Ashes to Ashes - Zurück in die 80er

People will always compare a sequel to its predecessor, sometimes rightly so, but this time they would be wrong. Life on Mars was new and unique. The story of policeman trapped in his own imagination that kept you guessing until the end as to whether this world was real or not. This is a similar idea with a twist. At the start Drake comes across as arrogant and very self assured of her policing and psychological skills but as the series progresses you can see the cracks appearing. Ashes to Ashes isn't so much a sequel as more a clever rewrite. I recommend people ignore the hype and hysteria of the media and judge for yourself.

The tone is a little more ironic and colourful than Life on Mars, which might upset a few of the predecessor's fans. But those few will always be upset, and this show is incredibly worth it.

Alex, because she knows that she's most likely in a coma (having had Sam's tapes) is herself taking the whole scenario a little less seriously - and so should we. This show is brilliant in the way that it has fun with itself. In the first episode, there is one shot of Ray, Gene and Chris on a speedboat to the sound of No More Heroes, by the Stranglers. Ray has a close up where he is sort of half smiling, and the whole thing is so unapologetically 80's, with the right sense of self awareness. The opening credits, too, let you know that you should be having fun with this show.

As long as you're not looking for the same tone and style as Life on Mars (remember, this is a show about being in an 80s cop show, not a show about being in a 70's cop show), this is a brilliant show.

I agree with those who say that Ashes to Ashes (or A2A as we fans call it) is different from Life on Mars (LOM), but that has several explanations. Firstly, it is set in the 1980s, and it is written in the spirit of 1980s cop shows, with fashion, glamorous shots and set pieces, etc. Secondly, the central hero is female and her perspective on life is different from Sam Tyler's. She also knows more, having read Sam's notes about his time in Gene Hunt's world in 1973.

However, it still has the unexpectedness and the central mystery of its predecessor, so that we are always wanting to know why Alex is stuck in 1981 and how and if she will get back to 2008. And of course, it has the fabulous Gene Hunt who comes into his own in this series. He is still moody and magnificent, and Philip Glenister has created a character with such charisma that I can't stop watching him. All the continuing characters are wonderful, and so are the new ones; Shaz and Viv in particular. Sam Tyler in LOM was intense, driven and edgy, and the darkness and gritty nature of 1970s style cop shows was well represented in LOM. This is equally great, but it's a different animal. I love both shows and I am really looking forward to the next series of A2A. The things that were revealed about Alex's past create new mysteries that need to be solved, so I am hoping that we will find out more. The most original aspect of both LOM and A2A is the central premise that someone can visit another time frame, whether real or imagined, and experience life there, while their body in "real life" is in a coma or near to death. It's a fascinating idea that has a lot of scope, and since it is a fantasy, anything can happen. The identity of Gene Hunt is open to debate - who is he really? I hope that we find out a lot more about this compelling character in the future. British TV at its best. Oh, and I also love 1980s music - really!

"Ashes to Ashes" is great entertainment. A lighter, more colourful series than its predecessor, "Ashes" captures perfectly the essence of the early '80s.

The first episode begins on a sombre note but it's only a matter of time 'til the fun kicks in. Philip Glenister's Gene Hunt makes a very welcome return, this time with a bright red Audi Quattro. Car fans will be in seventh heaven watching this series! Keeley Hawes (known to many as the voice of Lara Croft) is perfect in the role of DI Alex Drake. Aware of Sam Tyler's experiences, Drake is a more knowing character and the script is lighter and full of more comic potential. Despite this, it still retains the power to hit hard messages home and there's gritty realism in some scenes.

9 out of 10. This is what you pay the licence fee for.

I have been having a marathon of great British dramas as of late.

I find this series, in some cases, better than Life on Mars. I do believe a lot of it is likely biased, considering I'm an 80s girl, and love the music of the era, but the story and characters are still strong!

Some of Gene Hunt's one liners goes over my head. Likely due to the fact I'm not British.

Still... Give it a go!