Otis

Having been reasonably impressed with other Raw Feed films, I was keen to check out 'Otis.' It has a promising, quite original storyline that should make for good entertainment in any horror fan's eyes. But I was rather disappointed.

The acting was good for the most part. Ashley Johnson and Bostin Christopher both nailed their leading roles, and Jere Burns as the left-of-field agent was an awesome injection. Illeana Douglas, on the other hand, er. She stood out amongst the pack as a let down, and even though this is a genre that doesn't get by on its acting merits, I had a problem with her performance.

In terms of soundtrack, I thought the licensed music used throughout was great (ie (Don't Fear) the Reaper), and so too were the few softer, touching pieces. Everything else felt out of place or too dramatic, and in a couple instances, music ruined entire scenes for me (much like Douglas' acting).

I can't rate this movie much above average, and that's coming from somebody who isn't a Horror cynic. Masses complain about modern-day horror flicks being unoriginal or just plain stupid and I never see the value in that. I know there are some bad ones out there, but they do get unfairly bashed on for the most part. So yeah, I'm not anti-slasher or anti-psycho material. 'Otis' just wasn't done right in places, whether that blame be laid down on the script or whatnot. It has its share of bright glimpses, don't get me wrong, but it also has its share of dull, cringe-worthy "you idiot" moments, where I just have to put my fist down.

It was great seeing Daniel Stern & Illeana Douglas back at work. They are both great actors who deserve to be working more. The story starts playing out and you are unsure as to what type of film it's going to be. Torture porn? FBI profiler idolatry? Cat & mouse psychological thriller? ... Comedy? There are a number of nice turns done by the actors here. The head up his ass FBI profiler. Riley, the daughter. Reed, the more than a little disturbing younger brother. Kevin Pollak's Elmo Broth, brother to the antagonist. And finally the nut-job kidnapper/killer Otis Broth who amongst all the different dramatic currents still is able to imbue his character with a bit of poignancy. You'll notice a few holes in the story but, again, this isn't a police procedural that you are watching. Counter to that there are some surprises as to the paths that the characters eventually end up taking. Nothing especially distinctive cinematographically, stylistically or in editing. But it is a good film, and that is enough.

I enjoyed this movie greatly. There were times I wanted to cringe and laugh at the same time. A humorous and disturbing look at kidnapping, torture, murder and the family. All overlapping at various part of the movie. Don't expect the movie to make great leaps and bounds in plot and you will enjoy it. If you like some laughs with your gruesome visuals, you just might find this movie fun. Many of the actors you will know and appreciate from other works. All turn in a solid and fun performance. All want to play their part in the movie. They all seem to be having fun along the way. I saw the UN-cut version and it is not for the squeamish. Nothing like "Saw", but pretty graphic. What really sets this movie apart is the antics surrounding the production of gore on screen. Think "The Three Stooges meet Jason" and you might have an idea of what is going on in this little bloody, funny gem of a movie.

Otis, released in 2008, is a darkly comedic horror movie that delivers a unique and twisted take on the traditional slasher genre. Directed by Tony Krantz, this movie offers a fresh and unexpected approach to the typical horror movie formula.

At the heart of Otis is a standout performance by Bostin Christopher, who portrays the titular character with a perfect blend of creepiness and dark humor. Christopher's portrayal of Otis, a socially awkward and disturbed man, is both chilling and strangely compelling, making him a memorable and unconventional antagonist.

The movie cleverly subverts audience expectations by infusing elements of black comedy into its horror narrative. The dark humor adds an unexpected layer of depth to the story, creating moments that are as unsettling as they are funny. This unique blend of genres sets Otis apart from other horror movies and keeps viewers engaged throughout.

In addition to its strong performances, Otis features well-executed suspense and tension-building sequences that keep the audience on edge. The movie's pacing is tight, with a series of escalating events culminating in a thrilling and satisfying conclusion.

Overall, Otis is a hidden gem in the horror genre, offering a fresh and twisted take on the slasher movie formula. With its standout performances, dark humor, and effective blend of horror and comedy, this movie is sure to leave a lasting impression on viewers looking for something different in the world of horror movies.

Saw this Friday at the local film festival and LOVED it. First half plays ALMOST like your standard horror fare; second half is like Home Alone with power tools: raunchy, painful, funny as hell. Without the strong performances of Illeana Douglas, Daniel Stern, Kevin Pollack and Bostin Christopher, the film wouldn't work half as well. Douglas is consistently amazing, a character actress who makes her every role believable. As she transitions from suburban mom to vigilante, she never makes one turn or expression out of place: her morph is both understandable and natural.

The film leaves a few ends untied: we never quite learn what exactly happened between Otis and his brother, but we're given enough back story to guess the rest. We also never see the original "Kim." Which would've helped people better understand the obsession.

Somehow, though, as everything is coming apart - it all comes together. Audiences in both festival showings loved this movie! I hope it gets distribution before Warner releases it to DVD this summer.