Füge eine Handlung in deiner Sprache hinzuAgeing hit man, Harry, has just botched a job and is now the target. His daughter is also in the assassin trade and is now a target too. A young hit man called Billy is sent to take Harry ou... Alles lesenAgeing hit man, Harry, has just botched a job and is now the target. His daughter is also in the assassin trade and is now a target too. A young hit man called Billy is sent to take Harry out but they form an uneasy alliance...Ageing hit man, Harry, has just botched a job and is now the target. His daughter is also in the assassin trade and is now a target too. A young hit man called Billy is sent to take Harry out but they form an uneasy alliance...
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It obvious that director Christopher Warre Smets loves movies. It's also clear that he has seen a lot of them. Something that recalls Tarantino.
While watching the theatrical premiere during the Canadian Film Festival just last week, there were many moments where I could see the influence of films from another era. The opening sequence is beautiful and beyond it being the only part in black and white, the film does a great job of having a retro film noir aesthetic while combining it with modern pacing and humor.
I don't know what to compare it to as it's not an action film or thriller. The first film that comes to mind is The Professional, as I see parallels in it's treatment of love, family and relationships amidst killing for hire.
Totally recommend it.
While watching the theatrical premiere during the Canadian Film Festival just last week, there were many moments where I could see the influence of films from another era. The opening sequence is beautiful and beyond it being the only part in black and white, the film does a great job of having a retro film noir aesthetic while combining it with modern pacing and humor.
I don't know what to compare it to as it's not an action film or thriller. The first film that comes to mind is The Professional, as I see parallels in it's treatment of love, family and relationships amidst killing for hire.
Totally recommend it.
While there's enough action to sustain the drama, this is not a shoot-em-up production. A father, the hit-man, has brought his daughter into the business. He must then cope with failing health, and the dangers presented by a failed hit, by bringing in a partner.
Not at all what anyone might expect in a hit-man movie made with today's thud and blunder styling. This is actually about the interactions of people, and is done with a lot of care. Excellent low-key drama with top-caliber acting and touches of black comedy.
Loved it. I definitely have to check out all else that this writer/director has done.
Not at all what anyone might expect in a hit-man movie made with today's thud and blunder styling. This is actually about the interactions of people, and is done with a lot of care. Excellent low-key drama with top-caliber acting and touches of black comedy.
Loved it. I definitely have to check out all else that this writer/director has done.
I was skeptical, when I saw this on Amazon Prime. Glad I took the bait and watched it.
To those of us pro-2A pro-firearm folks, Joe Mantegna is one conservative actor who knows his guns, and how to shoot. So its always interesting to see him in films.
Long story short, if you like a decent firearm flick, you'll enjoy this one. The jist is a father/daughter hit-team dealing with an (unfortunate) everyday family dilemma all families seem to have to deal with -- terminal cancer.
So the story revolves around how a family whose obscure business deals with the reality of a terminal disease.
That's not all of it, just enough to wet your whistle. Bottom line, its worth the 90 minutes out of your life to watch, if you are an action/gun movie guy like I am.
V/r, ColonialOak
To those of us pro-2A pro-firearm folks, Joe Mantegna is one conservative actor who knows his guns, and how to shoot. So its always interesting to see him in films.
Long story short, if you like a decent firearm flick, you'll enjoy this one. The jist is a father/daughter hit-team dealing with an (unfortunate) everyday family dilemma all families seem to have to deal with -- terminal cancer.
So the story revolves around how a family whose obscure business deals with the reality of a terminal disease.
That's not all of it, just enough to wet your whistle. Bottom line, its worth the 90 minutes out of your life to watch, if you are an action/gun movie guy like I am.
V/r, ColonialOak
Joe Mantegna was an excellent choice to play the dying hit-man in "The Last Hit Man", and he does not disappoint. His understated performance is mirrored by the fine acting of all involved. The story is a real grabber, unique, with unexpected bursts of dark humor. Although there is certainly more drama than comedy, the mix seems perfect. The three main characters are well developed, and actually quite sympathetic for being contract killers. Paul Bartel would have had a field day with this script, probably tipping the scales in favor of more black comedy, but director Christopher Smets has done just fine with the restrained humor. Recommended viewing for those looking for something different. - MERK
Director-writer Smets injects life into a tired genre with this top-notch throw-back which combines black comedy and genuine pathos with ease and skill. Smets was certainly influenced by crime dramas of the 70's (most notably, The Mechanic). His subdued style and pacing is a welcome change from the usual shock and awe of Hollywood. His characters speak from the heart and head and could be your father, sister, or next door neighbour. The film never takes itself too seriously until it matters, nor does it get bogged down with pop-culture references and post-modern irony. I look forward to more films by this talented director.
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- Budget
- 1.350.000 CA$ (geschätzt)
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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