Der Junge im gestreiften Pyjama

I read the book "The Boy in the Striped Pyjamas" after coming across it in the library almost a year ago, and it amazed me. The unique approach taken by Mr Boyne put the subject matter across in a fresh and, if it is possible, even more heart-wrenching fashion. When I heard they were making the book into a film, I was very anxious, as I thought that they couldn't possibly convey the book onto the screen appropriately.

I am delighted to say that I was entirely wrong. I have just this minute returned home from seeing the film and I am absolutely stunned. The film is practically identical to the book, which was wonderful to see, and I thought that the acting was superb. Vera Farmiga and Asa Butterfield were, I thought, exceptional. The film was handled fantastically and I believe that the feel of the novel was not lost in the translation to screen.

Seeing the film was a lot more intense than reading the book and, even knowing what was coming, I found myself sobbing at the end, as were my father and step-mother, the latter of whom had never read the book, and was utterly shocked. This is the first film I have ever seen in which the whole audience were silent from beginning to end, and then, when the film ended, not a single person moved for a long time afterwards.

The film is an incredibly powerful, moving story, told superbly well by a stellar cast and crew. I would recommend it immensely to everyone.

The Boy in the Striped Pyjamas is an incredibly devastating movie which will leave you as an emotional wreck by the end... trust me. Even so, it is one of the sides of the war which is rarely shown in cinema and as a result, is a very important view and should be watched by everyone. I originally watched this movie in Secondary School when i was no older than 13 (my English teacher must enjoy watching kids cry). It has stuck with me ever since, and still to this day it leaves me speechless.

The story is told from the perspective of 8 year old Bruno, which provides the audience with a different perspective to the war that isn't seen too often. From an innocent mind. This only helps to make the movie's ending so much more powerful. Without giving anything away, this movie will stick with you for a long time.

The movie itself has been created beautifully. The cinematics, sound and editing is amazing and really helps create the perfect picture. I want to mention separately how good the actors were though. Some of these scenes wouldn't have been anywhere near as effective if it wasn't for the acting. 10/10. Makes me so proud of the British film industry :')

I highly suggest you watch this movie. Just have some tissues ready.

I can't speak for other people, but for me The Boy In The Striped Pyjamas is a film that can be seen once and once only because the impact is so shattering. Not even a stone statue can be not moved by this film, this child's eye view of the Holocaust.

Bruno is an 8 year old German kid whose father David Thewlis is an officer in the Wehrmacht. They're living a nice life in the beginning of World War II in metropolitan Berlin. Thewlis gets orders however shipping him to a command in a nice rural area of southern Germany, presumably Bavaria. Like any other kid he's upset at being dislocated from his friends and his school, but he certainly hasn't much to say in the matter.

So the family is uprooted to a lovely pastoral area where Dad's been put in charge of a concentration camp. Not one of the bigger ones like Auschwitz and Dachau, but a small one that his superiors expect Thewlis to run efficiently.

Young Bruno has absolutely no one to play with and he wanders over to the camp. His parents feel he's way too young to understand about these things and he makes friends with a kid on the other side of the barbed wire, a young Jewish boy named Shmuel who wears those funny striped pyjamas like everyone else in the camp.

Two things struck me about The Boy In The Striped Pyjamas. When I did a review of The Diary Of Anne Frank, the biggest impression I got out of the film was the ordinariness of that small group of Jews hidden in that attic. Who could possibly think these people were any kind of threat to civilization simply for being and believing in their faith? We get to see the other side of the looking glass here, a view of this very average German family, besides young Bruno and Thewlis, there's mother Vera Famiga and daughter Amber Beattie. Famiga is not happy one bit with her domestic situation and it's slowly dawning on her that the politics and policies of the Third Reich is the root of her concerns. As for Beattie, she's really buying into the whole Nazi thing, partly because she's going through puberty and a young and handsome aide to her father played by Rupert Friend is stirring up those first womanly feelings.

But to all intents and purposes this is your average German family, not too much different than the Frank family in that attic, but that this regime of hate has made Thewlis a death merchant.

The second thing that struck me and it's what gives hope to this crazy world is what passes between Asa Butterfield as Bruno and Jack Scanlon as Shmuel. If all we are as humans are reflections of our parents prejudices there would be absolutely no hope for mankind. But we do grow, we do question, some of us just don't accept everything that's fed to us. We don't see Shmuel's world of the camp until the very end, the boys mostly have contact with a barbed wire fence between them. But we see Bruno and his sister being now home schooled in Nazi teachings and his innocent contact with that kid on the other side of the fence makes him question what's going on.

The Boy In The Striped Pyjamas is one of the best films of 2008. You will not forget the performances of Butterfield and Scanlon and the adult cast members. The end will shatter your mind, but the film's depiction of friendship growing in the worst possible circumstances is also a message of hope.

My fiancé and I purchased tickets for a special advanced screening of this movie during the Carnegie Film Festival in Dunfermline, Fife. I didn't realise, but we were one of the first people to see it. I will try and not spoil it and keep the review very simple and straight forward.

The film is mainly shot through the eyes of Bruno played by Asa Butterfield growing up in war time Germany during the holocaust. After relocating at the will of the German Army, the film then centres on the friendship between Bruno and Shmuel (Jack Scanlon). I will end it there as I don't wish to spoil the rest of the film.

Putting to one side the fact that everyone has a flawless English accent (which does make it difficult to hate them at first), the cinematics, sound, editing and above all acting are a credit to the British film industry.

Asa Butterfield is fine young actor and I'm sure will be destined for even greater things in the future.

As I mentioned above, I won't give anything away, but I will say that this is the first time I have been to the Cinema and everyone sat quiet right up until the end of the credits.

Please, please see this film. It will remain with you for a long time.

When my son (nearly 12 years old) read the book he was awake until 5am that night thinking about the story and what it all meant; he had some penetrating questions too. A day or so later he said that he thought that it would make a good film, and imagine his delight when he saw that there was a film of the book.

I have taken him to see the film; and was riveted. I think that the style of the film is really that of an old fashioned family film, however the subject matter is emotionally very demanding and all the better for that. It does what good drama should do - makes you think and feel. As the credits ran, at the showing that I saw, no one moved or spoke for a minute or two. The Holocaust is a difficult subject, but to tell a story in such a way that it is accessible to a 12 year is a great achievement.

There have been some comments that the cast speak English (rather than, presumably, German) and that this is somehow a bad thing. What are the alternatives? Either sub-titles or daft 'ello 'ello accents. In some ways the ordinariness of the Nazis and the family points up the horror of what happened – that ordinary people can do the worst of things to fellow human beings.