Nach dem Tod seines Vaters schließt sich Britt Reid, Erbe der großen Firma seines Vaters, mit der Assistentin seines verstorbenen Vaters Kato zusammen, um ein maskiertes Team zur Verbrechens... Alles lesenNach dem Tod seines Vaters schließt sich Britt Reid, Erbe der großen Firma seines Vaters, mit der Assistentin seines verstorbenen Vaters Kato zusammen, um ein maskiertes Team zur Verbrechensbekämpfung zu werden.Nach dem Tod seines Vaters schließt sich Britt Reid, Erbe der großen Firma seines Vaters, mit der Assistentin seines verstorbenen Vaters Kato zusammen, um ein maskiertes Team zur Verbrechensbekämpfung zu werden.
- Auszeichnungen
- 4 Gewinne & 7 Nominierungen insgesamt
- Chili
- (as Chad Coleman)
- Young Britt
- (as Joshua Chandler Erenberg)
- Ana Lee
- (as Analeigh Tipton)
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The film is campy, the story is corny, the villain is wasted and Seth Rogen wrote the script. Based on the plot and the dialogs, it's not a well made movie; but it doesn't try to be. This movie could have been written more seriously and be on the same map as a Christopher Nolan's Batman film; but instead, it went on the road to be a comedic film with a lot of explosions. Some stuff didn't work, other stuff was clever & visually entertaining.
The stuff that I admired the most are the homage to the original television show. There were some criticism to the 60's show about how the Kato character was just a sidekick, butler, manservant, an aid or a chauffeur to the Green Hornet. Bruce Lee didn't have much dialogs and he didn't have much screen time. It was during the 60's and just having an Asian-American to be an everyday character on a show was a big deal, so I never saw that as an insult. In this movie, they make a HUGE deal about that subject as Seth Rogen & Jay Chou are constantly arguing about Kato's role throughout the whole film.
Other homage to the television show is a drawn image of Bruce Lee, Al Hirt's theme "Flight of the Bumblebee" tune, and there's even a scenario from my favorite episode that has been written into the movie. The Black Beauty is also a very awesome car! The funny thing is that in the TV show, the Black Beauty was a brand new & very recent 1966 Imperial Crown sedan. In the movie, it's the exact same vehicle; but it's now a classical vintage car.
I saw the 3D version and there were very few sequences where the 3D effects was worth the extra price of admission. I recommend saving your money and watch the 2D version instead.
To finally sum everything up; the movie isn't good, but it brought back my love for the characters inside the Green Hornet world. The film is visually entertaining for what it is. I hope there's a sequel, but that somebody else will write its screenplay.
The true star of the movie is Jay Chou, aka Kato. His accent was sometimes hard to interpret, but he was surprisingly funny, and Kato-vision (time slows when his heart starts pumping during fights) turned out pretty cool in 3-D.
Thank goodness Nic Cage walked away from this, and Christoph Waltz came in as the bad guy, because Christoph inhabited the role better than Nic could have. I enjoy Nic Cage, but he wouldn't of worked in this movie, and with that character. Nic Cage would have been too over the top, where as Christoph went a subtle route.
The movie isn't perfect, I didn't feel Cameron Diaz added anything to the movie expect being "the hot girl" to create a rift between guys, but if you're looking for a pure escapist fun ride, then look no further than "The Green Hornet."
The Green Hornet may have also been Bob Kane's inspiration for Batman in 1939. There are many similarities, which need not be listed here.
But alas, this feature film remake is a dull take on this old character, which deserved better treatment. I don't know exactly how Seth Rogen (who played Britt Reid and who has a writing credit) got a hold of it, but it's as though someone behind the scenes mistook the Green Hornet for a farce comedy like Get Smart and then failed to even make it funny.
The dialog had no horsepower at all, and while there were a few funny moments, after a while I got aggravated at the desperate attempts to make me laugh. Sometimes it seemed like the actors were derailed, trying to improvise, and it wasn't working.
There were two cool things about the TV series. 1) Kato, because he kicks butt. They got lucky, because Bruce Lee really was one-of-a-kind. 2) Black Beauty, their armed car that flips up from the garage floor and has guns built into it. While both of these aspects remained pretty cool in this movie, they were also elevated a little too far into the realm of fantasy. And it didn't need to be that way.
Not a good offering by director Michel Gondry, who gave us the brilliant and original Eternal Sunshine of the Spotless Mind years ago, and it may mean that he's one of those directors who cannot improve -- or does not see improvements in -- a script. He therefore shines when he gets a great script and fails when he gets a bad one. Tim Burton falls into that category.
The movie villain was played by Christoph Waltz, whose character was no less dumb than Seth Rogen's. A bad choice for an actor who just won an Oscar for his brilliant role as Hans Landa in Inglourious Basterds. What was his agent thinking? In all fairness, Waltz and his agent couldn't have known beforehand that The Green Hornet was going to be a sloppy script, and a sloppy execution. The super-hero wave is a big one at the movies these days, with one hit after the other, but they fail to remember other sloppy remakes of old radio heroes, such as The Shadow in 1994 starring Alec Baldwin, and The Legend of the Lone Ranger in in 1981 starring Klinton Spilsbury (who??).
The Green Hornet should have been a much more serious period movie set in the 30's about a man who is inspired to fight the mob in the fashion that his grand-uncle did as the Lone Ranger years earlier. That would have led to a serious Lone Ranger tie-in (a prequel as it were). Missed opportunities.
Save your $8, this movie isn't worth it.
As with any superhero movie, there are plenty of fight scenes and alter-ego suspense. The special effects were quite good and the story is average, nothing too exciting or impressing about it. Jay Chou made a pretty good Kato with his serious and die hard attitude and his skillful martial arts moves. Seth Rogan made an awful Green Hornet - obnoxious, loud, annoying and unsympathetic. His gruff, raspy and incredibly irritating voice made me glad that Kato delivered him several good punches. Cameron Diaz looked like she was thrown in for good measure.
When you end up rooting against the lead superhero, there's really not much enjoyment in this movie.
Grade D-
Wusstest du schon
- WissenswertesSeth Rogen proclaimed the film was a "nightmare", chalking it up to studio executives paying little attention to the most expensive portions of the film, and its inflated budget.
- PatzerWhen Britt and Kato arrive back at the Reid mansion right before their brawl through Britt's rooms, it is night. But during the fight, daylight can be seen through a window.
- Zitate
Britt Reid: Kato, I want you to take my hand, and I want you to come with me on this adventure.
Kato: I go with you, but I don't want to touch you.
- Crazy CreditsThe light coming from the torch is green, instead of its usual combination of rainbow, twinkling colors. This green quickly dominates the screen after the appearance of the word "Columbia" and flares to a white hot burning image mixed with the green.
- Alternative VersionenAlso released in a 3D version.
- VerbindungenEdited into Aristokraticheskiy kinematograf: Folge #1.4 (2011)
- SoundtracksMaalaea
Written by Carlton Kaller and Christopher Kaller (as Chris Kaller)
Performed by Christopher Kaller (as Chris Kaller)
Courtesy of 45 Revolutions LTD.
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- El avispón verde
- Drehorte
- 2000 Avenue of the Stars, Century City, Los Angeles, Kalifornien, USA(Daily Sentinel Building)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 120.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 98.780.042 $
- Eröffnungswochenende in den USA und in Kanada
- 33.526.876 $
- 16. Jan. 2011
- Weltweiter Bruttoertrag
- 227.817.248 $
- Laufzeit1 Stunde 59 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1