Hero
- 2019
- 2 Std. 44 Min.
IMDb-BEWERTUNG
6,3/10
2700
IHRE BEWERTUNG
Ein Betrüger kann sich seinen Kindheitstraum erfüllen, ein Superheld zu sein, wenn er sich einem rücksichtslosen Geschäftsmann stellt, dessen Geschäftsstrategie darin besteht, die Träume von... Alles lesenEin Betrüger kann sich seinen Kindheitstraum erfüllen, ein Superheld zu sein, wenn er sich einem rücksichtslosen Geschäftsmann stellt, dessen Geschäftsstrategie darin besteht, die Träume von Kindern zu zerstören.Ein Betrüger kann sich seinen Kindheitstraum erfüllen, ein Superheld zu sein, wenn er sich einem rücksichtslosen Geschäftsmann stellt, dessen Geschäftsstrategie darin besteht, die Träume von Kindern zu zerstören.
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Superhero films haven't been successful in Tamil Cinema and we had only a few films that came in that genre so far. We can probably say that Tamil cinema doesn't need superhero films because our larger-than-life star's films are equal to that genre. Adding to this, PS. Mithran's Hero is the most recent superhero film in Tamil. Is Hero really a superhero film? Well, unfortunately, it isn't. Why? Well, the film has more social messages than superhero elements. Sivakarthikeyan plays the main lead Shakthi who is a fraudster at first sight and superhero later in the film. His character is not that heroic except in the climax speech. Performance-wise, Hero is a very decent film for Sivakarthikeyan because he has very little scope to perform as an actor. Honestly, the film's real hero is Arjun. Well, he has reprised his role from Shankar's Gentleman and played it effortlessly. His performance is worth watching and his role is definitely impactful in the narrative. On the other side, we have Abhay Deol playing the main antagonist with so much style and attitude. He is definitely a strength in this film. Speaking about Yuvan Shankar Raja, his album might be disappointing but his background score is a huge energy booster. PS. Mithran makes films similar to that of Shankar and A.R.Murugadoss. He is playing with the commercial format and adds a strong issue to make it more relevant to the audience. Fortunately, it works in both of his works, Irumbu Thirai and Hero. Well, Hero has strong content but takes too much time to get into it. We have an unnecessary love track and not so hilarious comedy track that doesn't fit into the film's first half. It's only after the interval that we get the actual conflict of the film. Hero feels less engaging than Irumbu Thirai because it focuses more on establishing the character's backstories than the actual conflict. Sivakarthikeyan has a backstory to justify his acts and Arjun has a backstory to introduce who he is actually which feels like taking too much of the film's duration but Arjun's backstory is worthy. The superhero factor comes only in the last 30 minutes which is a major letdown. Moreover, PS. Mithran has focused more on the social issue than the superhero factor which could have been equally balanced. Overall, Hero is not a superhero film but a social issue-based film.
Is it just me or are there too many message-movies coming out lately? Hero is an exaggerated attempt to kickstart a wave of superhero films, a genre that's yet to strike gold in Tamil cinema. But director P S Mithran seems to have forgotten that conventional mass leads in Tamil cinema have always been superheroes - they can do the unthinkable, they can beat up fifty thugs single-handedly, they look like average Joes but woo women who are always out of their league, and they can deliver preachy monologues on how everything in this world is a buzzkill.
Hero doesn't necessarily break new ground in that context. It asks relevant questions (like many other films before it) about the education system followed in India and how innovation is forcefully halted at the grassroots level. But the overdramatization of proceedings in the screenplay and the director's insistence on not doing away with clichéd elements such as a tepid romance track featuring Kalyani Priyadarshan that doesn't add anything to the film except extend its run-time (she's almost completely absent in the second half), a wronged supporting character straight out of Shankar movies (played by Action King Arjun Sarja who can still throw punches even while crippled), and a stretched first half that fails to fire on all cylinders.
When the film eventually gains pace in the second half, you're left to feed on a steady diet of technical mumbo-jumbo (such as ham radio walkie talkies, crawler cams, laser sensors, hacking into satellites, and lots more) that doesn't sit well with mainstream audiences. On the other hand, you have decently shot (but repetitive) action set-pieces that take place in the dark. Songs and BGM, a Yuvan effort, does not elevate the film much. The sermon on 'rough notebooks' at the end was both laughable and relatable at the same time. Hero is a film with more flaws than pluses and that makes it a tiresome 160-minute watch.
Again, a great concept doesn't necessarily translate into a great movie. Hero is a perfect example of it!
Hero doesn't necessarily break new ground in that context. It asks relevant questions (like many other films before it) about the education system followed in India and how innovation is forcefully halted at the grassroots level. But the overdramatization of proceedings in the screenplay and the director's insistence on not doing away with clichéd elements such as a tepid romance track featuring Kalyani Priyadarshan that doesn't add anything to the film except extend its run-time (she's almost completely absent in the second half), a wronged supporting character straight out of Shankar movies (played by Action King Arjun Sarja who can still throw punches even while crippled), and a stretched first half that fails to fire on all cylinders.
When the film eventually gains pace in the second half, you're left to feed on a steady diet of technical mumbo-jumbo (such as ham radio walkie talkies, crawler cams, laser sensors, hacking into satellites, and lots more) that doesn't sit well with mainstream audiences. On the other hand, you have decently shot (but repetitive) action set-pieces that take place in the dark. Songs and BGM, a Yuvan effort, does not elevate the film much. The sermon on 'rough notebooks' at the end was both laughable and relatable at the same time. Hero is a film with more flaws than pluses and that makes it a tiresome 160-minute watch.
Again, a great concept doesn't necessarily translate into a great movie. Hero is a perfect example of it!
To the people who didn't know about efforts or hardwork. Stop criticizing the people who contributed to this movie. If you'll think that u have many ideas. Don't teach others how to take a film.
Think that most of the audience doesn't understand this movie. After watching this movie it kept me thinking that what should want in my life. The movie is good in every way. It's technically brilliant. SK and everyone good.
Expected a lot from the director after his blockbuster IRUMBU THIRAI!
The strength of Irumbu Thirai was the villain. That's the problem here for HERO This film lacks of content and a very weak villain with no logic.
Songs were really bad by U1! Not to say bad it's not good either!
6/10 one time watchable family entertainer.
The strength of Irumbu Thirai was the villain. That's the problem here for HERO This film lacks of content and a very weak villain with no logic.
Songs were really bad by U1! Not to say bad it's not good either!
6/10 one time watchable family entertainer.
Wusstest du schon
- WissenswertesThis film marks the debut of actor Abhay Deol in Kollywood.
- Alternative VersionenThe UK release was cut, the distributor chose to remove scenes of strong violence in order to obtain a 12A classification. An uncut 15 classification was available.
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Box Office
- Weltweiter Bruttoertrag
- 215.773 $
- Laufzeit2 Stunden 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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