IMDb-BEWERTUNG
5,4/10
1640
IHRE BEWERTUNG
Es sind Sommerferien und die besten Freundinnen Amélie, Bintou und Morjana hängen mit den Teenagern aus der Nachbarschaft ab. Nachts haben sie Spaß, wenn sie sich Gänsehautgeschichten und ur... Alles lesenEs sind Sommerferien und die besten Freundinnen Amélie, Bintou und Morjana hängen mit den Teenagern aus der Nachbarschaft ab. Nachts haben sie Spaß, wenn sie sich Gänsehautgeschichten und urbane Legenden erzählen.Es sind Sommerferien und die besten Freundinnen Amélie, Bintou und Morjana hängen mit den Teenagern aus der Nachbarschaft ab. Nachts haben sie Spaß, wenn sie sich Gänsehautgeschichten und urbane Legenden erzählen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Mériem Sarolie
- Kandisha
- (as Meriem Sarolie)
Nassim Lyes
- Abdel
- (as Nassim Lyes Si Ahmed)
Empfohlene Bewertungen
That's the sad part because the made after Inside are just generic or cliched and was hoping they finally learned. The story is just weak and plenty of plot errors or plot holes. Either way still watchable but don't expect much.
Unfortunately, Bustillo and Maury continue their streak to mediocrity with Kandisha. Zero originality, not that great or likable characters and not at all scary. I have to give them points for deaths in last 20 minutes of the movie, but that's about it. Nothing to see here and if they continue this way, I'll have to think that "Inside" was just beginners luck, since all after that ( except Livid, which is a problematic, but interesting movie ) was downhill. Definitely not recommended.
I love a good demon or creature feature, and seeing demons from different parts of the world and from different cultural legends is always enjoyable. Kandisha isn't particularly scary, or unique. But it's worth a watch. Some of the kills were fun and gory, but a lot was CGI which is a shame.
I especially liked how the demon is perceived by different characters at different moments. A lot of the movie is predictable, but it's not so predictable that it's off-putting. Good ending, but there are some plot holes and unexplained events. Plus some weird editing and transitions that mess with the pacing.
All in all, it's not bad. Similar movies Antlers (2021), The Canal (2014), Pumpkinhead (1988), and His House (2020). But to be honest, all of those movies are better than this one.
I especially liked how the demon is perceived by different characters at different moments. A lot of the movie is predictable, but it's not so predictable that it's off-putting. Good ending, but there are some plot holes and unexplained events. Plus some weird editing and transitions that mess with the pacing.
All in all, it's not bad. Similar movies Antlers (2021), The Canal (2014), Pumpkinhead (1988), and His House (2020). But to be honest, all of those movies are better than this one.
I am generous with an 8 cos i enjoyed this movie. Simple, ain't no wannabe critic.
The director duo once again did a terrific job of character development, avoiding the pg13 trend n succeeded in creating a terrifying entity.
The director duo once again did a terrific job of character development, avoiding the pg13 trend n succeeded in creating a terrifying entity.
Maybe it could have ended 3 minutes before, maybe it's sometimes predictable and not that innovative.
But when this film works...oh boy, it really works! There is a particular scene (1:09) that is absolutely fantastic, not only in terms of horror (probably the best death scene of the year, even better than that one on Fear Street) but also technically with a dolly zoom shots done with an efficiency that I don't remember in horror since Jaws.
Alexandre Bustillo and Julien Maury are, again, very good building young characters - like they did in Among The Living -, feels credible, feels realistic and you have a good background story with some social themes on it.
They are also masters of gore. No doubt about that. When they don't show you a death on screen, you know that the next one will compensate that and they definitely did that here.
I liked the entity, it's creepy, it's different, doesn't tell/show you more than the necessary and also loved the scenario, reminding a lot - as the legend itself - Candyman.
But when this film works...oh boy, it really works! There is a particular scene (1:09) that is absolutely fantastic, not only in terms of horror (probably the best death scene of the year, even better than that one on Fear Street) but also technically with a dolly zoom shots done with an efficiency that I don't remember in horror since Jaws.
Alexandre Bustillo and Julien Maury are, again, very good building young characters - like they did in Among The Living -, feels credible, feels realistic and you have a good background story with some social themes on it.
They are also masters of gore. No doubt about that. When they don't show you a death on screen, you know that the next one will compensate that and they definitely did that here.
I liked the entity, it's creepy, it's different, doesn't tell/show you more than the necessary and also loved the scenario, reminding a lot - as the legend itself - Candyman.
Wusstest du schon
- PatzerLegend said that Kandisha will claim six men, yet when they went back to see the rector to know the second way to vanquish the demoness, Amelie said two more lives will be claimed when in that moment there were already five deaths: Farid, Ben, Ako, Erwan, and Abdel.
- VerbindungenReferences Totally Spies! (2001)
Top-Auswahl
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Details
Box Office
- Budget
- 3.283.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 472.092 $
- Laufzeit1 Stunde 25 Minuten
- Farbe
- Seitenverhältnis
- 2.39:1
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Oberste Lücke
By what name was Kandisha - Der Fluch (2020) officially released in India in English?
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