Die Missgeschicke des Faulpelzes Lee, seines besten Freundes Tim, seiner leidgeprüften Vermieterin und Liebe seines Lebens, Lucy, und Tims gutmütiger, aber dummer Freundin Daisy.Die Missgeschicke des Faulpelzes Lee, seines besten Freundes Tim, seiner leidgeprüften Vermieterin und Liebe seines Lebens, Lucy, und Tims gutmütiger, aber dummer Freundin Daisy.Die Missgeschicke des Faulpelzes Lee, seines besten Freundes Tim, seiner leidgeprüften Vermieterin und Liebe seines Lebens, Lucy, und Tims gutmütiger, aber dummer Freundin Daisy.
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I realize they had to update the show with kids, but the show is at its best with the adults. or maybe its the writers. bring back Daisy :)
The following remarks applied to the episode that went out on 13th October. I'm sorry to say the next week's episode was less funny, and just to confirm the trend, last night's episode hardly coaxed a smile out of me! Either I'm rapidly losing my sense of humour or the format and jokes have slipped into a rut in record-breaking time. A shame - we need something out-of-the-ordinary on a Friday - or any night, for that matter!
For the record, here's what I said after the first episode: Witty, quick-fire, funny! I liked it - good twists in the plot, nicely set up contrasts and conflicts between the main characters: Brits v Yanks, northern v southern, sloppy slacker v diligent plodder, male v female. The characters are likable and intelligent, but troubled, (like most of us), and they're a great relief from the witless slobs mostly featured in new sitcoms 'next door' at BBC 3. The scene with the shrink was superb. With a bit of luck this show will make it up there with 'The Office' and 'Men Behaving Badly'! I'd include 'The Mighty Boosh', except that that fine show will probably never appeal to prime time audiences. i understand the next episode features an Australian - yippee, more opportunities for 'incorrect' racism! North/South, Male v Female, Yank and Aussie seem to be the only areas where 'we' can get back at 'them' (and vice versa of course), without the stifling hand of correctness coming down! Let's hope it stays that way.
For the record, here's what I said after the first episode: Witty, quick-fire, funny! I liked it - good twists in the plot, nicely set up contrasts and conflicts between the main characters: Brits v Yanks, northern v southern, sloppy slacker v diligent plodder, male v female. The characters are likable and intelligent, but troubled, (like most of us), and they're a great relief from the witless slobs mostly featured in new sitcoms 'next door' at BBC 3. The scene with the shrink was superb. With a bit of luck this show will make it up there with 'The Office' and 'Men Behaving Badly'! I'd include 'The Mighty Boosh', except that that fine show will probably never appeal to prime time audiences. i understand the next episode features an Australian - yippee, more opportunities for 'incorrect' racism! North/South, Male v Female, Yank and Aussie seem to be the only areas where 'we' can get back at 'them' (and vice versa of course), without the stifling hand of correctness coming down! Let's hope it stays that way.
When I saw the write-up for 'Not Going Out', I was dubious - Friday evening on BBC1 isn't usually fertile ground for good comedy. I actually watched it almost by accident, but it turned out to be a happy accident, because 'Not Going Out' is an underrated gem.
Lee Mack ("always cheeky, never blue") is perfect and strangely charming as unambitious slacker, Lee, and Tim 'The Joke Machine-Gun' Vine is also excellent as his accountant best friend. Their friendship is really well-observed, even if they do spend much of the time trading in jokes and insults. Up against a pair of stand-up comedians, Megan Dodds has a tough job, but more than holds her own playing Lee's landlady (and Tim's ex-girlfriend) Kate. Dodds and Mack have a natural chemistry, and make you believe quite easily that an ultra-healthy Californian publisher could fall for an unemployed northern dosser. (It's interesting that comedian Catherine Tate was in the original pilot as Kate - somehow, I can't imagine it working so well without Megan Dodds. She and Mack play off each other so well.)
At times 'Not Going Out' seems like it's a framework for a bunch of stand-up jokes (and Mack does recycle some one-liners from his BBC radio show), but as the series goes on the story lines are getting better and the characters more engaging. It has genuine laugh-out-loud moments that stay with you for the next few days, and it's just refreshing to watch a comedy that doesn't mind being daft and isn't attempting to be political or subversive.
'Not Going Out' deserves a second series, because I know that Lee Mack and Andrew Collins have a lot more gags left in the tank - and I think the fall-out arising from a Lee/Kate romance could be pretty explosive, not to mention amusing!
Lee Mack ("always cheeky, never blue") is perfect and strangely charming as unambitious slacker, Lee, and Tim 'The Joke Machine-Gun' Vine is also excellent as his accountant best friend. Their friendship is really well-observed, even if they do spend much of the time trading in jokes and insults. Up against a pair of stand-up comedians, Megan Dodds has a tough job, but more than holds her own playing Lee's landlady (and Tim's ex-girlfriend) Kate. Dodds and Mack have a natural chemistry, and make you believe quite easily that an ultra-healthy Californian publisher could fall for an unemployed northern dosser. (It's interesting that comedian Catherine Tate was in the original pilot as Kate - somehow, I can't imagine it working so well without Megan Dodds. She and Mack play off each other so well.)
At times 'Not Going Out' seems like it's a framework for a bunch of stand-up jokes (and Mack does recycle some one-liners from his BBC radio show), but as the series goes on the story lines are getting better and the characters more engaging. It has genuine laugh-out-loud moments that stay with you for the next few days, and it's just refreshing to watch a comedy that doesn't mind being daft and isn't attempting to be political or subversive.
'Not Going Out' deserves a second series, because I know that Lee Mack and Andrew Collins have a lot more gags left in the tank - and I think the fall-out arising from a Lee/Kate romance could be pretty explosive, not to mention amusing!
On the first showing, I thought, 'well, that could have been better'. The second episode came on and I decided to give it another try. I laughed myself silly. This proves that comedy on Friday nights is finally making a comeback. Only into the fourth episode and I'm looking forward to the next episode. Lee Mack is brilliant and his timing is perfect. Tim Vine comes out with some great one liners. As for Megan Dodds, wow. Not only is she gorgeous, she can act. She may be just the reason I returned for a second helping and I'm glad I did. There maybe a few cheap laughs here and there, but they just warm you up for the smattering of funny gags, slapstick falls and superb lines. Worth staying in for. I just hope we see a second series and a DVD box-set.
I have to agree profusely with some comments that have been made on this title. Watching the two series I have been compelled by the nature of the comedy-which I have accertained as a compromise between stand-up comedy and a sitcom. Rather than to shroud the characters true feelings, as has been done before, all characters speak their mind. This brings the result of a comedic 'battle' between them in which their unresolved disputes and generic arguments are turned to light-hearted funny quirks in the viewers perspective, as the drama unfolds for all those involved-namely for the unfortunate Lee, who seems to be at the tail-end of most decisions and seems to have most bad-luck.
Conclusively, I believe that the more unnatural stance on this genre is very effective for a wide audience, and makes a welcome change from your standard sitcom. Moreover, I believe that an entertaining show such as this does not need to develop further. As has happened in many American comedy shows, characters and plots have been killed off by over-running; but a good show should end whilst it is still laughed at and enjoyed by its viewers, as to bring it into a reputable class of British comedy.
Conclusively, I believe that the more unnatural stance on this genre is very effective for a wide audience, and makes a welcome change from your standard sitcom. Moreover, I believe that an entertaining show such as this does not need to develop further. As has happened in many American comedy shows, characters and plots have been killed off by over-running; but a good show should end whilst it is still laughed at and enjoyed by its viewers, as to bring it into a reputable class of British comedy.
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- VerbindungenFeatured in Friday Night with Jonathan Ross: Folge #11.6 (2006)
- SoundtracksNot Going Out (Title Music)
Written by Alex Hardcastle
Performed by Stephen Triffitt (uncredited)
[Opening and closing theme song]
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