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Brainwashed - Sexismus im Kino

Originaltitel: Brainwashed: Sex-Camera-Power
  • 2022
  • 1 Std. 47 Min.
IMDb-BEWERTUNG
6,2/10
1136
IHRE BEWERTUNG
Brainwashed - Sexismus im Kino (2022)
BRAINWASHED: SEX-CAMERA-POWER - official US trailer ansehen
trailer wiedergeben1:46
1 Video
5 Fotos
Documentary

Untersucht die Politik des filmischen Shot-Designs und wie sich diese Metaebene des Filmemachens mit den beiden Epidemien der sexuellen Übergriffe und der Diskriminierung von Frauen in der A... Alles lesenUntersucht die Politik des filmischen Shot-Designs und wie sich diese Metaebene des Filmemachens mit den beiden Epidemien der sexuellen Übergriffe und der Diskriminierung von Frauen in der Arbeitswelt überschneidet.Untersucht die Politik des filmischen Shot-Designs und wie sich diese Metaebene des Filmemachens mit den beiden Epidemien der sexuellen Übergriffe und der Diskriminierung von Frauen in der Arbeitswelt überschneidet.

  • Regie
    • Nina Menkes
  • Drehbuch
    • Nina Menkes
  • Hauptbesetzung
    • Rhiannon Aarons
    • Rosanna Arquette
    • Raja Bhattar
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,2/10
    1136
    IHRE BEWERTUNG
    • Regie
      • Nina Menkes
    • Drehbuch
      • Nina Menkes
    • Hauptbesetzung
      • Rhiannon Aarons
      • Rosanna Arquette
      • Raja Bhattar
    • 25Benutzerrezensionen
    • 77Kritische Rezensionen
    • 58Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Gewinne & 5 Nominierungen insgesamt

    Videos1

    BRAINWASHED: SEX-CAMERA-POWER - official US trailer
    Trailer 1:46
    BRAINWASHED: SEX-CAMERA-POWER - official US trailer

    Fotos4

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung78

    Ändern
    Rhiannon Aarons
    • Self
    Rosanna Arquette
    Rosanna Arquette
    • Self
    Raja Bhattar
    • Self
    • (as Dr. Raja Bhattar)
    Lara Dale
    • Self
    Julie Dash
    Julie Dash
    • Self
    Sandra de Castro Buffington
    Sandra de Castro Buffington
    • Self
    Maria Giese
    • Self
    May Hong HaDuong
    • Self
    • (as May Hong Haduong)
    Catherine Hardwicke
    Catherine Hardwicke
    • Self
    Eliza Hittman
    Eliza Hittman
    • Self
    Iyabo Kwayana
    Iyabo Kwayana
    • Self
    Jodi Lambert
    • Self
    Laura Mulvey
    • Self
    Ita O'Brien
    Ita O'Brien
    • Self
    Freddy D. Ramsey Jr.
    Freddy D. Ramsey Jr.
    • Self
    Maya Montañez Smukler
    • Self
    Joey Soloway
    Joey Soloway
    • Self
    Penelope Spheeris
    Penelope Spheeris
    • Self
    • Regie
      • Nina Menkes
    • Drehbuch
      • Nina Menkes
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen25

    6,21.1K
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    Empfohlene Bewertungen

    6GoldenGooner04

    What about Daniel Craig ?

    Why did we not see Mr Craig as Bond coming out the water in slow-mo in Casino Royale, but we saw Halle Berry from Die Another Day. I wonder why?

    Cinema is meant to mirror real life, that's be honest here us men as stupid, from the early teens women control us. I wonder if these women interviewed have ever used there bodies to attract men? To get things from men? Women go for looks the same as blokes all this BS about "we are deeper then that" BS try a dating site, try meeting in a room of singles, they see the cover and decide the same as men.

    Look at Playboy and the other mags, did people force the women to go into the magazines? NO they done it for money and fame.

    A woman who is a close "friend" said to me once, we sit on a pot of Gold you men are so weak, I could not argue with her Monroe who begged to be a straight actor, and was refused got to the heights she did by being pure SEX, Some like it hot for one film.

    Women can't get the hump when they use their sexuality to control us like a dog on a lead, then cry when they are portrayed as that in some films.

    That Doc is BS some of the old films they showed in black and white these actors could ACT yes they looked sexy, but did you see any skin? And some of these films won awards they were great films, so we hate them now cause of the way the camera shot them.

    It would be interesting to know how many blokes in that audience had to adjust their trousers as some of these clips were hot stuff it's like Helen Mirren now one of the Greatest Women actors EVER how did she start off her career, was she forced to do that film?
    8roxanemace

    Edifying docu-essay on women's roles in the history of film

    In her documentary, Nina Menkes explores how the movie industry, through filmmaking techniques and male-centric visions and decisions, has been encouraging and approving the very toxic behaviors that same industry is shyly starting to condemn today.

    Not only does Menkes describes how systematically the "male gaze" treatment is applied to female protagonists even and especially in award-winning movie, but also allows her audience to identify the tropes that are being used by filmmakers to construct this sexualised and objectified imagery of women.

    Hopefully her matter-of-factly approach will help give her work credibility, given how tricky it is for women to be taken seriously on such controversial subjects.
    10ginakelly

    transformative

    Warning: this film may take you on a rollercoaster of anger-grief-hope.

    BRAINWASHED: SEX-CAMERA-POWER is striking in its simple, straightforward demonstration of power dynamics at play in the visual language of cinema, the impact of those dynamics on culture, and solutions for moving forward in a new way.

    Filmmaker nina menkes treats the subject in a calm and measured manner, walking the audience through the topic like they're attending a graduate film studies class.

    The audience is given a multitude of examples which demonstrate a visual pattern that is - whether intentionally or unintentionally - reinforced throughout a century of filmmaking, a pattern that most often objectifies women and minorities.

    The film links this pattern to the wider, societal implications, its role in contributing to the everyday objectification of women and minorities in workplaces and interpersonal interactions, and the inequitable economics of filmmaking.

    Then, rather than condemning the visual pattern, or shaming those who use it, the film plainly asks, "is this style of visual language effectively communicating the narrative?" and/or "is there another way to accomplish the goal that may be even more effective?" here, examples of alternatives are provided.

    By bringing the pattern into conscious awareness without any shame or retribution, the film allows the audience an opportunity to choose to heal the collective trauma wrought by the normalization of on-screen dehumanization, and to be free of the unconscious visual language so that it can be transformed into an entirely new system.
    8phu_u

    The documentary all women must watch

    Coming here to read the reviews after finishing the documentary and seeing so many angry men labelling the director obnoxious, "bpd feminist", etc etc, just proves the point that this documentary was NEEDED in the field of filmmaking.

    The documentary is a window towards a new perspective in filmmaking, where women directors (and anywhere in the movie industry) are empowered by having equal opportunities to express their creativity while having it valued justly by the industry.

    The director Nina Menkes raises some essential questions which are upon the future generations of creatives to answer. She has a way of engrossing the viewer to what is being presented, while also making them an active part of it.

    I hope this documentary sparks a new era in the filmmaking industry and beyond.

    "The first feminist act is looking. To say, "Ok, you're looking at me, but I am looking right back." Agnes Varda.
    10pantico-wei

    Mindblowing revelations of how filmmaking process demeans women

    Once you see this movie, you can't unsee what it clearly demonstrates.

    Brainwashed is a giant step in bringing awareness to the subtle and not-so-subtle ways women are treated as second class citizens through cinematic process and technique. Brainwashed shows how consistent camera angles, lighting, and other shot design elements are applied exclusively to women, such that women are almost exclusively presented as objects of other's (men's mostly) desires rather than as their own subjects in the characters they portray.

    This below awareness process inculcates patriarchal codes! "If the camera is predatory, then the culture is predatory."

    This is a meta-level awareness game changer of a film! Must see!

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    • Verbindungen
      Features La fée aux choux (1896)

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    FAQ18

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    Details

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    • Erscheinungsdatum
      • 17. März 2023 (Polen)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Brainwashed: Sex-Camera-Power
    • Produktionsfirmen
      • Menkesfilm
      • Eos World Fund
      • Eos World Fund
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    Box Office

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    • Budget
      • 1.550.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 28.826 $
    • Eröffnungswochenende in den USA und in Kanada
      • 7.409 $
      • 23. Okt. 2022
    • Weltweiter Bruttoertrag
      • 46.077 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 47 Minuten
    • Farbe
      • Color

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