DMZ

If you're a purist of the comic, this is definitely not for you. If you separate it from that, it's still not that great of a show. No particular actor or actress steps out to steal the spotlight. The directing of the first episode is horrible and jumps around too much to allow the viewer to understand what is happening. It gets marginally.better but it's been done before and done better.

I barely made it through the first episode.

My opinion is that it's not gritty enough for the setting that it proposes and story isn't very compelling. I had higher hopes for an HBO production. They should have put the money for this into more seasons of Raised by Wolves. :P.

The premise of this is odd to say the least: there is a second civil war going on in the US, which would be a big deal worthy of a true blockbuster series, but the show spends roughly 15 seconds talking about it, and then we're just stuck following inconsequential people the rest of the way. Mostly a mother looking for her long-lost son, or petty gang bosses holding small-time political rallies. It's such a weird waste of a potentially phenomenal backdrop.

What made the graphic novel so successful, albeit uneven, was the ambitious scope of the story, detailing the effects of the war on so many people stuck in the DMZ, struggling each day to survive. Whereas here it barely registers as a conflict. Probably as a way to save money, but then why take on such a grandiose source material, if you're just going to keep a few characters and a minor fraction of the plot? Parks are a little less tidy and here and there there's a burnt vehicle, but mostly Manhattan seems unaffected by a supposedly brutal war. People are living a normal life, with electricity, running water and block parties with music and street food. It's as ridiculous as it is pointless.

Future dystopia, action, Rosario Dawson - what is not to like? A broken post-war place where everybody is cheery, clean, well dressed and well fed. The camera work is sunny and bright, wardrobe colourful. No broken people. The action involves sitting around talking, moves on to some discussion and finishes with some dialogue. Dawson is given a hopeless script and does as well as anyone could.

There has been a second American Civil War and Manhattan is declared a demilitarized zone. Alma Ortego (Rosario Dawson) is a medic desperately searching for her missing son. She gets into the crosshairs of warlord Parco Delgado (Benjamin Bratt).

The pilot holds some intrigue as it reveals this world. I was hoping for more but it still promises certain things. When she escapes into the DMZ, the pursuing soldiers claim that she wouldn't survive long. It suggests a scary dystopian world of unimaginable horrors. What it turns out to be is a mix of The Warriors and Gotham without Batman. Episode three ends with the comic book charge by two sides in a melee. It's all very poor comic book and it does not surprise me to find that this is based on a comic book series. This is no Escape from New York. This show has a promising start and then it evaporates. I can't even finish the fourth episode.