John Wick: Kapitel 4

That lasted 169 minutes? I had no idea. The time just flew right by.

Chad Stahelski does not pull any punches (or engage the safety) at any time in this gun-fu epic. Combat scenes are not moments so much as they are entire acts. The amount of stunt choreography that everybody had to synchronize to was rather incredible, and they continue to find more ways to entertain us with kills, kill types, use of weapons, locations, teamwork, etc. I caught myself smiling for minutes on end several times while watching it.

Of course though, as I said, they really lean into it. I'm sure this has been true of previous films as well, but it is very apparent that John Wick should virtually die in every scene that he is in. Whether it is how he is attacked or how they fail to attack him at the right times, he goes at every foe like the bear in The Revenant with full adrenaline and no signs of slowing down no matter what he is hit by. And again, I think if you look hard enough you will find enemies who have clear shots and choose not to take them because of plot armor, but you can forgive it enough if you're rewarded with a longer take or overall longer action sequence. What I really loved was how many of these scenes took place at night with dazzlingly lit environments all around, and the music in every scene kicks as much *** as what you see on screen. I had pondered over why John Wick doesn't have a video game yet, but if they ever make one I have decided I'd like one of those top-down shooter games (similar to The Hong Kong Massacre, and if not maybe like the GTA:SA MP rampage style).

I acknowledge this franchise for what it is now, but I still pine for some of the missing components that I don't know if it'll ever be able to bring back. After watching John Wick, fun as it was, I found myself interested in seeing a prequel when he was the Baba Yaga in his prime, taking missions rather than being hunted. Even still, at least in that movie he was absolutely feared. In Chapter 2, I still found him heavily respected, but it was in that movie that I realized there would probably be a repetitive formula to the narrative and movie/action structure (which still has yet to break). In Chapter 3, there only lived assassins and they would go after him without hesitation, which did is not how I felt the world breathed the first time around. They continue down this path in Chapter 4, while opening the universe more to different characters breeding their own kind of loyalty. They are all insanely fun to watch, and you see the cogwheels of the John Wick universe spinning with the future Continental television show and the Ballerina movie spinoff. Where they remain faulty though is even with the existence of civilians during fight scenes, they act as droning NPC's like nothing is happening around them, or they aren't there whatsoever. It is clear that this is not our world that this movie takes place in, but rather a parallel one.

I mentioned the introduction of new characters in this world, and you can't not bring up Donnie Yen when talking about them. He steals each and every scene that he is in, and it's crazy because you wonder how a character like his could thrive in such a world but you absolutely believe it when you watch it. I will absolutely take more of him and Rina Sawayama. She isn't featured as much, but she makes use of every second that she is in front of the camera. There are plenty of others (such as the great Hiroyuki Sanada), but the point remains that Wick is relegated to this greater universe with characters who-good, bad, or for themselves-are ones we can actually root for in any fight. Keanu Reeves is understandably less nimble at his age than the others (and it's either bad acting or he really has taken on this John Wick role in his line delivery to hilarious new heights), but he and Stahelski have found a groove that still makes him the most impenetrable force around, to the point that I go back and watch the action scenes in The Matrix Resurrections and wonder what happened there. I didn't love one particular character in their big fighting moment(s), but they go for versatility and I have to give them that much.

March has had an incredible run of theatrical films, and John Wick: Chapter 4 is no different. You will lean forward during the action which there is plenty, and if I'm one to go off of you will not feel the runtime. There is an end credits scene as well if you're able to stay for a moment longer. I would love to go back and see this one again.

Stuntman turned writer/director Chad Stahelski struck gold with his 2014 surprise hit John Wick. It was somewhat of a comeback for the legendary Keanu Reeves and reinvigorated the action genre. Since then it's become THE action juggernaut franchise. Now we are on number 4 and while usually things get redone with that amount of sequels, this film innovates and thrills to new heights in an absolute epic.

One of the most surprising aspects of this particular entry, is the story being written as well as it is. Something that is hard to come by in the genre at times. Not saying the others in the franchise weren't but this is easily the best story diving deeper in the high table aspects as well as John Wick's true emotions . The rich characterization is also at its best with outstanding additions like Skaarsgard, and even more screen time for supporting greats like Fishburne to compliment the magnificent Reeves. RIP Lance Reddick. It's nice to have such substance amongst the endless high octane ballistic visuals.

Speaking of ballistic, this movie goes more all out than any I've seen for insanely well crafted choreographed shootout and fight scenes. Just when you thought you've seen it all, Stahelski/Reeves prove their action minds are ever evolving. These guys were born to make action movies together.

The extremely vibrant colors and plethora of locations is also a feast for the eyes. The sharp atmospheric imagery creates the ultimate backdrop for not only the action but also just the dialogue. The sound is also top notch and perfectly compliments the intensity. It's just an absolute sensory journey that you don't get in too many action films aside from the Wick genre.

Overall the limitless and outrageous action alone is nothing like we've seen before for the genre or just cinema in general . But also this rich unique story may only build Wick's timeless character for more films in the future which at this momentum will be welcomed.

I entered the cinema with great expectations I left with PTSD ... far too much shooting, violence and good old 'death', what happened to substance. I'm sure I actually saw John Wick shake at one point as if Mr Keanu Reeves was reacting to the constant chronic violence.

The cinematography and music are strikingly very good at the beginning of the movie alas they fade to the norm as the movie continues. There is a great overhead scene, yes very violent set inside a building which I watch again.

Ian McShane has a peach of a part where as Donnie Yen,Bill Skarsgard fill the movie with atmosphere.

Sadly I wanted to give it a 10 but my ears are still ringing!

Previous movies had a better story with more dialogues to make it interesting. Just felt like the movie was running out of ideas for the story and dialogues. But the action scenes were amazing shooting & fight scenes were taken to another level. Filming one shooting scene from above to see what is going on the other side of the room was awesome and interesting.

Hopefully this will be a lesson for the producer, that people want dialogues aswell as action in movies. Not just Keanu saying sorry and you owe me... The dialogues were to few for today's audience to completely enjoy this movie. Story and dialogues are as important as action in a movie.

If you enjoy watching other people play video games then you'll definitely enjoy this.

There's lots of action, weapons and style - all the things we've come to expect from a John Wick film.

Of course it's ridiculous - all of them are. The mere idea that you can deflect bullets with a jacket lapel gives you an indication of how far from reality this film is. Keanu Reeves sustains what would be critical injuries half a dozen times - and shakes it off without any ill effects.

With one exception, the amount of damage a character can sustain appears to be directly related to how important they are to the story. Most of the victims in the extensive gun battles (at one point it appears Keanu Reeves is single-handedly depopulating Paris) are gone after a couple of shots. If you have a speaking part then you can take much more damage than any of the extras.

The whole idea of the "secret assassin society" only works if you don't draw attention to yourself". So having a full blown Blackwater Contracting reunion at the Arc de Triumph isn't exactly the best way of keeping things on the down low.

Throw in a Mr Chow-esque (from the hangover) character and then deciding to make him blind really shows how silly things have got. Last time I checked, gunfighting requires you to be able to at least the person you want to shoot. That said, he is at least still more convincing than Ruby Rose was.

The first John Wick film was such a hit because the audience felt a connection with his loss and wanted him to be successful seeking revenge on what were some nasty (if ineffective) bad guys. At this point I'm not really sure what John Wick is supposed to be fighting for. He just lurches from one noir styled location to the next before embarking on an unrestrained killing spree, leaving dozens dead in his wake - you wonder if these people have families.

If you liked the second and/or third film, then you'll like this. It requires little to no thought and the plot is as by the numbers as you'd expect.

That said, the action, although resembling a video game, is very well shot, there's lots of cool locations and stylish outfits. Despite the tactical nonsense and the fact that the bad guys wait in line for their turn to attack him, Keanu Reeves has genuine skill in martial arts and pistol shooting.

It's as constructive a use of time as playing 3 hours of Call Of Duty in your best suit.