Die Bewohner eines abgelegenen Wüstentals im Inneren Kaliforniens werden Zeugen eines unheimlichen und erschreckenden Phänomens.Die Bewohner eines abgelegenen Wüstentals im Inneren Kaliforniens werden Zeugen eines unheimlichen und erschreckenden Phänomens.Die Bewohner eines abgelegenen Wüstentals im Inneren Kaliforniens werden Zeugen eines unheimlichen und erschreckenden Phänomens.
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I can honestly say I have never had any movie grip me with so much curiosity and excitement in the first 30 minutes only to end with so great a weight of disappointment at it's close.
As others have pointed out, it's difficult to understand why - given the plethora of avenues that were available and sure to be imagined by so talented a mind as Jordan Peele - this is where the film was taken.
There was boundless opportunity for storylines that could have classed in the same category of special and original as Get Out and Us - Peele's previous works, but the film became bizarre. No other word for it.
Peele's characters are usually so believable, and it is one of the cornerstones of his work that has best enabled audiences to feel so enraptured and immersed prior to Nope. That convincing forming of character is missing in more than a few here. Not - it should be noted - in the two main characters played by Daniel Kaluuya and Keke Palmer, but when surrounding and still important characters fall so flat and insincere in the majority of the film, it takes a lot away from the strong work Daniel and Keke produce.
I don't know whether I'm more disappointed at the execution of the film, or that so valuable an opportunity for alternative and haunting plot lines was wasted.
It was generally not good - and it really pains me to say that.
As others have pointed out, it's difficult to understand why - given the plethora of avenues that were available and sure to be imagined by so talented a mind as Jordan Peele - this is where the film was taken.
There was boundless opportunity for storylines that could have classed in the same category of special and original as Get Out and Us - Peele's previous works, but the film became bizarre. No other word for it.
Peele's characters are usually so believable, and it is one of the cornerstones of his work that has best enabled audiences to feel so enraptured and immersed prior to Nope. That convincing forming of character is missing in more than a few here. Not - it should be noted - in the two main characters played by Daniel Kaluuya and Keke Palmer, but when surrounding and still important characters fall so flat and insincere in the majority of the film, it takes a lot away from the strong work Daniel and Keke produce.
I don't know whether I'm more disappointed at the execution of the film, or that so valuable an opportunity for alternative and haunting plot lines was wasted.
It was generally not good - and it really pains me to say that.
The amount of reviews calling this pointless and terrible clearly didn't read much into what happens here. Peele is pointing a mirror up to you and the most ironic part is a lot of don't even seem to notice. No, this isn't a typical horror movie. It's more of a Spielbergian blockbuster satire with some amusing moments sprinkled throughout. The "entity" is creative and can be quite terrifying. The cinematography is top notch and probably the standout feature of the film, while Kaluuya can say an immense amount without even speaking a word. The screenplay is odd to say the least, but it hits more than it misses.
While I still think this is a lesser film than Get Out or Us and it ran a little too long, you have to commend its originality in a summer sea of IP-based films. Peele attempts something profound and unique here, which should be respected regardless of your thoughts on the film.
While I still think this is a lesser film than Get Out or Us and it ran a little too long, you have to commend its originality in a summer sea of IP-based films. Peele attempts something profound and unique here, which should be respected regardless of your thoughts on the film.
There is so much going on here and ultimately that is the films biggest weakness. It doesn't really commit to any certain genre. It's genre blending to the max! Still, it's a total blast that will have you laughing in one moment and screaming in the next. The horror elements are my favorite. At this point Peele has proven himself to be a horror master. But this is not really a horror film per say. It's got horror elements as well as comedy, thriller, action, and western. Probably the most unique film to come out in the Covid era. It was a total blast.
I surmise that the idea for "Nope" came out of a clever idea for a sketch. Imagine a film where the main character says "Nope" to terrifying, unexplainable phenomena instead of rushing forward like a courageous, but dumb movie hero.
Except, bucking that trope only takes a movie so far. And that's the point where the movie "Nope" starts to unravel, when it can't adequately explain why the protagonists are sticking around.
Somewhere between halfway and three fourths of the movie, the dialogue just becomes far too cryptic to make sense of. And that's the point where the actions the protagonists are taking really needs to be clear, as it's the climax of the film.
I wished the director Jordan Peele, one half of the successful Key and Peele comedy duo, would try his hand at the horror/comedy movie genre. I believe this is his third and latest film, and the second one that most fits in that genre.
To his credit, some sequences have great cinematography, tension, and horror. And some moments are really funny. One particular sequence is both terrifying and hilarious, and best encapsulates the title "Nope," as a main character goes head to head with a massive, intimidating force and just closes his car door, and says "nope."
But overall, the horror and comedy sides do not feel totally woven together. It's like at some point budget was lost and some sequences just couldn't get follow through. And the characters had to be stretched to make up for missing plot points, or fill the moments with comedy. The writers and actors and visual effects teams are good enough so they manage it. But there is a sense of "what did I just watch" at the ending, which wasn't there with Peele's two other more finished films.
Whatever the back story is that has given "Nope" its rough landing, I still found the film enjoyable. Sometimes experimental. Mostly unpretentious and original good fun. But also, what did I just watch?
Except, bucking that trope only takes a movie so far. And that's the point where the movie "Nope" starts to unravel, when it can't adequately explain why the protagonists are sticking around.
Somewhere between halfway and three fourths of the movie, the dialogue just becomes far too cryptic to make sense of. And that's the point where the actions the protagonists are taking really needs to be clear, as it's the climax of the film.
I wished the director Jordan Peele, one half of the successful Key and Peele comedy duo, would try his hand at the horror/comedy movie genre. I believe this is his third and latest film, and the second one that most fits in that genre.
To his credit, some sequences have great cinematography, tension, and horror. And some moments are really funny. One particular sequence is both terrifying and hilarious, and best encapsulates the title "Nope," as a main character goes head to head with a massive, intimidating force and just closes his car door, and says "nope."
But overall, the horror and comedy sides do not feel totally woven together. It's like at some point budget was lost and some sequences just couldn't get follow through. And the characters had to be stretched to make up for missing plot points, or fill the moments with comedy. The writers and actors and visual effects teams are good enough so they manage it. But there is a sense of "what did I just watch" at the ending, which wasn't there with Peele's two other more finished films.
Whatever the back story is that has given "Nope" its rough landing, I still found the film enjoyable. Sometimes experimental. Mostly unpretentious and original good fun. But also, what did I just watch?
I hope we are not about to see the Shyamalan effect with Jordan Peele, where the debut film is amazing and everything that follows leaves you scratching your head. I feel like I'm on that road with Peele's body of silver screen work. "Get Out" was a masterpiece, while "Us" jus didn't do it for me and now "Nope!"
Keke Palmer did her thing in the role she played (she is the star of this movie for sure) and Daniel kept up with a good performance in his own right, but the film itself was something outta the Twilight Zone. More of a sci-fi thriller than a horror flick, it had too many holes and unanswered questions for my liking. Peele's approach to filmmaking is amazing, much like Shyamalan, but the stories, like Shyamalan's are starting to fall short of being good films.
Jordan may have dreamt this story and woke up at 5am and jotted down every detail he could remember. And like our weird dreams, they never make any sense and we forget a lot of the details by the time we wake up! Nope was like one of those weird a... dreams!
Keke Palmer did her thing in the role she played (she is the star of this movie for sure) and Daniel kept up with a good performance in his own right, but the film itself was something outta the Twilight Zone. More of a sci-fi thriller than a horror flick, it had too many holes and unanswered questions for my liking. Peele's approach to filmmaking is amazing, much like Shyamalan, but the stories, like Shyamalan's are starting to fall short of being good films.
Jordan may have dreamt this story and woke up at 5am and jotted down every detail he could remember. And like our weird dreams, they never make any sense and we forget a lot of the details by the time we wake up! Nope was like one of those weird a... dreams!
Wusstest du schon
- WissenswertesThe very early clip of a jockey riding a horse, which Emerald claims features her and OJ's ancestor, is a real 1878 animated series of photographs, one of the first moving images ever, which has come to be called Sallie Gardner at a Gallop (1878). Sallie Gardner is the name of the horse; the two jockeys were listed as being named "C. Marvin" and "G. Domm." Neither of their identities are known, though they very well could have been black as Emerald claims. In those days many jockeys were black, such as thirteen of the fifteen jockeys racing at the first Kentucky Derby in 1875.
- PatzerAfter the horse Clover is found wandering out in the field, the character O.J. begins to escort the horse back to its home. But once they start walking, the horse's mane changes colors between black and white (indicating two different horses were used). This happens about 45 to 46 minutes into the film.
- Zitate
Antlers Holst: This dream you're chasing, where you end up at the top of the mountain, all eyes on you... it's the dream you never wake up from.
- Crazy CreditsAt the very end of the credits, a cartoony image/advertisement appears: "Come ride through Jupiter's Claim, as seen in Nope, at Universal Studios Hollywood, only on the World-Famous Studio Tour."
- VerbindungenFeatured in Super Bowl LVI (2022)
- SoundtracksLa Vie c'est Chouette
Music by François d'Aime
Lyrics by Pierre Billon
Performed by Jodie Foster
Courtesy of Cinemag Bodard
By arrangement with Editions Montparnasse
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Details
Box Office
- Budget
- 68.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 123.277.080 $
- Eröffnungswochenende in den USA und in Kanada
- 44.366.910 $
- 24. Juli 2022
- Weltweiter Bruttoertrag
- 171.235.592 $
- Laufzeit2 Stunden 10 Minuten
- Farbe
- Sound-Mix
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