Ein alleinerziehender Vater zieht mit seinen beiden Kindern ins ländliche South Carolina, nur um zu sehen, wie sich seine Tochter immer seltsamer verhält.Ein alleinerziehender Vater zieht mit seinen beiden Kindern ins ländliche South Carolina, nur um zu sehen, wie sich seine Tochter immer seltsamer verhält.Ein alleinerziehender Vater zieht mit seinen beiden Kindern ins ländliche South Carolina, nur um zu sehen, wie sich seine Tochter immer seltsamer verhält.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Empfohlene Bewertungen
This movie is true to the short story it is based on with a good cinematic backdrop where the actors act, and everything isn't carried out on a blue/green screen. Costner's portrayal was very true to the actual character which, isn't that the point of having characters and using actors that can act.
In a genre that is quickly becoming based only on graphic, grotesque, shocking blood and gore sequences and predictable horror and grisly effects, this thriller is actually attractive for all the right reasons and should be enjoyed highly by those that appreciate true horror/thriller films as opposed to the blood soaked hacker/slasher movies that are being pumped out monthly.
As someone else mentioned this movie does give off the hint of signs, but with a twist, something that hits a little closer to home, and doesn't seem as far fetched as aliens.
As someone else mentioned that this movie is absolutely terrible, and i can't help but disagree, the movie kept me wondering the entire length and even once it was over. My eyes stayed glued, i never felt like i was bored or wondering when it would get to the "good stuff" It did seems to start off slow, and then ran really fast in the last 20 minutes, but i don't feel that was such a bad thing, as with thrillers its all in the build up anyways.
I don't ever consider thrillers to be a DVD purchase, as once you've seen it it has no replay value, but its definitely worth a hit on the netflix que.
Kevin Costner is writer John James, after a recent divorce moves to a rural home in South Carolina with his young son and his pubescent daughter. There is a strange large mound behind the house near the edge of the woods.
Soon his daughter starts acting and dressing strangely, ultimately it is tied something going on in the mound that she visits at night, coming home muddy.
The movie is moderately interesting, Costner is in good form playing the type of character he has often played. The ending is pretty strange, I can't honestly say exactly what happened to his daughter.
It can be an interesting diversion if you don't have anything else to watch.
Costner was the movie's greatest strength. He brought a well known presence to this movie and he played the part of the increasingly confused and concerned father quite well. Happily (from my point of view) the movie avoided going for yet another cliché - although there was the opportunity, there was no romance introduced for Costner. For the most part, the focus of the story remained pretty much on his strained relationship with his daughter and his increasing concern for her well being. The kids in this movie (Ivana Baquero and Gattlin Griffith) weren't amazing, but they also didn't detract from the story the way some child actors can. They were believable enough.
Director Luiso Berdejo (who has very little experience as a director) did a decent job using the setting to good advantage, and he created a realistic atmosphere of suspense, slowly rising to fear. There were a couple of things I found awkward in the movie. The introduction of the university professor and his TA, for example. They served little purpose except to give an explanation of what might have been happening with the burial mound. Perhaps there could have been a better way of unravelling the mystery than the introduction of a couple of otherwise unimportant and unnecessary characters. Also, although I fully understand the use of the analogy, the ant farm really wasn't required. I would have understood the movie even without it, and somehow it cheapened this a bit; it's the sort of plot device you expect to see in a made for TV movie.
This isn't bad. It's not one of the great horror movies of all time, but it isn't bad. (6/10)
"The New Daughter" is not a bad movie at all, but it's not especially great either and that's what I found so frustrating about it. It comes so very close to being brilliant but somehow fails when it should have succeeded. Perhaps part of the reason it fails is that it needed a stronger leading man at its centre. The entire movie rests upon Kevin Costner's shoulders and he seems to virtually sleepwalk through it. The only time you see a glimmer of emotion is when he pounds his fists gently against a wall in one scene to show his anger. The actors playing the children are fine, even if they don't exhibit a lot of emotive moments and simply go from A to B as required.
The director does a superb job providing a growing sense of dread at the situation, and there are a number of scenes where he employs the 'less is more' approach, leaving it up to the imagination of the audience as to what a dark shape amongst the trees might have been, or what might be making a strange noise behind a closed door. The movie has a slow, moody pace similar to movies such as "Signs" and "The Others" which also helps to enhance the atmosphere. The special effects in the later part of the movie are also very well done.
In conclusion, I would have to say that "The New Daughter" is 'okay'. It's certainly worth a rental if you like slower paced psychological horrors rather than the type of movie where everyone runs around attempting to avoid crazed killers. There's hardly any blood, and it does contain one or two good scares, although the plot is a bit predictable in places. I only wish that it was more than 'okay', because all of the elements were in place to make a far better movie and that's what ultimately frustrates me.
Wusstest du schon
- WissenswertesBased on a short story from the horror anthology "Nocturnes" by John Connolly.
- PatzerJames and his contractor prepare a batch of ANFO (ammonium nitrate + fuel oil) to blow up the mound. This is a 'tertiary' explosive, which means you cannot set it off with fire. It would just burn. To set off the detonation, you need to explode a secondary explosive, like a stick of dynamite, which in turn needs to be set off with a primary explosive, like a blasting cap.
- Zitate
[first lines]
John James: [driving up to their new house] There it is.
Sam James: Real big.
John James: Mm. Want to go in first?
Sam James: Really?
John James: I don't see why not.
[turning to his daughter in the car]
John James: Are you coming? So?
Louisa James: [sulking] So what?
John James: So what do you... what do you think?
Louisa James: You already know what I think.
Top-Auswahl
Details
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 579.626 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1