Nach dem tragischen Tod eines Au-pair-Mädchens stellt Henry Wingrave ein junges amerikanisches Kindermädchen ein, die sich um seine verwaiste Nichte und seinen verwaisten Neffen kümmern soll... Alles lesenNach dem tragischen Tod eines Au-pair-Mädchens stellt Henry Wingrave ein junges amerikanisches Kindermädchen ein, die sich um seine verwaiste Nichte und seinen verwaisten Neffen kümmern soll.Nach dem tragischen Tod eines Au-pair-Mädchens stellt Henry Wingrave ein junges amerikanisches Kindermädchen ein, die sich um seine verwaiste Nichte und seinen verwaisten Neffen kümmern soll.
- Für 1 Primetime Emmy nominiert
- 3 Gewinne & 21 Nominierungen insgesamt
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I looooved the Hill house and was looking forward to the same creators producing a new masterpiece, but in my opinion they didn't.
The first 4 episodes are sooo slow and borderline boring, to the point where I almost stopped watching. Glad I didn't, because the 2nd half was way better. But all together it didn't hit a home run for me.
Not bad, just not great.
btw am I the only one who got annoyed by "perfectly splendid"?!
btw am I the only one who got annoyed by "perfectly splendid"?!
While Bly left me looking forward to the next installment, it also left me longing for something Hill House delivered that fell short here. Still a great watch.... it's just not the complete masterpiece The Haunting of Hill House is.
I loved this amazing show very much. I was expecting something like Haunting of Hill House, but it's very different. Later I understood that it's a love instead of a horror story and from there on I totally got lost into it. Flanagan has really done a fantastic job, but I think the marketing team messed up a little bit here. It should be marketed differently from the previous one because these two are actually two totally different genre stories.
I can't say much mostly because I am still lost in this beautiful love story and it's so freaking satisfying. I do say that the first 4 episodes could have been shorten into just 2 but it really picked up from episode 5. I also would say that I did miss the Bent -neck lady here but Episode 5 came really close. Last two episodes are real master pieces.
I really have nothing bad to say about this show... People just remember, forget about Haunting of Hill House before you watch this. It's a entirely different story.
I can't say much mostly because I am still lost in this beautiful love story and it's so freaking satisfying. I do say that the first 4 episodes could have been shorten into just 2 but it really picked up from episode 5. I also would say that I did miss the Bent -neck lady here but Episode 5 came really close. Last two episodes are real master pieces.
I really have nothing bad to say about this show... People just remember, forget about Haunting of Hill House before you watch this. It's a entirely different story.
A year ago, I watched and enjoyed "The Haunting of Hill House" so was very happy to find that the spiritual sequel had made it to completion before covid shutdown. Much like last years effort, the scarier aspects are just trappings really, with "Bly Manor" being a tragic, or perhaps a series of tragic, love stories - with ghosts.
Dani Clayton (Victoria Pedretti) comes to a big Stately home in England to act as Nanny for two small children, who's parents have died. Though the children are charming, both Flora (Amelie Bea Smith) and Miles (Benjamin Evan Ainsworth) are prone to spells of absence, or sudden personality shifts. The house is old and has been around for centuries and has many ghosts, both literal and figurative, but Dani has a secret, that she has been haunted by a figure from her past long before arriving in Bly.
My gut feeling is that, particularly after the opening few episodes, "Bly Manor" is less scary than "Hill House" was. So, if being scared is all the worth you're going to attribute to the show, then you'll almost certainly be disappointed. (I do accept that it's not advertised that way and maybe that needs addressing if there's a third version next year). The "secret" ghost idea returns from "Hill House", so much of the fun is spent scanning the backgrounds for the ghosts in various doorways, at the end of corridors and in mirrors, just quietly watching the action unfold.
Victoria Pedretti, Oliver Jackson-Cohen, Henry Thomas and Carla Gugino all return from last year. But they're joined by Amelia Eve, Tahirah Sharif and most importantly by the pair of T'Nia Miller and Rahul Kohli as the Manor's housekeeper and cook respectively and the shows most compelling will-they-won't-they-pair.
Admittedly, the show could have done with a few more surprises or, perhaps less predictable twists, along the way. A couple of the shows reveals we had the gist of well before it was actually revealed. For reasons I shouldn't explain, Carla Gugino is attempting a Northern English accent which I feel I want to award points for effort for, even if it's not entirely successful. Henry Thomas' plummy Southern accent is even less so.
I'd have liked scarier, I'd have liked a few more unexpected twists, but ultimately I enjoyed this melancholy, gothic, tragic story and hope to return to the house next year.
Dani Clayton (Victoria Pedretti) comes to a big Stately home in England to act as Nanny for two small children, who's parents have died. Though the children are charming, both Flora (Amelie Bea Smith) and Miles (Benjamin Evan Ainsworth) are prone to spells of absence, or sudden personality shifts. The house is old and has been around for centuries and has many ghosts, both literal and figurative, but Dani has a secret, that she has been haunted by a figure from her past long before arriving in Bly.
My gut feeling is that, particularly after the opening few episodes, "Bly Manor" is less scary than "Hill House" was. So, if being scared is all the worth you're going to attribute to the show, then you'll almost certainly be disappointed. (I do accept that it's not advertised that way and maybe that needs addressing if there's a third version next year). The "secret" ghost idea returns from "Hill House", so much of the fun is spent scanning the backgrounds for the ghosts in various doorways, at the end of corridors and in mirrors, just quietly watching the action unfold.
Victoria Pedretti, Oliver Jackson-Cohen, Henry Thomas and Carla Gugino all return from last year. But they're joined by Amelia Eve, Tahirah Sharif and most importantly by the pair of T'Nia Miller and Rahul Kohli as the Manor's housekeeper and cook respectively and the shows most compelling will-they-won't-they-pair.
Admittedly, the show could have done with a few more surprises or, perhaps less predictable twists, along the way. A couple of the shows reveals we had the gist of well before it was actually revealed. For reasons I shouldn't explain, Carla Gugino is attempting a Northern English accent which I feel I want to award points for effort for, even if it's not entirely successful. Henry Thomas' plummy Southern accent is even less so.
I'd have liked scarier, I'd have liked a few more unexpected twists, but ultimately I enjoyed this melancholy, gothic, tragic story and hope to return to the house next year.
I loved Hill House but this isn't Hill House, it's Bly Manor. As soon as I got that into my head I was able to enjoy Bly Manor for what it is.
Yes, the season is a bit of a slow start as the setting is being established and the "rules" for the haunting. But even in its slow start the writers are doing tremendous work and there are some phenomenal performances. Most American actors suck at a British accent, so I can overlook that. Though I do find it hilarious how people were shaming Owen's accent when the actor used his real accent for the role.
As the story picks up and the audience puts the pieces together there are many emotional revelations. Since the characters are so well crafted the ending is both fitting and devastating. If that ending doesn't make you cry, then you're a cold person.
I probably won't be watching Bly Manor again whereas I rewatched Hill House plenty of times but I hope that Netflix will consider renewing the series for another haunting because I really love the work the writers, cast and crew are doing here.
Yes, the season is a bit of a slow start as the setting is being established and the "rules" for the haunting. But even in its slow start the writers are doing tremendous work and there are some phenomenal performances. Most American actors suck at a British accent, so I can overlook that. Though I do find it hilarious how people were shaming Owen's accent when the actor used his real accent for the role.
As the story picks up and the audience puts the pieces together there are many emotional revelations. Since the characters are so well crafted the ending is both fitting and devastating. If that ending doesn't make you cry, then you're a cold person.
I probably won't be watching Bly Manor again whereas I rewatched Hill House plenty of times but I hope that Netflix will consider renewing the series for another haunting because I really love the work the writers, cast and crew are doing here.
Representation: LGBTQIA+ Characters On-Screen
Representation: LGBTQIA+ Characters On-Screen
Celebrate the LGBTQIA+ characters that captured our imaginations in everything from heartfelt dramas to surreal sci-fi stories.
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- WissenswertesThis is the 35th adaptation for film/TV of the Henry James novella The Turn of the Screw. A movie remake telling a modern version of the tale called Die Besessenen (2020) was released in theaters a few months before this series premiered.
- PatzerBly Manor has North American early 20th century push button light switches and sockets throughout the building despite being set somewhere in Essex, England. Buildings electrified in early 20th century England would have had toggle switches and round two pin sockets. By the 1980s, when the series is set, there would have been modern UK sockets and switches if the building had ever been rewired. Henry's office and Peter's flat have the correct UK switches.
- VerbindungenFeatured in Chris Stuckmann Movie Reviews: The Haunting of Bly Manor (2020)
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- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- The Haunting of Bly Manor
- Drehorte
- Thornewood Castle, Lakewood, Washington, USA(Exterior shots of the mansion)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit55 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.00 : 1
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