Nope

The amount of reviews calling this pointless and terrible clearly didn't read much into what happens here. Peele is pointing a mirror up to you and the most ironic part is a lot of don't even seem to notice. No, this isn't a typical horror movie. It's more of a Spielbergian blockbuster satire with some amusing moments sprinkled throughout. The "entity" is creative and can be quite terrifying. The cinematography is top notch and probably the standout feature of the film, while Kaluuya can say an immense amount without even speaking a word. The screenplay is odd to say the least, but it hits more than it misses.

While I still think this is a lesser film than Get Out or Us and it ran a little too long, you have to commend its originality in a summer sea of IP-based films. Peele attempts something profound and unique here, which should be respected regardless of your thoughts on the film.

Seriously someone stepped their game up, good job J Peele you won me over. On that - I went through and read a lot of these 1 star "reviews" and came to the conclusion they are probably fake. I don't think the people that wrote them actually saw the film. A lot of them were distinctly racist, some said "another diversity film"? What does that mean? Because the main characters aren't white it's a diversity film? What a dumb, awful thing to write. Lame, and so sad these people get so scared by not being the center of their little, dark (white) and twisted universe.

FYI I saw the film twice already, each time to packed theaters where everyone was so into the film, that you could have heard a pin drop. And at the end people clapped because they loved it so much. I'll probably see it a third time, but that's because I'm really into the flow of the film and characters, it's a fun as*s film and it's not trying to be as distinctly puzzling and pretentious as "US".

Go see it on the biggest screen possible.

There is so much going on here and ultimately that is the films biggest weakness. It doesn't really commit to any certain genre. It's genre blending to the max! Still, it's a total blast that will have you laughing in one moment and screaming in the next. The horror elements are my favorite. At this point Peele has proven himself to be a horror master. But this is not really a horror film per say. It's got horror elements as well as comedy, thriller, action, and western. Probably the most unique film to come out in the Covid era. It was a total blast.

It would have been a good, suspenseful horror movie, leaving you wondering what on earth is happening... IF it hadn't been for the most over-the-top exaggerated extroverted Keke Palmer filling EVERY SINGLE silent moment where you otherwise COULD have been finding out what's going on yourself.

Mysterious things finally start happening, and while you otherwise would have been left with your own thoughts looking at the mystery through Daniel's perspective, the bubble of mystery is instead burst by Keke's SHRILLING vocal outbursts through the entire ordeal.

The exaggerated, comical accent and tone just ENTIRELY kills the otherwise eerie suspense for me.

Every single attempt of horror moment, she manages to kill. No pun intended.

I can honestly say I have never had any movie grip me with so much curiosity and excitement in the first 30 minutes only to end with so great a weight of disappointment at it's close.

As others have pointed out, it's difficult to understand why - given the plethora of avenues that were available and sure to be imagined by so talented a mind as Jordan Peele - this is where the film was taken.

There was boundless opportunity for storylines that could have classed in the same category of special and original as Get Out and Us - Peele's previous works, but the film became bizarre. No other word for it.

Peele's characters are usually so believable, and it is one of the cornerstones of his work that has best enabled audiences to feel so enraptured and immersed prior to Nope. That convincing forming of character is missing in more than a few here. Not - it should be noted - in the two main characters played by Daniel Kaluuya and Keke Palmer, but when surrounding and still important characters fall so flat and insincere in the majority of the film, it takes a lot away from the strong work Daniel and Keke produce.

I don't know whether I'm more disappointed at the execution of the film, or that so valuable an opportunity for alternative and haunting plot lines was wasted.

It was generally not good - and it really pains me to say that.