, you people should remade something like Waterworld or the Travolta alien movie, try to improve bad movies instead of remaking good ones, this is not a good remake and its feels forced and weird sometimes, you can do better ok guys.
The crow and now this one, stop remaking solid and classic movies please, you people should remade something like Waterworld or the Travolta alien movie, try to improve bad movies instead of remaking good ones, this is not a good remake and its feels forced and weird sometimes, you can do better ok guys.
Hard to believe this is John Woo movie. Perhaps he doesn't care much more about the script and it's all about style and filming and little else. Every cliche is pulled out of movie history, as our hardened killer has mercy on the innocent girl. It was put together to also present the battle of the non non binary lesbians. It's not meant to be a slight on lgbtq people, there was just no reason to have them in there and it is never explained. Some nonsense about the beating of Sam worthington's heart, in his attempt to do an Irish accent.
All the good reviews here are fake. This is a shell of what good films used to be. You seen it all before and just much better done.
All the good reviews here are fake. This is a shell of what good films used to be. You seen it all before and just much better done.
I realise that John Woo is an iconic director, mainly because of his run of funky HK triad gunslinger movies, but whoever put this remake together skimped on the screenwriting, and the script. The direction is ok, but with the nagging feeling that the hourly rate there was also well shy of inspirational.
Every cliched character and trite line of dialogue feels disconnected, existing in isolation, awaiting their brief memetime on Tik Tok and Youtube.
Even the action felt kinda perfunctory, like a cheap sequel filmed in a hurry by an inferior production crew, with no sense of pride in their accomplishments. "Two more flash-cut car chases, an MMA ruck in a public space, a slow-mo bullet time shootout, and we're done, chaps".
What it resembles, more than anything, is a low-budget 80s Eurocrime actioner, with a mismatched Euro-cast, and a script straight out of Babelfish, tarted up in post to look vaguely modern. Unfortunately, it ends up looking like a badly animated storyboard.
Every cliched character and trite line of dialogue feels disconnected, existing in isolation, awaiting their brief memetime on Tik Tok and Youtube.
Even the action felt kinda perfunctory, like a cheap sequel filmed in a hurry by an inferior production crew, with no sense of pride in their accomplishments. "Two more flash-cut car chases, an MMA ruck in a public space, a slow-mo bullet time shootout, and we're done, chaps".
What it resembles, more than anything, is a low-budget 80s Eurocrime actioner, with a mismatched Euro-cast, and a script straight out of Babelfish, tarted up in post to look vaguely modern. Unfortunately, it ends up looking like a badly animated storyboard.
John Woo's "The Killer" 2024 had been highly anticipated by action movie enthusiasts and fans of the director's previous works. However, upon watching it, one can't help but feel a sense of disappointment. This film falls short on several fronts.
First and foremost, the plot was unimaginative and predictable after the first main action scene. It seems as if the filmmakers were trying to be overly complex in an attempt to create a deep and engaging narrative. Instead, it results in a jumbled mess that leaves the audience uninterested. There are too many subplots and twists that don't add much value to the overall story. For instance, a side story involving a character's personal vendetta takes up a significant amount of screen time but fails to contribute meaningfully to the main plot.
The character development is also lacking. The protagonist, who is supposed to be a complex and intriguing anti-hero, comes across as one-dimensional. We don't get a sense of her motivations or inner conflicts beyond the surface-level action. The supporting characters are equally underdeveloped, with little to no backstory or personality. This makes it difficult for the audience to connect with or care about any of the characters.
Another major issue is the action sequences. While John Woo is known for his stylish and intense action scenes, in "The Killer" 2024, they seem repetitive and lack the innovation and excitement of his earlier works. The gunfights and choreographed fights are predictable and don't offer any new or fresh elements. It feels like we've seen these same types of action scenes countless times before. Pigeons, doves, churches etc.
The pacing of the film is off as well. There are long stretches where not much happens, and then suddenly there's an explosion of action that feels rushed. This uneven pacing makes it hard for the audience to stay engaged throughout the movie. A woman of 5.7 135lb beating a 6 foot 220lbs man in unarmed combat is still unbelievable.
Furthermore, the cinematography, which is usually a highlight in Woo's films, is unimpressive in this one. The lighting and color palette don't create the mood and atmosphere that one would expect from a John Woo movie.
In conclusion, "The Killer" 2024 is a letdown. With its boring and predictable plot, underdeveloped characters, repetitive action sequences, off pacing, and lackluster cinematography, it fails to live up to the expectations set by John Woo's previous masterpieces. It's a movie that leaves the audience longing for the director's past glory days and wondering what went wrong.
First and foremost, the plot was unimaginative and predictable after the first main action scene. It seems as if the filmmakers were trying to be overly complex in an attempt to create a deep and engaging narrative. Instead, it results in a jumbled mess that leaves the audience uninterested. There are too many subplots and twists that don't add much value to the overall story. For instance, a side story involving a character's personal vendetta takes up a significant amount of screen time but fails to contribute meaningfully to the main plot.
The character development is also lacking. The protagonist, who is supposed to be a complex and intriguing anti-hero, comes across as one-dimensional. We don't get a sense of her motivations or inner conflicts beyond the surface-level action. The supporting characters are equally underdeveloped, with little to no backstory or personality. This makes it difficult for the audience to connect with or care about any of the characters.
Another major issue is the action sequences. While John Woo is known for his stylish and intense action scenes, in "The Killer" 2024, they seem repetitive and lack the innovation and excitement of his earlier works. The gunfights and choreographed fights are predictable and don't offer any new or fresh elements. It feels like we've seen these same types of action scenes countless times before. Pigeons, doves, churches etc.
The pacing of the film is off as well. There are long stretches where not much happens, and then suddenly there's an explosion of action that feels rushed. This uneven pacing makes it hard for the audience to stay engaged throughout the movie. A woman of 5.7 135lb beating a 6 foot 220lbs man in unarmed combat is still unbelievable.
Furthermore, the cinematography, which is usually a highlight in Woo's films, is unimpressive in this one. The lighting and color palette don't create the mood and atmosphere that one would expect from a John Woo movie.
In conclusion, "The Killer" 2024 is a letdown. With its boring and predictable plot, underdeveloped characters, repetitive action sequences, off pacing, and lackluster cinematography, it fails to live up to the expectations set by John Woo's previous masterpieces. It's a movie that leaves the audience longing for the director's past glory days and wondering what went wrong.
Wusstest du schon
- WissenswertesNicolas Cage wanted to star in the remake if John Woo directed it.
- PatzerA world class killer for hire regularly and repeatedly goes to the same food place.
- Alternative VersionenIs a remake of "The Killer" (original title: "Dip huet seung hung," 1989), also directed by John Woo.
- VerbindungenReferenced in Film Junk Podcast: Episode 958: The Crow (1994) (2024)
- SoundtracksLet's Live for Today
Written by Peter Warne (as Michael Julien), Mogol (as Giulio Rapetti Mogol), Norman David Shapiro (as Norman Shapiro)
Produced by Wendy Wang
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Details
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 318.618 $
- Laufzeit2 Stunden 6 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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