Accidents Happen

Story good, and there are so much opportunity to make it great, but the durector ruined it.

The worst is the narrator, He killed the atmosphere totaly.

The caracters so simular, cant see who is who. Boys look alike. Bad choosing by casting director.

Dramaturg is a bit boring also.

I dont know why they ruined this geeat opportunity!? It could be so good film, but ruined:/

I am so sorry tonsaw that:(

Accidents Happen – Sydney Film Festival, June 2009 I was sold on this film by a description of Geena Davis who "shines as the screwball mother". The SFF program seemed to promise a screwball family comedy, with Davis' fearlessness in performance carrying the required bravado. So I was surprised when the opening sequence, a slow-motion shot of a playing child interrupted by an elderly neighbour accidentally barbecuing himself, suggested another tone was in the offing: a coming-of-age black comedy. That combination works well here.

To labour the labeling a little, ladling on a portmanteau, ACCIDENTS HAPPEN is a 'dramedy'. It's a realistic story of an early 80s suburban family unit fractured by an auto accident. The emotional weight of their tragedy squeezes absurdity out of the cracks in their stasis. Gloria Conway (Davis) turns her rapid-fire wit to lashing her 'useless' ex-husband but that is clearly a losing game for her as she is not much more on top of her grief for their lost children than he is.

The relationship between surviving but bereft younger son Billy and his ballsy mother is the meat of the film. They present a remarkably compelling take on an interdependent relationship. They made me really care that they would work it out, and a refreshing change from the common film stereotype of merely alienated teens.

The film overall is a showcase of great characterization through screen writing and performances, not just from the poised teen-aged leads but also minor characters like the barbecue-induced widow Mrs Smolensky. She steps startlingly out of being a background character in the payoff scene at the film's end.

That final sequence also left me backpedaling on conclusions I leapt to earlier about the film's symbolism. Up until that point, the crucial role of a bowling ball in the plot lent itself to symbolism of emotional baggage, a crushing burden to carry and destructively out of control when neglected. That ball's ultimate destination revealed over the end-credits indicates the authors either didn't have that in mind, or were pointing us to some other significance entirely. Comments here suggesting what that significance might be are very welcome.

Originally posted at http://moviebookchats.posterous.com/movie-review-accidents-happen

Sydney director Andrew Lancaster did well to lure Geena Davis to our shores to star in Accidents Happen. I suspect he didn't have much hassle with a screenplay as biting and sharp as Brian Carbee's to use as bait. During a Q&A after the Australian premiere Davis herself admitted that she has always been drawn to interesting characters that challenge her; Gloria Conway definitely fits that mould. Carbee arms Gloria with acerbically humorous dialogue throughout – her quick wit a shield for the hurt that lies beneath – in addition to providing an idiosyncratic story about how different people cope with tragedy.

It's hard to imagine someone else filling the lead role, Davis finds such a perfect blend of steeliness and vulnerability that she embodies Gloria completely. The non-spoken instances are given extra gravitas by the Oscar winning actress whilst Carbee's words are delivered pitch perfectly. At the other end of the age scale, the young Gilbertson (also seen in the recent Beneath Hill 60) is one to watch out for in the future. He almost runs away with the film as the emotionally-uncertain Billy, displaying a tremendous power in the dramatic scenes. Best of all, he and Davis share an excellent mother / son chemistry in the movie's most important personal connection, their dynamic relationship is a treat to watch.

Kicking off his feature film CV, Lancaster has started strongly. His sturdy direction offers some memorable moments – the opening sequence comes way out of left field, but works all the better for it – although the slightly annoying 'Wonder Years' style voice-over probably could have been subdued. Lancaster demonstrates a terrific knack for slow motion; the aforementioned pre-credits sequence, the fateful car accident and a touching scene near the end all showcase the tremendous effect slow mo can have if used correctly. Hopefully this affecting little film marks the beginning of a long career for Lancaster.

With a shamefully limited theatrical run in Oz, don't let this one slip you by: write it down to buy the DVD later this year.

4 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)

ACCIDENTS HAPPEN – CATCH IT ( B+ ) Accident happen, is truly a delightful surprise. I am a sucker for Dysfunctional families and Coming of Age movies and this was a perfect combination of both. The movie is beautifully crafted and the slow motion accidents sequences are wonderfully shot. I really appreciate the director Andrew Lancaster who choose a simple story and portrayed so beautifully plus the comic view of severe issue was a different touch. Geena Devis did a fantastic job & her comic timing was just perfect. She proved yet again that she is a great actress. Harrison Gilbertson stole the show for me, he is cute kid and a great performer. I could see in her eyes how talented he was and standing in front of Geena Davis in such complex yet humorous story was wonderful. I surely can bet he will be a huge once he grows up a little more. Overall a great movie with great ensemble cast. Everyone did a great job making this movie memorable for me. Watch it!

I recently ventured to the 8th Annual Tribeca Film Festival to see the anticipated film "Accidents Happen".

I was aware that the wonderful Geena Davis was in the picture which enticed me but was unaware that the cast had a few outstanding younger actors.

I expected a great film from the first scene but did not expect the outstanding, true and genuine performance that a young new shining talent - Harry Cook gave from start to finish. Every scene was honest & true there was an underlining depth that young actors rarely possess. I am never teary in films, but Cook's incredible performance brought me to tears on more than one occasion.

14 yr old Harrison Gilbertson also stood out in this film to me as someone you genuinely cared for. The cast were fabulous.

It was an absolute pleasure to watch this film & Harry Cook stood out in my eyes as truly remarkable talent that the world has been searching for for quite some time. I'm very impressed by everyone's work & look forward to seeing more from them all in the future.

Jane Griffin review-tribecafilm-accidentshappen09(C)