Füge eine Handlung in deiner Sprache hinzuForty-year-old Jimmy is growing up--or at least he's getting older. While mooching the upper bunk of his 10-year-old nephew's bed, he enjoys the never-ending generosity of his sister Aiko an... Alles lesenForty-year-old Jimmy is growing up--or at least he's getting older. While mooching the upper bunk of his 10-year-old nephew's bed, he enjoys the never-ending generosity of his sister Aiko and dodges the wrath of his impatient brother-in-law Tak. He thinks that if only he could ge... Alles lesenForty-year-old Jimmy is growing up--or at least he's getting older. While mooching the upper bunk of his 10-year-old nephew's bed, he enjoys the never-ending generosity of his sister Aiko and dodges the wrath of his impatient brother-in-law Tak. He thinks that if only he could get married all his problems would be solved. But when he falls head over heels for Tak's ni... Alles lesen
- Auszeichnungen
- 3 wins total
- Tim Kim
- (as James Kyson-Lee)
- Waiter
- (as David Christenson)
- Muramoto
- (Synchronisation)
- Doctor
- (as Joe Polhemus)
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This crazy guy has been trying his luck on the dating scene, but has had little success. Somehow, the ladies seem able to resist the charms of this prize of a man. Although, as far as creepy uncles go, Jimmy's not actually all that threatening. He doesn't mean any harm. He's mostly just mind-blowingly dense. This isn't just your everyday, run-of-the-mill dysfunction. It's bang-your-head-against-the-wall, Jesus-face-palm level failure. You'd like to be able to write of Jimmy's antics as merely cultural misunderstanding (he's a new arrival from Japan). But, I think that'd be a little insulting to all the other recent immigrants out there. I mean, big-sis and brother-in-law are also relatively recent transplants, yet they manage to hold things together pretty well.
The overall tone of this film is goofy. The synopsis may make the story sound a little creepy and stalkerish, but I assure you that it's a straight-up comedy. Just when you think Hajime has finally outdone himself, he goes and finds an even more outrageous way to make a fool of himself (and thoroughly embarrass everyone within ear-shot). That's a special talent. His family keeps trying to help him get back on his feet (and out of their home), but he keeps finding even more spectacular ways of screwing everything up. But it's not too painful or cringe-worthy to watch. Ultimately, Jimmy is lovable, so we can understand why everyone just wants to help him out. He's got to get it right one of these days, right?
Jimmy is a pathetic Japanese divorcée who has left his country and moved in with his sister's family in the States. Jimmy is nearing 40 and has little to show for himself--not much of a job, no love life and he sleeps in the top bunk of his nephew's bunk-bed! However, when his brother-in-law's niece moves in temporarily, the dopey Jimmy is totally infatuated and soon behaves like an even bigger dope. At times, he is a little creepy--like a stalker--and I wish the film had not made him quite so extreme and creepy here. But, just when it seems to have gone over the top, it fortunately finds its way.
Throughout the story, there are LOTS of wonderful characters. The nephew, Bob, is great. So is the Banana Lady and many other folks scattered throughout the film. This is DEFINITELY a film for those who like independent cinema and want a film totally un-Hollywood in style. Well worth seeing despite a few lulls.
By the way, that's the director, David Boyle, inside the coffin in the funeral home segment! He's the second body you see and you have to look close for him in his trademark geek glasses. This is a WONDERFUL touch for his fans--as is seeing a poster for "White on Rice" in his previous film, "Big Dreams Little Tokyo"! Cute.
He takes advantage of his family, whether he means to or not. The best character in this whole movie is BOB, the 10-ish year old kid. His character is the comedic relief and is quite charming.
This movie has its moments, but I found the Uncle Jimmy to be the bane of my existence, in watching this. Although I didn't like it as much as I thought I would, I don't think it was that horrible of a story.
Wusstest du schon
- WissenswertesThe title is from the slang term "like white on rice", which means "as close as can be".
- VerbindungenFeatured in Big Dreams Little Tokyo (2006)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- ホワイト・オン・ライス
- Drehorte
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 69.171 $
- Eröffnungswochenende in den USA und in Kanada
- 8.079 $
- 13. Sept. 2009
- Weltweiter Bruttoertrag
- 69.171 $
- Laufzeit1 Stunde 23 Minuten
- Farbe