Ponniyin Selvan: I

Perhaps no Indian film released in 2022 sans RRR and KGF2 has arrived in theatres with the ungodly hype that accompanied Mani Ratnam's "Ponniyin Selvan I". Based on the cult 1955 book series by Kalki Krishnamurthy, many icons like MGR and Kamal Hassan have attempted to recreate the magnum opus on screen but it took a visionary of Mani Ratnam's caliber to finally bring the project to fruition. With an ensemble cast and an exceptional technical crew backing him, the master director weaves his magic wand to create an immensely enjoyable period spectacle, albeit with its shares of minor bumps and flaws.

Set in the 10th century during the times when the Chola dynasty ruled over most of South India, Karthi stars as "Vallavaraiyan Vandiyadevan", commander to the crown prince Aditha Karikaalan (Vikram), and his journey to fulfill a set of tasks his liege lord sets out for him. Assigned with dismantling a seditious conspiracy brewing within the kingdom, the steadfast Vandiyadevan embarks on an arduous journey, with aid of the princess Kundavai (Trisha) as well as Karikaalan's younger brother, the titular "Ponniyin Selvan" (meaning Son of the river Ponni, played by Jayam Ravi).

Focussing more on drama elements and political machinations and in setting up the immense world detailed in the books, "Ponniyin Selvan" is devoid of the large canvas action sequences and mass moments of typical masala-period pieces like the Bahubali franchise and RRR. Case in point, one of the most enthralling sequences in the film was the confrontation between Trisha's "Kundavai" and the primary antagonist, the scheming "Nandini", played by Aishwarya Rai with each actress oozing menace and gravitas, aided by the excellent dialogues crafter by screenwriters Kumaravel and Jayamohan.

A R Rahman's music is unfortunately largely pedestrian with only the BGM composed for Trisha's character creating any real impact. The film also indulges in setting up too many things for its second part and meanders pointlessly for large portions post the interval. The climax showdown which was intended as a brutal skirmish doesn't come across convincingly, reducing the impact of the immersive politicking and mind games that led up to it. In short, PS-1 scores high in its drama elements while struggling to be convincing during its stunt sequences. Nevertheless, the painstaking worldbuilding, its clutch of ace performances and the level of political intrigue Mani Ratnam has managed to infuse into the storytelling make PS-1 a recommended watch in theatres! Cannot wait for the second part, set to release in 2023!

The Common Fiction mood is there in the film that mainly progresses the story in a very different and enfold way . The fiction itself lies on the title of the Film as Ponniyin Selvan son of Ponni ( River Ponni ) is saved by her from drowning and thereafter holds the Title.

Rivalry, War and Diplomacy are the stuff that surround the events. There are multiple action scenes. But the main motion is controlled by efficient diplomacy and conspiracy by the people of the royal family and their close ones.

The Screening is undoubtedly amazing. Whether it's the entries of the mainstream characters or the presentations of the songs and dance performance.

All the characters have their own shade and caliber to get the audience's attention. Each character is connected to each other in some way. And the net is spread in a very beautiful manner through all of them.

Very much progressive as a cinematic prologue in its own way.

Mani Sir literally insists the audience by his storytelling to think in a way like the dynasty about which the film is. PS I is mostly about knowing the characters and critical assumptions of the audiences.

Must Watch to Know a deep Rooted psychology and chronological suspense. Its a film greatly scripted down.

And and and Last But Not The Least A. R Rahman's music are just gob smacking.

I am the biggest fan of Maniratnam. I was so eagerly waiting for this film. I watched it on the first day itself. This film needed a better hero than Karthi. It was hard to take him seriously as a picaresque swashbuckling warrior. He lacked the physical frame and the acting chops to pull it off. Trisha looked gorgeous. The sets and visuals were also lavish. Songs and background score were unremarkable at best. Has Rehman declined this badly? He used to bring his A game for Manirathnam movies. I wouldn't really recommend this film.

So what really went wrong? A lack of narrative punctuation. It lacks those memorable and spectacular scenes that ties it all together. The narration is quite flat and only the occasional beautiful visual spruced me up as a viewer. Remember the Udal Mannukku monologue in Iruvar? That 3 minute 24 second clip on Youtube was more innovative and had more swag than this whole film.

But I am so glad the film is a big hit and it is a pleasure to see your favorite director smiling and celebrating. Mani sir really stuck his neck out with Iruvar and Kannathil Muthamitaal. He deserves this success. Bravo, Mani sir.

Ponniyin Selvan could've been India's GOT except for the VFX part. But it is not due to the convoluted screenplay, jerky camerawork and poor action choreography.

The lack of developments for character and conflicts are too obvious. If there were some conflict and challenge during the war scenes, it would've been more interesting. Instead, we get to see Aditha Karikalan just easily defeating his enemies.

Vikram doesn't have much screen time but leaves an impact with his performance. Karthi is charming as Vandiyathevan but the dialogues are poorly written. Jayam Ravi did the role with great control and didn't fall apart like I thought while watching the trailer.

I love Aiswarya but she's such a miscast for this role. First of all, her face isn't what it used to be. Botox is evident and her cheeks below her eyes doesn't move at all. There's so much make up on her face and it makes it difficult to think she's someone from such an ancient time. Same with Trisha minus the botox part.

They're both there for their beauty. Nandini should've been written better.

The political aspect was only good in one scene where Trisha walks into a meeting and proposes some marriages.

AR Rahman's score is great in some scenes and lame at some. Nandini has the best BGM and Kundavai has the worst. Songs aren't that great or suitable. Ponni Nadhi is so good though. Rest of the songs was unnecessary and felt out of place.

I liked the last ship scenes but then again, the action should've been better.

Ponniyin Selvan : Part One is director Maniratnam's vision of the epic Tamil novel by Kalki. True to the poster the movie is based on the novel but is purely Maniratnam's movie. It does have some minor deviations in plot narrative which might upset purists.

The good part about this movie is one does not have to have read the book. Viewers can experience a version of director Maniratnam's PS:1. It does feel a little bit rushed, however those uninitiated to the PS landscape will be able to catch up. The entire cast and crew deserve a major round of applause and kudos. The visuals, cinematography and performances are the highlights of the movie.

Dare I say, but the parts that annoyed me were that I found the movie highly rushed. I'm no one to judge casting decisions but somehow Lal as Thirukovilur Malayamaan and Mohan Raman as Anirudha Bhramayar didn't quite cut it. Personally, some of the scenes could be a tad brighter and action at times shorter. And Yes, someone else could've played Vanathi.

But above all, this is a wonderful movie. Director Maniratnam's effort has to be appreciated. I gave the movie an 8 based on cast, cinematography, costume and art but have changed it to a 6 for being fragmented.

The book trumps the movie and I'm sure viewers have ample time to read the epic before the next release.