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Squaring the Circle

Originaltitel: Squaring the Circle: The Story of Hipgnosis
  • 2022
  • 12
  • 1 Std. 41 Min.
IMDb-BEWERTUNG
7,7/10
2063
IHRE BEWERTUNG
Squaring the Circle (2022)
The story of the album art design studio, Hipgnosis, who created some of the most iconic album covers of all time.
trailer wiedergeben2:19
1 Video
15 Fotos
DocumentaryHistory

Die Geschichte des Designstudios Hipgnosis, das einige der kultigsten Albumcover aller Zeiten entworfen hat.Die Geschichte des Designstudios Hipgnosis, das einige der kultigsten Albumcover aller Zeiten entworfen hat.Die Geschichte des Designstudios Hipgnosis, das einige der kultigsten Albumcover aller Zeiten entworfen hat.

  • Regie
    • Anton Corbijn
  • Drehbuch
    • Trish D Chetty
  • Hauptbesetzung
    • Paul McCartney
    • Noel Gallagher
    • Robert Plant
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,7/10
    2063
    IHRE BEWERTUNG
    • Regie
      • Anton Corbijn
    • Drehbuch
      • Trish D Chetty
    • Hauptbesetzung
      • Paul McCartney
      • Noel Gallagher
      • Robert Plant
    • 12Benutzerrezensionen
    • 46Kritische Rezensionen
    • 76Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 Nominierungen insgesamt

    Videos1

    Official Trailer
    Trailer 2:19
    Official Trailer

    Fotos15

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    Topbesetzung21

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    Paul McCartney
    Paul McCartney
    • Self
    Noel Gallagher
    Noel Gallagher
    • Self
    Robert Plant
    Robert Plant
    • Self
    Jimmy Page
    Jimmy Page
    • Self
    Roger Waters
    Roger Waters
    • Self
    David Gilmour
    David Gilmour
    • Self
    Peter Gabriel
    Peter Gabriel
    • Self
    Nick Mason
    Nick Mason
    • Self
    Carinthia West
    Carinthia West
    • Self
    Storm Thorgerson
    Storm Thorgerson
    • Self
    • (Archivfilmmaterial)
    Graham Gouldman
    Graham Gouldman
    • Self
    Aubrey Powell
    • Self
    Glen Matlock
    Glen Matlock
    • Self
    Jenny Lesmoir-Gordon
    Jenny Lesmoir-Gordon
    • Self
    Jill Furmanovsky
    Jill Furmanovsky
    • Self
    Peter Saville
    • Self
    George Hardie
    • Self
    Merck Mercuriadis
    • Self
    • Regie
      • Anton Corbijn
    • Drehbuch
      • Trish D Chetty
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen12

    7,72K
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    Empfohlene Bewertungen

    8alternapop

    An enjoyable watch for fans of music and art

    I wasn't sure I could watch 101 minutes of this but it went by quickly. I could've watched another couple hours with these stories, although not likely in one sitting.

    I laughed multiple times at the anecdotes about Storm's personality. It was great to see them told by people, musicians and friends, with firsthand knowledge and not just by fans. It was very well done.

    I appreciate the work of Hipgnosis, and have been familiar with them for many years, although I prefer the work done by Peter Saville more.

    Storm did design the cover for one of my all time favorite albums though, the Catherine Wheel's Chrome, from 1993.
    6TakeTwoReviews

    Not quite as good as the art created within.

    This documentary might seem a bit of a deep cut from the outside. The story of a design studio focused on record sleeves. Is it not all a bit boffiny. Well yes a little, but Hipgnosis do have quite a pedigree and with Anton Corbijn at the helm here, what transpires is a celebration of experimentation and creative expression. We all know the artwork. Pink Floyd, Led Zeppelin, T-Rex, Wings... er, 10CC but who was behind it all? Storm Thorgerson has a profile doesn't he. That's the (excellent) name you think of, certainly if you've been through art school. Po Powell though might be a bit more obscure. The other cofounder, he leads us through the 60s psychedelic boom, those early fumblings as they figured things out, LSD indulgence, riding their luck and falling on their feet, all whilst playing with visuals not seen anywhere else in pop culture. There's lots of voices here though, Dave Gilmour and Roger Waters (not together of course), Robert Plant and Jimmy Page, Paul McCartney, Noel Gallagher who sums things up beautifully saying "They represent the golden age of the music business, where people believed that music was art and it could change the world. Whereas now music is a commodity". There's as much about the environment and culture they worked in as how they actually created some of these works, but there's enough to keep every viewer happy. Whether it's terrifying stories of Zep's fearsome manager Peter Grant or Peter Saville hinting his inspiration for Joy Division's Unknown Pleaures. It's a fascinating story, made up of hundreds of little stories that paint a picture of a dizzying group of artists all feeding off one another, both good and bad. Egos, excess, flying pigs.
    7peter0969

    Point, Shoot, Reload, and Repeat

    Saw this at the 2023 Sundance Film Festival

    "Squaring the Circle (The Story of Hipgnosis)" is a documentary about Storm Thorgerson and Aubrey "Po" Powell, the creative geniuses behind the iconic album art design studio, Hipgnosis, responsible for some of the most recognizable album covers of all time. This is director Anton Corbijn's first documentary feature and for the most part, it was pretty entertaining and well-informed.

    Prior to seeing this I had knew about Storm Thorgerson's work and his impact with album covers and I was a big fan of Pink Floyd growing up and this documentary was pretty interesting to learn about the personal stories behind the iconic album covers, the life of Thorgerson's work, and listening to many well-known musicals explain their sides of the story and the personal impacts.

    The visual presentations was pretty good, the interviews from each participants all felt purposeful and informative, and the overall experience of this documentary was a joy to watch. Some complaints I have were that since the soundtrack relies mostly on songs from Pink Floyd, some of the songs were used inappropriately where the tone and soundtrack didn't mention the scenario. Including there were some segments that could have been edited out as they felt like filler.

    But the overall experience was pretty fun. Fans of Pink Floyd or well known 60s, 70s, or 80s music fans will have a good time watching this film.

    Rating: B.
    seemingly_reel

    Leans towards Hagiography, with Redeeming Moments

    Mixed bag, this film is. There are some redeeming moments of discovery, though. Lots of redundant imagery which is ironic, because this film reveals the kernels of Storm and Po, the creative duo who created lauded LP covers from the 70s and beyond. Anyone who is a graphic designer or photographer might be quite interested in certain portions of this film. Generally, I felt that most of the moments when Po is featured are like his ego is taking an extended bubble bath. But my review is not intended to discount his fine creative output, back in the days long before Photoshop. If you're enamored of a large host of Chirping Musician Heads, you might adore this film. Led Z members, Paul McCartney, Peter Gabriel, and a few from 10cc all share opinions. To be expected, just a handful of women are featured. For the back story on certain LP covers, the producers linger far too long, and the tone seeps into the arena of hagiography. The running time could have done with a tighter edit. Ironically, the final moments are rushed and a bit maudlin. Like many docs, it's neatly wrapped up with a tidy bow: just a few, perfunctory sentences. Believe it or not, I somewhat recommend this film, apart from the above reservations.
    10tarebear-01590

    It's a story that needed telling

    This story was in the era of my tween, teen, & young adult years. I had never heard of Hypgnosis but it peaked my interest with all the Rock Celebrities and the amazing photography. With that said I feel really, really old seeing Jimmy Page with white hair and Robert Plant nearly bald. The band's tour highlights were awesome as well. I could have watched hours of this, if it had been longer. So nostalgic, so informative, so sad to see those days end because we no longer purchase and play LPs. When I was young I loved nothing better than getting an album with an amazing cover. It truly was an art form under appreciated at the time. The back stories to all of the album covers Hypgnosis created were funny, ridiculous, passionate, entertaining, and enjoyable . This documentary needed to be told. Thanks to the producers for bringing back those memories that will forever be frozen in time. I plan on watching at least two, maybe three more times.

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    • Wissenswertes
      In a 2023 interview with New Music Express, Anton Corbijn spoke about why he made the film black-and-white, with the exception of the album covers: "It started off in color and then I realized that the quality of all the archival footage was not really how I would have liked to have shot it because you have no control over that. A way to use it well would be to bring everything as a uniform look and that was in black and white. And then make the album sleeves the highlight of your day when you look at those. That worked really, really well."
    • Zitate

      Storm Thorgerson: I'm described by some as difficult to work with, by others as a ponce, by some as a narcissist with an ego the size a small planet, by some as really awkward, argumentative, by others yet as grumpy. Very few as handsome and sexy, which of course is the way I see myself.

    • Verbindungen
      Features Ekel (1965)

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    FAQ15

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    Details

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    • Erscheinungsdatum
      • 14. März 2024 (Deutschland)
    • Herkunftsland
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • Squaring the Circle: The Story of Hipgnosis
    • Produktionsfirma
      • Raindog Films
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    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 111.589 $
    • Eröffnungswochenende in den USA und in Kanada
      • 9.346 $
      • 11. Juni 2023
    • Weltweiter Bruttoertrag
      • 255.948 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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      1 Stunde 41 Minuten
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