IMDb-BEWERTUNG
7,6/10
24.974
IHRE BEWERTUNG
Wenn seine College-Träume durch familiäre Verpflichtungen beiseite geschoben werden, findet ein junger Mann Trost darin, mit dem Bruder seines besten Freundes zu surfen.Wenn seine College-Träume durch familiäre Verpflichtungen beiseite geschoben werden, findet ein junger Mann Trost darin, mit dem Bruder seines besten Freundes zu surfen.Wenn seine College-Träume durch familiäre Verpflichtungen beiseite geschoben werden, findet ein junger Mann Trost darin, mit dem Bruder seines besten Freundes zu surfen.
- Auszeichnungen
- 11 wins total
Alejandro Patiño
- Moe
- (as Alejandro Patino)
Christina Blevins
- Partier
- (Nicht genannt)
Dominic Figlio
- Surfer
- (Nicht genannt)
Empfohlene Bewertungen
This film is inspiring and the acting is superb. Trevor Wright does an amazing job in making us believe he is struggling to be everything to his family while dealing with his sexuality. Brad Rowe is also incredible. Casting him with Trevor was perfect. They are a true couple in this story. Jonah will go far in his career if he continues to make outstanding films like this one! Nice job to here! Networks for producing such quality work. I would like to know how Jonah came up with the idea for Shelter? As the film gets distributed in theaters, I also hope it makes it to GLBT youth programs so that young audiences can see this film, and be proud of who they are.
10phoneb69
I saw this the other night at a screening in NYC...wasn't even going to go but decided at the last minute to go and so happy I did. This movie completely surprised me and impressed me. Wonderfully directed, great script and spot on acting. Absolutely the best gay themed movie I've seen since Brokeback Mountain and in some ways surpasses that movie. How refreshing to see a film that deals with gay characters and none of them have a disease or are all about sex. Not that there's anything wrong with that but it's about time we see more movies that represent the ENTIRE spectrum of the gay community. The situations here were believable...the two leads had actual chemistry and there was an overall realism to it that we've rarely seen on screen with gay characters. This film has absolute mainstream appeal to it...Go see it and bring your friends!
When I first watched this film, I was unprepared for and deeply moved by the honest and touching screenplay by director Jonah Markowitz and the superb quality of acting by a fine cast. Trevor Wright can be proud of his convincing and moving portrayal of a young man at a point in his life at which he is confused about and questioning his sexual orientation. Trevor Wright develops his character, Zach, in a completely natural and unforced manner. His control of his body language and facial expression -- particularly his eyes -- has to be seen to be believed in an actor of his age. His dialog flows naturally, giving one the impression that it is all being said for the first time. This last is true of the entire cast attesting to the knowing guidance of their director.
Also brilliant are the performances by Brad Rowe, Tina Holmes, Ross Thomas, Katie Walder and Jackson Wurth. Repeated viewing of the film makes even more clear the depth of characterizations by this very able cast. Most impressive is the emotion expressed by eye contact achieved between Trevor Wright and Brad Rowe -- something very uncommon and unforgettable in a film of this kind.
My only criticism is that a few scenes seem a little rushed. Another 8 to 10 minutes wouldn't have hurt this fine film. One example is the night scene in Zach's (Trevor Wright) backyard, beautifully shot incidentally, with the lights of the Vincent Thomas bridge in the background. A little more time could have been given to Zach's indecision to go to Shaun (Brad Rowe) and allow the scene to flow more naturally; a closeup of Zach's looking out at the bridge and then a shot of the bridge that will take him to Shaun might have been nice.
It is regrettable that this fine movie has not been given wide theatrical distribution.
Also brilliant are the performances by Brad Rowe, Tina Holmes, Ross Thomas, Katie Walder and Jackson Wurth. Repeated viewing of the film makes even more clear the depth of characterizations by this very able cast. Most impressive is the emotion expressed by eye contact achieved between Trevor Wright and Brad Rowe -- something very uncommon and unforgettable in a film of this kind.
My only criticism is that a few scenes seem a little rushed. Another 8 to 10 minutes wouldn't have hurt this fine film. One example is the night scene in Zach's (Trevor Wright) backyard, beautifully shot incidentally, with the lights of the Vincent Thomas bridge in the background. A little more time could have been given to Zach's indecision to go to Shaun (Brad Rowe) and allow the scene to flow more naturally; a closeup of Zach's looking out at the bridge and then a shot of the bridge that will take him to Shaun might have been nice.
It is regrettable that this fine movie has not been given wide theatrical distribution.
10laweat
Don't get me wrong, I'm a huge fan of Brokeback Mt., but I saw a screening of this film at the SF Gay and Lesbian Film Festival tonight and loved it as much as BBM and in some ways appreciated it more. At the Q & A after the screening the producer mentioned that the production company exec who green-lighted the project said he wanted to make "the anti-Brokeback," and in this I think they have succeeded magnificently. This is a genuine, heartfelt story about gay love minus all the tragedy and shattered lives. Which isn't to say there's no drama... Let's just say that some characters in the story have some problems, but mostly they're not a direct result of the love story at the film's core. For my money the acting (with avowed heterosexuals playing the gay roles, as in BBM) was more convincing, the kissing more natural, the sex scenes extremely sexy and moving; another milestone in the realistic portrayal of gay love and sex. The family setting provided a context that allowed one man's coming out story to be just one among many changes all families go through together while simultaneously putting some evil homophobic stereotypes to bed, you should pardon the expression, rather than dwelling on them as in BBM. Bravo to the filmmakers and excellent cast, and I hope you get a chance to see it soon if you weren't lucky enough to be among the 1400 people at the Castro theater tonight. Oh, and the lead actors are drop dead gorgeous and playing surfers. Enough said.
10jvframe
I'm previewing a disc version for the Brisbane Queer Film Festival where Shelter screens on Saturday 24th May 2008. Even in this low res screener, Shelter shines as a film with huge heart, and one that's been made with equal care by the actors and all of the film-makers.
It's not at all like the angst-ridden abomination of a gay surf flick "Tan Lines". Surfing is simply a fact of life element in "Shelter" - it's not used or abused as a device.
"Shelter" is a beautifully edited, spectacular looking and luscious sounding film which is definitely character driven. Each of the main characters is carefully developed so that we quite soon decide that we really do care about Zach, his young nephew Cody and Zach's love interest, Shaun. We want things to work out for them.
We understand that Zach is in a bind - he's allowed himself to be the physical and emotional anchor for a progressively more dysfunctional family, but we know that he deserves much better life options. The writers and director of Shelter have done a fantastic job - not a look or word is wasted, and yet the whole pace of the film is very relaxed.
"Shelter" deserves every accolade that any individual or Festival might care to bestow.
Straight audiences must find "Shelter" to be equally rewarding. The film's theme is, after all, about love, honour and commitment. What could be more wholesome than that?
It's not at all like the angst-ridden abomination of a gay surf flick "Tan Lines". Surfing is simply a fact of life element in "Shelter" - it's not used or abused as a device.
"Shelter" is a beautifully edited, spectacular looking and luscious sounding film which is definitely character driven. Each of the main characters is carefully developed so that we quite soon decide that we really do care about Zach, his young nephew Cody and Zach's love interest, Shaun. We want things to work out for them.
We understand that Zach is in a bind - he's allowed himself to be the physical and emotional anchor for a progressively more dysfunctional family, but we know that he deserves much better life options. The writers and director of Shelter have done a fantastic job - not a look or word is wasted, and yet the whole pace of the film is very relaxed.
"Shelter" deserves every accolade that any individual or Festival might care to bestow.
Straight audiences must find "Shelter" to be equally rewarding. The film's theme is, after all, about love, honour and commitment. What could be more wholesome than that?
Wusstest du schon
- WissenswertesThe film's director Jonah Markowitz voiced the Cal Arts employee who contacted Zack on his cell phone.
- PatzerWere they using two different GMC Jimmys? In the first scene where Zach drives up Gabe/Shaun's driveway it looks/sounds like he put the truck in Park, but in subsequent scenes in the truck he was shifting a manual.
- VerbindungenReferenced in My Big Break (2009)
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 142.666 $
- Eröffnungswochenende in den USA und in Kanada
- 3.464 $
- 23. März 2008
- Weltweiter Bruttoertrag
- 142.666 $
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